Top 42 Quotes & Sayings by Imogen Cunningham

Explore popular quotes and sayings by an American photographer Imogen Cunningham.
Last updated on April 14, 2025.
Imogen Cunningham

Imogen Cunningham was an American photographer known for her botanical photography, nudes, and industrial landscapes. Cunningham was a member of the California-based Group f/64, known for its dedication to the sharp-focus rendition of simple subjects.

There are certain things you don't discuss with Ansel, especially if you don't agree.
I never stopped photographing. There were a couple of years when I didn't have a darkroom, but that didn't stop me from photographing.
Well, I turn people into human beings by not making them into gods. — © Imogen Cunningham
Well, I turn people into human beings by not making them into gods.
I was invited to photograph Hollywood. They asked me what I would like to photograph. I said, Ugly men.
I'd never kill myself for a man. I wouldn't do it for anybody.
When people ask me silly questions about my private life, I just say, I don't discuss that.
Everybody who does anything for the public can be criticized. There's always someone who doesn't like it.
It's silly to keep people alive who have a terrible disease.
Anybody is influenced by where and how he lives.
Get it out of your historic head.
When you do portraits professionally it's not a desire, it's for money.
I was poor. When you're poor you work, and when you're rich you expect somebody to hand it to you. So I think being reasonably poor is very good for people.
I told the students that whatever they did in class was for the wastebasket. — © Imogen Cunningham
I told the students that whatever they did in class was for the wastebasket.
I became kind of a drop-out in science after I came back to America. I wanted to photograph.
I turn people into human beings by not making them into gods.
My mind is vacant on names, but I know him as well as anything. When I need names they drop out of my head; when I don't need them they drop back.
I don't talk about success. I don't know what it is. Wait until I'm dead.
I was brought up on art. My father thought I had a great hand at art and sent me to art school. But he did not want me to become a photographer.
Oh, you ask me, what is the greatest torture of a person who does portraits for a living? I could fill several volumes with nice nasty stories. I don't know.
A woman said to me when she first sat down, You're photographing the wrong side of my face. I said, Oh, is there one?
I hate big models.
I don't know what love means.
Some people say to me, Isn't it too bad that people discovered you so late? I never thought that.
You see, I became kind of a drop-out in science after I came back to America.
I don't love the world. I think Jupiter should have hit us.
I don't think there's any such thing as teaching people photography, other than influencing them a little. People have to be their own learners. They have to have a certain talent.
When People magazine called me, I did the job on Ansel. I'm older than Ansel and he has to mind me.
I don't resent anything.
When I need names they drop out of my head; when I don't need them they drop back. — © Imogen Cunningham
When I need names they drop out of my head; when I don't need them they drop back.
I think San Francisco is the best place in the whole world for an easy life.
I wasn't very ambitious. I think that's the solution. I just took things as they came. I wouldn't say I didn't have any problem, but I didn't care. I didn't think I was going to save the world by doing photography as some of these people do. I was just having a good time doing it, and so I still had a good time no matter what I had to photograph.
Which is my best picture? The one I will do tomorrow.
You know, a documentary is only interesting once in a while. If you look at a whole book of Dorothea [Lange]'s where she has row after row of people bending over and digging out carrots - that can be very tedious. And so it's only once in a while that something happens that is worth doing.
The formula for doing a good job in photography is to think like a poet.
...There are too many people studying it [photography] now who are never going to make it. You can't give them a formula for making it. You have to have it in you first, you don't learn it. The seeing eye is the important thing.
None of us is born with the right face. It’s a tough job being a portrait photographer.
I just believe in working. I'm not one of those romantic explainers of my own individual point of view.
Which of my photographs is my favorite? The one I'm going to take tomorrow.
The thing that's fascinating about portraiture is that nobody is alike. — © Imogen Cunningham
The thing that's fascinating about portraiture is that nobody is alike.
So many people dislike themselves so thoroughly that they never see any reproduction of themselves that suits. None of us is born with the right face. It’s a tough job being a portrait photographer.
Suppose Cartier-Bresson asked the man who jumped the puddle to do it again --- it never would have been the same. Start stealing!
I never divide photographers into creative and uncreative, I just call them photographers. Who is creative? How do you know who is creative or not?
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