Top 214 Quotes & Sayings by Howard Jacobson - Page 3

Explore popular quotes and sayings by a British novelist Howard Jacobson.
Last updated on November 22, 2024.
It is good for a person who has suffered from acute shyness, as I had, to find that he can cause as much upset as he suffered. Better to be a brute, I thought, than to be a wallflower.
As a Jew, I believe that every argument has a counterargument.
I think one of the main reasons I write is to do better than ranting. The ranting is the opinion, and the writing is not the opinion. I always say that people's opinions are the worst things about them. The words demand a dignity.
For me a Writing Day was an occasion for self-reproach and panic, a time to lament the passing of the years, stare out of windows and remember that even those famous late starters Joseph Conrad and George Eliot had started by the age I was now.
I've always liked older women. One sad thing about being my age is that there are no older women. I used to amuse my mother's friends even at five or six with witty turns of phrase. Somehow, I just knew how to be funny.
'J' is a novel. A story about what it is like for people after a terrible event. And it is a love story, because I feel a novel is inevitably a love story. — © Howard Jacobson
'J' is a novel. A story about what it is like for people after a terrible event. And it is a love story, because I feel a novel is inevitably a love story.
When people speak to me of the torment of writing, I can think only of what it was like before I wrote: once writing meant writing and not thinking about writing, I knew nothing of any torment.
I wouldn't suppose for one moment that there's a single one of Trump's voters that would be anything but confirmed in their beliefs.
Things go bad after a divorce and often stay that way. It is rare for the parties to return placidly to a time before they met. A bitterness lingers on. Those who call this our Independence Day, fantasising of returning to a never-never time before they married, when they were free, easy, single, and master of their fate, are delusional.
You can have your country and be pleased to welcome others to it. You can have your country and still enjoy living elsewhere.
How Donald Trump has come so far with so few words - how he even managed to keep up conversationally with all those beauty queens - is a question I don't expect ever to be solved.
There mustn't be a moment when we turn on the TV and think, 'There's Trump in the White House' - that must never feel normal.
Although, from the point of view of sociology, the overt ambition of 'American Pastoral' - to imagine the impact on a good man of America's fall from the family decencies of the '30s and '40s to the self-centred violence of the '60s - outstrips anything Sabbath's Theater attempts, the writing is no less fervid an excurse into the writer's mind.
Our connection to the great myths of our natures is murky. A mother might see the Medea in herself without imagining she will ever do away with her children.
Everything is allowable in literature, but what is not allowable in criticism is objection on the grounds of probability.
When I see ultra-Orthodox Jews stamping all over Jaffa, or when I see them deciding who is a Jew, I think: 'What's happened to the grand dream of Zionism?' I don't like to see ultra-Orthodox Jews in Israel. What's wrong with Manchester?
I find Australia compelling and vexatious at the best of times; I've never been able to get it out of my system since going there as a young lecturer, and yet however much I love revisiting it, I always feel I have to leave again.
You don't divorce simply because your spouse has a number of qualities you dislike and on occasions makes your life uncomfortable. If you are reasonable, you view divorce as a measure of last resort. There are many steps you can take in the meantime. You might even call in a trained mediator.
The presence of a Jew in any movement no more guarantees it to be innocent of antisemitism than guilty. And that applies to anti-Zionism, too. Anti-Zionist Jews exist, but that tells one nothing about anti-Zionism.
One of my agents once said I was one of the most dangerous men in London, and I was so excited by that. For a few days, I walked around Soho snarling. — © Howard Jacobson
One of my agents once said I was one of the most dangerous men in London, and I was so excited by that. For a few days, I walked around Soho snarling.
I was young; I was newly married. My Cambridge degree was still warm in my pocket - a roll of parchment guaranteeing me, I thought, a sort of free ambassadorial passage to any campus of my choosing, and I had chosen Sydney - the world was all before me.
If we declare ourselves, as readers, to be on the side of life, the question has to be asked what sort of life we are on the side of.
Trump can be damned to all hell with his enclosed little world in which no thought is possible. But it's the encouraging of half the people of America and many more besides to hate words, hate what words can do, hate thought, hate the liberal, the sophisticated, the metropolitan. It's anger-making.
Every time I criticize the anti-Zionists, they say, 'You are trying to silence us.' I don't deny there are some people who are critical of Israel who are not anti-Semitic. But to criticize Israel, and then criticize Zionism, is not quite the same thing.
One of the great things about us Jews is that we tell the best jokes. Part of the reason is we tell jokes against ourselves - before anyone else gets to do it.
I have never met an intelligent optimist. That is not to say I think pessimism makes you intelligent, but I have always felt like an Old Testament Jeremiah or Cassandra from ancient Greece. I want to run down the streets warning people.
You fall in love differently when you are young and far from home in a seductive place. You fall in love with the very air you breathe, and the vivid colours and the unbearably sweet sensation of distance and unaccustomedness.
When I first went to Israel, I saw soldiers pushing Palestinians around and thought, 'I can't stand this'. Then I'd meet somebody in a bar saying what wonderful people the Palestinians are and what mamzers the Jews are, and I'd think, 'Hang on'. It should be hard to make up your mind on any serious subject.
