Top 202 Quotes & Sayings by Iris Apfel

Explore popular quotes and sayings by an American businesswoman Iris Apfel.
Last updated on December 3, 2024.
Iris Apfel

Iris Apfel is an American businesswoman, interior designer, and fashion icon. In business with her husband, Carl, from 1950 to 1992, Apfel led a career in textiles, including a contract with the White House that spanned nine presidencies. In retirement, she drew acclaim for a 2005 show at the Costume Institute at The Metropolitan Museum of Art featuring her collection of costume jewelry and styled with clothes on mannequins as she would wear it. She has become a fashion icon, she signed to IMG in 2019 as a model at age 97, and she was featured in a 2014 documentary called Iris by Albert Maysles.

Fashion and interior design are one and the same.
I was in art school since I was five years old. I've always been to art school. Everything that's happened to me, nothing's been planned. I've never had a business plan. I just kind of fell into it, and I liked it, and I took a chance. I took a lot of chances in my life.
I had a very brilliant father who was not only intellectual, but was street-smart and very curious to boot. The day I found out that he didn't know everything, I grew up. It was a shock. I just thought that the man was the end-all of everything, and he knew the answer to everything. Then I found out I'd have to find out my own answers.
I think people should express themselves more and not just buy what's in. While it can be very beautiful, and it may suit you perfectly, I'm sure it doesn't suit everyone in the same way. I like people who express themselves and are more individualistic.
You learn as you grow up, if you're intelligent - or even three-quarter witted - that there's no free lunch. You pay for things in various ways. Living, loving, everything else is a matter of the same principles: you learn to work with what you have.
Colour can raise the dead. — © Iris Apfel
Colour can raise the dead.
My father told me once not to expect anything from anybody so I wouldn't be disappointed. If somebody was nice and did nice things for me, I should be overjoyed, but I shouldn't go through life expecting it, which is very good advice.
I never buy what someone says is 'in' or a 'must-have.' I buy what makes me happy.
Aging gracefully is about no heavy makeup, and not too much powder because it gets into the wrinkles, and, you know, to not get turtle eyelids and to not try to look young.
I'm not a collector of clothes. I've got clothes to wear.
Understated jewellery is not for me. It's too itsy-bitsy. My husband is lucky, as I've never had a yen for real jewels.
Oh my God, I'm a walking advertisement for discounted shopping.
I don't do very much for beauty. I use very simple things on my skin. I haven't got time. I would always get facials and then come home laden with product, and pay a lot of money and never use it. Anyway, one day a dermatologist told me to use Cetaphil to clean my face and as a moisturizer, and that's what I do.
I'm from New York. My grandparents were settlers of Long Island City. When they came here, there was no bridge, and they had to hire a boat across the river. They had a farm, and my grandmother had to go once a week to Manhattan to buy provisions - very primitive.
Fashion really is women's liberation in a lot of ways. Look at how many women in this country are depressed about how they look and how they think they have to look! It's really sad. And it's not about money.
I didn't have children, but I never wanted children. — © Iris Apfel
I didn't have children, but I never wanted children.
Shock can kill you. Shock is terrible. But what you've got to do is live in the present, which is what I have always done.
I've never seen anything like the way some young people behave. They go out on a date, and they're sitting opposite each other at a table, and they're not looking at each other, and they text each other as though they're deaf-mutes. It's insane.
I never had to look for confidence because I just wore what I wanted to wear. I would never wear anything to offend my husband or my mother, but outside of that, I always figured, I hope I'm not a rebel, and I hope everybody liked it. And if they didn't like it, it really was not going to disturb me because it was their problem, not mine.
I don't get dressed up every day. I'm very busy. I get really annoyed when people talk about me as a 'fashionista.' I get dressed up when I have to go out. Most of the time, I'm running around in jeans.
The White House is the people's house. When you do historical restoration, that must be what it is.
Technologically, I live in the 17th century; I don't have a computer, I don't have any of that stuff. I don't look at the Internet, although I know people tell me I'm all over it. Somebody told me they Googled me, and they said I was mentioned two million times, some stupid thing... but who cares?
My look is either very baroque or very Zen - everything in between makes me itch.
Technology is a wonderful thing, but I think it's violently misused.
I just roll with the punches.
When you don't dress like everybody else, you don't have to think like everybody else.
I still have the dress I wore on the first date with my husband, which was more than 66 years ago. I still have it, and it still fits.
I think people try so hard to learn everything that they miss all the wonderful essentials. There is so much mystery in life that you should leave a mystery.
I live in the Dark Ages, the 17th century. Actually, I would have loved to be in Paris in the early 20th century when the Ballets Russes were there and Chanel was designing.
I think people have to sharpen their eyes and look. I always feel like a big sponge: I feel like I learn lots of things by osmosis, and I feel that I'm always absorbing. I mean, when people say, 'What is your inspiration?' I could throw up. I mean, I'm inspired by the fact I get up in the morning. And I'm still here.
