Top 256 Quotes & Sayings by Henry James - Page 4

Explore popular quotes and sayings by an American novelist Henry James.
Last updated on April 14, 2025.
A solitary maple on a woodside flames in single scarlet, recalls nothing so much as the daughter of a noble house dressed for a fancy ball, with the whole family gathered around to admire her before she goes.
The girl had a certain nobleness of imagination, which rendered her a good many services and played her a great many tricks. She spent half her time in thinking of beauty, bravery, magnanimity; she had a fixed determination to regard the world as a place of brightness, of free expansion, of irresistible action, she thought it would be detestable to be afraid or ashamed. She had an infinite hope that she would never do anything wrong. She had resented so strongly, after discovering them, her mere errors of feeling.
A swift carriage, of a dark night, rattling with four horses over roads that one can’t see--that’s my idea of happiness. — © Henry James
A swift carriage, of a dark night, rattling with four horses over roads that one can’t see--that’s my idea of happiness.
London is on the whole the most possible form of life.
I ought to tell you that I'm probably your cousin.
The house of fiction has in short not one window, but a million, ... but they are, singly, as nothing without the posted presence of the watcher.
I recall this passage as the hour of its first fully coming over me that she was a beautiful liberal creature. I had seen her personality in glimpses and gleams, like a song sung in snatches, but now it was before me in a large rosy glow, as if it had been a full volume of sound. I heard the whole of the air, and it was sweet fresh music, which I was often to hum over.(Sir Edmund Orme)
It might seem that an egg which has succeeded in being fresh has done all that can reasonably be expected of it.
It is indeed immensely picturesque. I can fancy sitting all a summer's day watching its shadows shorten and lengthen again, and drawing a delicious contrast between the world's duration and the feeble span of individual experience. There is something in Stonehenge almost reassuring; and if you are disposed to feel that life is rather a superficial matter, and that we soon get to the bottom of things, the immemorial gray pillars may serve to remind you of the enormous background of time.
What is either a picture or a novel that is not character?
The girl had a certain nobleness of imagination, which rendered her a good many services and played her a great many tricks.
Nothing, of course, will ever take the place of the good old fashion of 'liking' a work of art or not liking it; the more improved criticism will not abolish that primitive, that ultimate, test.
We trust to novels to train us in the practice of great indignations and great generosity.
She carried within herself a great fund of life, and her deepest enjoyment was to feel the continuity between the movement of her own heart and the agitations of the world. For this reason, she was fond of seeing great crowds, and large stretches of country, of reading about revolutions and wars, of looking at historical pictures--a class of efforts to which she had often gone so far as to forgive much bad painting for the sake of the subject.
Novelist-Citizen of Two Countries Interpreter of his Generation on both Sides of the Sea. — © Henry James
Novelist-Citizen of Two Countries Interpreter of his Generation on both Sides of the Sea.
I recall my fleeting instants in Savannah as the taste of a cup charged to the brim.
Autobiography may be the preeminent kind of American expression.
She is written in a foreign tongue.
It was the way the autumn day looked into the high windows as it waned; the way the red light, breaking at the close from under a low sombre sky, reached out in a long shaft and played over old wainscots, old tapestry, old gold, old colour.
You seemed to me to be soaring far up in the blue - to be sailing in the bright light, over the heads of men. Suddenly some one tosses up a faded rosebud - a missile that should never have reached you - and down you drop to the ground.
I always want to know the things one shouldn't do." "So as to do them?" asked her aunt. "So as to choose." said Isabel
He valued life and literature equally for the light they threw upon each other; to his mind one implied the other; he was unable to conceive of them apart.
My idea is this, that when you only love a little you're naturally not jealous — or are only jealous also a little, so that it doesn't matter. But when you love in a deeper and intenser way, then you're in the very same proportion jealous; your jealousy has intensity and, no doubt, ferocity.
The critical sense is so far from frequent that it is absolutely rare, and the possession of the cluster of qualities that minister to it is one of the highest distinctions... In this light one sees the critic as the real helper of the artist, a torchbearing outrider, the interpreter, the brother... Just in proportion as he is sentient and restless, just in proportion as he reacts and reciprocates and penetrates, is the critic a valuable instrument.
..her smile, which was her pretty feature, was never so pretty as when her sprightly phrase had a scratch lurking in it.
Most English talk is a quadrille in a sentry-box.
