Top 41 Quotes & Sayings by Hannah Kent

You know you're going to have a good day when your morning begins with breakfast in the same room as Carrie Tiffany, David Vann and Lionel Shriver.

I applied for funding to embark on an overseas field trip in Iceland, and spent six weeks there happily holed up in the national archives, museums and libraries, sifting through ministerial and parish records, censuses, maps, microfilm, logs, and local histories.

I always knew I wanted to be a writer. I just wasn't sure what I wanted to do as a money-making job.

I have a deep and ongoing love of Iceland, particular the landscape, and when writing 'Burial Rites,' I was constantly trying to see whether I could distill its extraordinary and ineffable qualities into a kind of poetry.

When I write, I write for myself, and I have high expectations... so I'm just trying to meet those. I'm not going to distract myself with other people's expectations.

I was a very imaginative child, and my parents were very encouraging of that. My sister and I would put on plays; I would write my own stories.

People speak of the fear of the blank canvas as though it is a temporary hesitation, a trembling moment of self-doubt. For me it was more like being abducted from my bed by a clown, thrust into a circus arena with a wicker chair, and told to tame a pissed-off lion in front of an expectant crowd.

There are secrets at the heart of every story; there is something that must be uncovered or discovered, both by the reader and by the characters.

I had expected that at some point during the first draft a light would go on, and I would understand, finally, how to write a book. This never happened. The process was akin to blindly walking in the dark, feeling my way only by touch, and only recognising dead ends when I smacked into them.

I used to have 20/20 vision, believe it or not; that's gone because of all the reading I did when I wasn't supposed to, reading in the back of a car, waiting for each street light to go past so I could grab another sentence.

I really hate the term 'historical novel' - it reminds me of bodice-rippers. But I'm hooked on research, and I really, really enjoy it.

I had an interest in Scandinavian countries because I'd never seen snow.

In Iceland, you can see the contours of the mountains wherever you go, and the swell of the hills, and always beyond that the horizon. And there's this strange thing: you're never sort of hidden; you always feel exposed in that landscape. But it makes it very beautiful as well.

I first heard the story of Agnes Magnusdottir when I was an exchange student in the north of Iceland.

I don't like to pretend I was guided in any way by the supernatural world, but the more you talk about that, the easier it is to dismiss those notions.

The mystery at the center of 'Burial Rites' is not who killed whom on the night of March 13, 1828. It is the mystery each of us encounters: Can we every truly know another? Can we ever truly know ourselves?

My dad would tell me bedtime stories, and he used to always leave them open-ended and finish at a crucial point with the words, 'dream on'. Then it was my responsibility to finish the story as I was drifting off to sleep. We would call them dreaming stories.

Most writers are drawn to what is unknown, rather than what is clear in any tale.

I still don't know why, exactly, but I do think people can have a spiritual connection to landscape, and I certainly did in Iceland.

When did a smile ever get anyone into trouble?

I preferred to read than talk with the others.

I have a deep and ongoing love of Iceland, particular the landscape, and when writing Burial Rites, I was constantly trying to see whether I could distill its extraordinary and ineffable qualities into a kind of poetry.

The gloom encroaches upon my mind, and my heart flutters like a bird held fast in a fist.

I don't want to be remembered, I want to be here!

Cruel birds, ravens, but wise. And creatures should be loved for their wisdom if they cannot be loved for kindness.

If I believed everything everyone had ever told me about my family I'd be a sight more miserable than I am now

No doves come from ravens’ eggs

In Iceland, you can see the contours of the mountains wherever you go, and the swell of the hills, and always beyond that the horizon. And theres this strange thing: youre never sort of hidden; you always feel exposed in that landscape. But it makes it very beautiful as well.

So lonely I make friends with the ravens that prey on lambs.

As though prayer could simply pluck sin out. But any woman knows that a thread, once woven, is fixed in place; the only way to smooth a mistake is to let it all unravel.

...dreadful birds, dressed in red with breasts of silver buttons, and cocked heads and sharp mouths, looking for guilt like berries on a bush.

How can I say what it was like to breathe again? I felt newborn. I staggered in the light of the world and took deep gulps of fresh sea air. It was late in the day: the wet mouth of the afternoon was full on my face. My soul blossomed in that brief moment as they led me out of doors. I fell, my skirts in the mud, and I turned my face upwards as if in prayer. I could have wept from the relief of light.

Endless days of dark indoors and hateful glances are enough to set a rime on anyone's bones.

Memories shift like loose snow in a wind, or are a chorale of ghosts all talking over one another. There is only ever a sense that what is real to me is not real to others, and to share a memory with someone is to risk sullying my belief in what has truly happened.

To know what a person has done, and to know who a person is, are very different things.

A bubble of fear passes up my spine. It's the feeling of standing on ice and suddenly hearing it crack under your weight - both thrilling and terrifying together.

I've been half-frozen for so long, it is as though the winter has set up home in my marrow.

It’s not fair. People claim to know you through the things you’ve done, and not by sitting down and listening to you speak for yourself.

The treachery of a friend is worse than that of a foe.

It was only later that I suffocated under the weight of his arguments, and his darker thoughts articulated. It was only later that our tongues produced landslides, that we become caught in the cracks between what we said and what we meant, until we could not find each other, did not trust the words in our own mouths.

I have made a mistake. They condemn me to death and I ask for a boy to coach me for it. A red-headed boy, who gobbles his buttered bread and toddles to his horse with the seat of his pants wet, this is the young man they hope will get me on my knees, full of prayer. This is the young man I hope will be able to help me, although with what and how I cannot think.