I mix everything up. A museum curator once said to me that there is a great jazz component to the way I do things because good jazz is improvisation and draws elements from all different cultures. And that's the way I do everything - the way I dress and decorate.
I'm not a pretty person. I don't like pretty, so I don't feel badly. Most of the world is not with me, but I don't care.
I like to improvise.
You can change the look of an outfit so easily by changing the kind of jewellery you wear. If you have a basic outfit on - a black sweater and skirt or a simple black dress - you can go from the office to a cocktail party at night just by changing your jewellery. It helps if you change your shoes as well.
You have to push yourself when you're older because it's very easy to fall into the trap. You start to fall apart - you just have to do your best to paste yourself together. I think doing things and being active is very important. When your mind is busy, you don't hurt so much.
It's better to be happy than to be well-dressed.
I swear on everything holy I do not know what's on the Internet about me.
I go out in New York, and I think, boy, you can look at someone and pretty much determine their zip code. Everyone seems to want to conform. I wonder, are they all just button-pressers, on the Internet all day long? I don't know.
I'd rather go to a flea market than just about anything. It's the process I like - the same with getting dressed. If I've got someplace to be, I'll spend more time getting dressed than I spent at the actual event. Sometimes. Even in my own closet, I love to dig and search and find.
I used to love to create outfits, and I still do - I just don't have the time. How can you wear one thing and never wear it again? Even my wedding dress - I had a dress made that I could wear again. I'm a child of the depression, so I'm very, very practical.
Nothing I ever did I expected to do. It just kind of happened. — © Iris Apfel
Nothing I ever did I expected to do. It just kind of happened.
I get very involved with my things, and they are not standard equipment.
I had the good fortune to be able to take a course with Margaret Mead. I had a fabulous art course, where it was explained to me that nothing exists in a vacuum, that everything is a result of the period in which it's done - the economics, the sociology, the politics, all sewn together. That was a very important lesson.
Great personal style is an extreme curiosity about yourself.
There was Pauline de Rothschild, who I thought was very fabulous, and Millicent Rogers, the Standard Oil heiress, very chic, very clever, very original. I admired both those women very much. And I had a great example with my mother, who was extremely chic.
We did major work at the White House. But what people often don't understand is that when you do a historic restoration, you can't just do whatever you want. You work alongside the fine-arts commission and are obliged to create a replica of the past, as close as humanly possible. It's a historic institution, not a showhouse.
My mother was a big influence; she was exceedingly chic, completely dressed in a completely different manner than I did. I was a child of the Depression, so she taught me all about accessories, and I always tell everybody she worships at the altar of the accessory.
I'm a practical person. Most fashion people live in the clouds, and they're full of it. I live like a human being - or, I try to - and I have to be intelligent; I have to be practical. I'm a great believer in common sense, and the older I get, I see that common sense is not that common.
Being an individual takes effort. Most people are pretty lazy. And that's OK! I mean, there are more important things than fashion. If it's going to stress you out to have a sense of style, don't do it. The important thing is to be comfortable so you can get on with your life.
I was always known in my industry, and I always enjoyed a modicum of popularity.
In America, it has been proven that the bulk of spending money is in the hands of women between 60 and 80, so it's so stupid. The people who do have the time and money to shop are either retired or empty-nesters.
I am not a fashionista, and I don't dress up. Usually if I'm at home, where I am now, I'm wearing a robe. — © Iris Apfel
I am not a fashionista, and I don't dress up. Usually if I'm at home, where I am now, I'm wearing a robe.
I'm happy. I give thanks every morning that I can get up, that I still have my husband with me. I'm extremely grateful. After all, how many 93-year-old cover girls do you know?
You can't try to be somebody you're not; that's not style. If someone says, 'Buy this - you'll be stylish,' you won't be stylish because you won't be you. You have to learn who you are first, and that's painful.
I don't expect to find inspiration. It just sort of comes. Sometimes you step on a bug and you get inspired.
The world is not black and white; there are lots of shades of grey. There are good things and bad things in every era, and I think it's kind of very blindfolded to say one era was wonderful, as it was wonderful, but there were a lot of bad things as well.
Fashion has this youth mania. But 70-year-old ladies don't have 18-year-old bodies, and 18-year-olds don't have a 70-year-old's dollars.
If you don't learn constantly, you don't grow, and you will wither. Too many people wither on the vine. Sure, it gets a little harder as you get older, but new experiences and new challenges keep it fresh.
Creativity is down the tube. And people give a lot of lip service to individuality. I know they all appreciate it, but they all say they would like to do it, but they don't want to work at it, and it doesn't come out of the sky.
I think some people like me because I'm different. I don't think like everybody else. People are so tied up in the worst parts of technology these days. They live a life pressing buttons. They don't use their imaginations.
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