I've always felt as much outside the Jewish experience as in it. It astonished my family that I wrote about things Jewish.
I was a 'reverence for life' man - 'see life steadily and see it whole' - in my days as a lecturer in English lit. We are, I argued, if not exactly 'saved' by reading, at least partially 'repaired' by it: made the better morally and existentially.
My mother's side taught me to be a little bit afraid of everything. For a long time, I was quiet and cautious. But shyness makes you notice other people's excruciations and feel for them. I think that made a writer of me.
I normally take a long time finding titles. I finish the book and go into sweats for months afterwards trying to think of them.
I should have conceived the idea for 'The Mighty Walzer' earlier. A boy who dreamed of winning fame, fortune, and the adoration of beautiful women as a table-tennis player - shame on me for taking so long to see the mock-heroic possibilities in that.
Nobody who's thought about politics or democracy over the thousands of years that people have been thinking about democracy hasn't come up against the fact that the people will often be wrong. And what do you do when they are? You can't just say, 'Well, it's the will of the people.'
People keep saying you can't satirize Trump because he's beyond satire, but it's not difficult to just let him out and let him walk upon the stage and say his own words.
If the Jew transmogrified into the Devil for the medieval church, he retained his devilish characteristics as Christian sentiment found other places to express itself, early socialism being one of them.
Trump's hobbled vocabulary is now the incontestable stuff of comedy: not just how few his words but how narrow their range, from boastful to irked and back again. For satirists and impressionists, a president who addresses the American people in abbreviated tweetspeak is a gift.
The 'Reader's Digest' used to run a feature called 'It Pays to Increase Your Word Power.' The new wisdom - post-Trump and Brexit - is that it doesn't.
Not everyone is fortunate enough to earn their living playing. But what draws people to art and artists is a desire to enjoy the propinquity of play. For it is the very freedom of the imagination. And what else were we born to do, but imagine freely?
Words do not necessarily make us moral. And there have been presidents before who have stumbled over syntax and looked foolish when the words they have been forced to speak have been their own. But Trump is uniquely stunted. A child listening to two of his speeches could reproduce a third without the use of a dictionary.
To assert that antisemitism is unlike other racisms is not to claim a privilege for it. Hating a Jew is no worse than hating anyone else. — © Howard Jacobson
To assert that antisemitism is unlike other racisms is not to claim a privilege for it. Hating a Jew is no worse than hating anyone else.
Reading literature remains a civilising activity, no matter that it's literature in which people do and say abominable things and the author curses like the very devil. What's at issue is how we describe the way the civilising works.
To a philosopher like Nietzsche, the Jew is culpable not for rejecting Christianity but for inventing it.
Ideally, I would like everyone in the world to read and love my novels. In fact, I can't believe that everyone in the world doesn't love them. What is there not to love?
Sometimes I felt like my columns were like little novels in themselves. But I wasn't writing what I believed. I'm not interested in what I believe.
People often think that you have a sense of humor because you think that life is funny. Life isn't funny at all. It's appalling and tragic.
In my experience, every book you write changes the conditions in which you write the next.
A novel is not a play. A novel takes one reader at a time into its confidence. It can be shockingly personal. Private, even.
Think of the aged and bed-ridden Matisse cutting out strips of coloured paper, much as a child might, and investing them with a more than mortal vitality... Those strips of paper resonate because they prove that our materials don't determine in advance the worth of what we make.
If you had to say in one sentence what being Jewish means, it is being able to make fun of yourself Jewishly.
Rereading one's own novels after many years is always a fraught business, but when a novel has fallen out of print - 'The Very Model of a Man' is the only novel of mine that has - and so crops up infrequently in conversations with readers or indeed with oneself, revisiting it can be perilous.
One should take writers' valuations of their own work with a pinch of salt: they are likely to rank them differently tomorrow.
I would rise, monk-like, at 6 A.M., speak to no one, make tea, and go immediately to my desk from which I didn't move until frills appeared around the edges of my eyes or I heard the sound of a wine bottle being uncorked. It would give the wrong impression to describe these as Writing Days.
Making America great again, as if to keep the world out. The world and all its fresh ideas and everything that's new and exhilarating and the wind of change that should blow through the world - block it out, wall ourselves up. That for me goes with a small vocabulary. A narrow, confining vocabulary.
Many a trivial novel has been written about an important subject, and many a profound one about nothing in particular. — © Howard Jacobson
Many a trivial novel has been written about an important subject, and many a profound one about nothing in particular.
Failing to see the point is not a virtue.
I've never owned a T-shirt. I don't like vests or sweaters or cardies with zips. I like a proper shirt with a collar. There's nothing else that I think I look nice in. I don't think there's anything else that other men look nice in, to be honest. Things with words on! Can you imagine? On grown-ups! Words are to make books with.
Literature more often tells the story of impulses we don't act on than of ones we do. I could joke about the Cain and Abel story with my brother without expecting him to be worried, though it's always possible he was more anxious than he let on.
You don't remember people you love by the wise things they say but the silly things they do.
No traveller ever sets out with so little idea of where he is going or how he is going to get there than an artist does. And no traveller ever gets to a more wonderful place.
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