Happy you poets who can be present and so present by a simple flicker of your genius, and not, like the clumsier race, have to laya train and pile up faggots that may not after prove in the least combustible!
I have only to let myself go! So I have said all my life, yet I have never fully done it.
She envied Ralph his dying, for if one were thinking of rest that was the most perfect of all. To cease utterly, to give it all up and not know anything more — this idea was as sweet as the vision of a cool bath in a marble tank, in a darkened chamber, in a hot land.
She took refuge on the firm ground of fiction, through which indeed there curled the blue river of truth.
She had always been fond of history, and here [in Rome] was history in the stones of the street and the atoms of the sunshine.
If the artist is necessarily sensitive, does that sensitiveness form in its essence a state constantly liable to shade off into the morbid? Does this liability, moreover, increase in proportion as the effort is great and the ambition intense?
...The peculiar air of Oxford-the air of liberty to care for the things of the mind assured and secured by machinery which is in itself a satisfaction to sense.
His kiss was like white lightning, a flash that spread, and spread again, and stayed.
No, no—there are depths, depths! The more I go over it, the more I see in it, and the more I see in it, the more I fear. I don’t know what I don’t see—what I don’t fear!
Make him [the reader] think the evil, make him think it for himself, and you are released from weak specifications.
The fatal futility of Fact.
Every governmental institution has been a standing testimony to the harmonic destiny of society, a standing proof that the life of man is destined for peace and amity, instead of disorder and contention.
...and the great advantage of being a literary woman, was that you could go everywhere and do everything. — © Henry James
...and the great advantage of being a literary woman, was that you could go everywhere and do everything.
Experience was to be taken as showing that one might get a five-pound note as one got a light for a cigarette; but one had to check the friendly impulse to ask for it in the same way.
Women never dine alone. When they dine alone they don't dine.
... since she might not be splendid, she would at least be immaculate.
She had her own way of doing all that she did, and this is the simplest description of a character which, although by no means without liberal motions, rarely succeeded in giving an impression of suavity.
Art is a point of view, and a genius way of looking at things.
To say that she had a book is to say that her solitude did not press upon her; for her love of knowledge had a fertilizing quality and her imagination was strong. There was at this time, however, a want of lightness in her situation, which the arrival of an unexpected visitor did much to dispel.
Always keep a window in the attic open; not just cracked: open.
The "germ," wherever gathered, has ever been for me, "the germ of a story," and most of the stories strained to shape under my hand have sprung from a single small seed, a seed as remote and windblown as a casual hint.
To treat a big subject in the intensely summarized fashion demanded by an evening's traffic of the stage when the evening, freely clipped at each end, is reduced to two hours and a half, is a feat of which the difficulty looms large.
Though it might have its momentary alarms, paternity is not an exciting vocation.
The practice of "reviewing"... in general has nothing in common with the art of criticism. — © Henry James
The practice of "reviewing"... in general has nothing in common with the art of criticism.
The image of the presence, whatever it was, waiting there for him to go -this image had not yet been so concrete for his nerves as when he stopped short of the point at which certainty would have come to him. For, with all his resolution, or more exactly with all his dread, he did stop short - he hung back from really seeing. The risk was too great and his fear too definite: it took at this moment an awful specific form.
Little by little, even with other cares, the slowly but surely working poison of the garden-mania begins to stir in my long-sluggish veins.
Art does not lie in copying nature.- Nature furnishes the material by means of which is to express a beauty still unexpressed in nature.-The artist beholds in nature more than she herself is conscious of.
I've struck up a tremendous intimacy with Conte Alberto, and we literally can't live without each other. He is the first object my eyes greet in the morning, and the last at night.
That accurst autobiographic form which puts a premium on the loose, the improvised, the cheap, and the easy.
I have lived too long in foreign parts
Am I solemn? I had an idea I was grinning from ear to ear." "You look as if you were taking me to a prayer-meeting or a funeral. If that's a grin your ears are very near together." "Should you like me to dance a hornpipe on the deck?" "Pray do, and I'll carry round your hat. It'll pay the expenses of our journey.
Kidd, turn off the light to spare my blushes.
If we pretend to respect the artist at all we must allow him his freedom of choice , in the face, in particular cases, of innumerable presumptions that the choice will not fructify.
Make (the reader) think the evil, make him think it for himself, and you are released from weak specifications. My values are positively all blanks, save so far as an excited horror, a promoted pity, a created expertness... proceed to read into them more or less fantastic figures.
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