Top 9 Quotes & Sayings by Hampton Fancher

Explore popular quotes and sayings by an American actor Hampton Fancher.
Last updated on December 21, 2024.
Hampton Fancher

Hampton Lansden Fancher is an American actor, screenwriter, and filmmaker, best known for co-writing the 1982 neo-noir science fiction film Blade Runner and its 2017 sequel Blade Runner 2049, based on the novel Do Androids Dream of Electric Sheep? by Philip K. Dick. His 1999 directorial debut, The Minus Man, won the Special Grand Prize of the Jury at the Montreal World Film Festival.

Life is sinister. I don't know if I am representing life exactly, but sinister, I think it has to do with dreams. You're dreaming when you're awake: you're sitting on the subway and you look around, and you can think of sinister things that are kind of delightful to think of because they're not really happening, but they are in your mind. They're about wishes, desires - sexy, dangerous, hopeful, the way it could be, maybe.
Hollywood's always saying, "Yesterday!" and scares you to death with all that deadline and yelling and impatience stuff.
It's really hard to write a screenplay, it's nauseating. All those great writers that tried to write screenplays, they couldn't do it, most of them - John Faulkner, whoever, Aldous Huxley.
I tried to write things, but they were so ridiculous and stupid and impossible and I had not a clue what they were, so that delusion went on for a long time. Maybe it's still going on, only somehow I sucked some people in. It was a long time of writing things that didn't make sense in the real world, and I'm embarrassed about them now in a jocular way.
I went to LA because my parents were there and somebody asked me if I wanted to be in a movie. It was easy, it wasn't easy to do, but I fell into it. I made a living as an actor for a long time, but I didn't think of myself as an actor, I thought I was a writer.
I don't mean to talk so much about screenplay writing. Who wants to talk about screenplay writing? I've taught it and I felt like a charlatan because what I was teaching I probably couldn't do.
I wonder if these editors, why they're not writers sometimes, because they know so much about writing.
I guess the freedom - poetic freedom - because the poetic part of short story form is an attempt to say something that's unsayable about one's incarcerated existence, and it's fun to come up with words to represent that condition, and it's fun to pull the tail of absurdity and rile it up, where you giggle at what you do or you get enthralled and in the short story.
Preston Sturges, who wrote The Palm Beach Story, said screenplay writing is architecture. That's why it's so rare to read one that's any good. — © Hampton Fancher
Preston Sturges, who wrote The Palm Beach Story, said screenplay writing is architecture. That's why it's so rare to read one that's any good.
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