Top 258 Quotes & Sayings by Irvine Welsh - Page 4

I think, ironically, the media's been good for America, but Trump's been good for the media. He's revitalized The New York Times and CNN - it's never had so much integrity and so much power ever, and that's because being attacked by constant authoritarians and fascists with an agenda has actually got them to sharpen up and to get back to base principles about what the media should actually be. It's also that the circulation boost has removed this horrible, incipient commercial pressure that compromises media.

If the media is just a cheerleader for an authoritarian populist, who isn't that popular, then we're in a sorry state. The media has to be critical - it has to scrutinize it, it has to call out things.

If it's something that I feel uncomfortable with, that's a reason for me to write it. I kind of like to make myself feel uncomfortable. I think if you're starting to feel uncomfortable with something when you're writing it, that's the reason really to push on with it.

You've got first-generation Americans here who are going to be poorer than their parents. That's never happened in the States before, and it's going to have massive social repercussions here.

[Margaret Thatcher] was the invisible hand behind it. Without that, there'd be no Trainspotting and no Filth.

As a writer, you play this daft game with yourself - you're constantly looking for distractions, anything to stop you from writing, but you're constantly fighting the distractions to write as well.

When you start off with your first book, people assume that you're like all the characters in the book - and it does complicate things, when you're being constantly bombarded with it, but you have to embrace it.

It's interesting - you had [George] Osborne crying at [Margaret Tatcher] funeral. She would have been the first person, she would have read these tears as being as fake as the smiles of his predecessors when they knifed her in the back.

I don't see [ Trainspotting ] as an albatross, I see it more as a calling card. It's got me out to Hollywood, I've got a good agent, I've got a good manager, I'm getting a lot of work out there and doing a lot of stuff - getting a lot of film projects on the go.

I can see myself wanting to write a historical novel - you don't need to worry about references to reality TV or pop music, you can just get on with the basics of story and character.

People are really excited by Obama abroad because he seems to be the first American presidential candidate who has ambition to go out of the country. In a sense, with the power of globalization, you are kind of electing the leader of the Western world to an extent.

Conservatives are giving up on democracy because it's not efficient. They want an autocratic regime.

We have to concentrate back on: Where is the money going? Where's it been going for the last thirty years? How do we start to redistribute the cake more evenly, and give people opportunities? That's as much about poor white people in West Virginia as it is about poor black people on the Southside of Chicago.

I can see why the Russians love Robert Burns, I think that Russians and Koreans have a very similar outlook to Scots.

When you look at the whole explosion of the Internet, the decline of print journalism, there are all of these plus-or-minus ramifications, and you have to work it out. The great thing about books is that you have a tactile thing that's there. You can download this or download that, but how long do you want to be staring at a screen for the rest of your life? You've got to have some kind of proper interface for people that's not about the screen.

[Ecstasy] had its flaws, but again it was shot on a low budget, and they did well. It's not in the same league as Filth.

I think that the Brexit negotiations have to be a big thing that determines the democratic fight-back and galvanizes democratic Europe again against this rising tide of nationalism.

If you continue to transfer the wealth of the population of the planet to a very small amount of people, it becomes untenable at some point, a democracy, because people eventually will realize what's going on. You can only bulls - t people through kinds of media outlets for so long, and eventually you have to physically control them.

It's the UK: We have to get beyond that imperialist state. I think that kind of imperialist, hierarchical, elitist state has made it easier to basically shaft everybody in the country, which it's been doing for the last thirty years. It has also sort of made it more difficult for England to fulfill its destiny, which in my mind is creating a multi-ethnic, multicultural society that is truly at the head of that post-imperial commonwealth ideal. I think that that's what England should be and that that's the kind of nation we should be.

I think [Ecstasy] was a really good stab. It wasn't my strongest book or my strongest material, but they wanted to make a kinda "rave culture" movie.

It's crazy for somebody who's kind of empowered and wealthy like myself to say, "Oh, I don't need to be patronized by the state, I can make my own choices." But I've got things to look forward to, and places to go and if that'd been me there forty years ago, when I was a young kid in Muirhouse, it might've been a different story.

That's all very well as an abstract moral principle, Avril, a coffee-table theoretical construct, but there's no denying the sheer gratuitous pleasure to be derived from seeing members of the ruling class in pain and torment.

When you think about what Homo sapiens are about, you almost feel that we are replacing ourselves. We won't be able to breathe and breed on this earth, so we replace ourselves with androids that can do. The androids can go up into space and take the future of humanity forward because maybe we just bow out with a carbon-based epoch.

People even split up by text message, they dump each other by text. Everything seems so disposable, so throwaway, but you have to engage with that if you're writing about the modern world. You've also got all these pop references that you feel obligated to make. They're just part of the bricolage of the whole thing, whether or not these are actually significant elements themselves.

I was in Athens for a football match when 9/11 went down, and it was quite spectacular - we went into this bar and tried to find out what happened, and the bartender said "it's only the American and the Arabs. They're not big football nations." So the feeling was, what's it got to do with us? Why are football games being cancelled in Europe? The intelligentsia in the West feel like they have to figure out the significance of it all, whereas people have other pressing concerns, related to basic needs.

I think of the women I know, and very few of them are obsessed with shopping, or with getting a guy - they want their own thing, they have their own network going on.

Their [BBC] idea of bipartisanship is to try not to offend the Conservative party, try not to offend the Labour party.There is no analysis of anything beyond that, and these two parties are exactly identical, following the same Neoliberal policies for thirty years. And it's no criticism outside of that, it's just that there's basically sectarian pandering to these two individual parties, these two individual organisations. They still make a lot of great programmes and do a lot of great things, but there's not much political analysis happening broader to that.

In some ways, you can say that at any time in any writer's career: 'He might have run out of ideas.'

I think Scotland's got its own issues, in some ways similar to Northern Ireland with sectarianism, which has been a long-running sore. All the issues of land ownership, development resources, poverty, alcoholism and violence, all these things.

If there's very strong civic unrest you can see a strong party of the Right emerging, whether it's UKIP [The UK Independence Party] or an even further-right party.

I think UKIP [ UK Independence Party] and the BNP [British National Party] are very, very English concerns. If they gather strength they're going to add to this schism between Scotland and England.

I've always felt really good about England. I've always felt really, really good about Britain.

The first of the Trainspotting crew to die. Out of the five of them like, Begbie, Renton, Spud, Sick Boy and [Margaret] Thatcher. Who'd have thunk she'd have been the first to go? She was the invisible author of the book, really. She created the conditions and the hubris whereby that whole culture flourished.

Chicago is seen as everything that Trump detests, which I think kind of reflects really well on the city I think, because it's a mark of what a classy, cool, sort of place it is. You can't tame everyone in America, as much as these people would like to, into some kind of small-town, Southern community.

Nothing is covered adequately by the BBC. The BBC has become the biggest disappointment - they're just so terrified. And in a way it's not their fault: the parties have used them as a political football.

We were looking for someone who could get the film [Filth] made at that kind of level, with the finance we wanted, and we spoke to a lot of people. When I met James [McAvoy] in the Soho Hotel with Jon Baird, the director, he looked about ten years old. I thought there's no way he's going to be a forty-year-old divorced alcoholic cop. I thought, really lovely guy, I'll let him and John talk and see if they get on.

It wis like auld times, but in a sense that only served tae remind us ay how much things hud changed.

In the cross-over, you get to a point where you realize that you've got all this genetic inheritance, and you've got all this social conditioning, but there is a point where you do have to make a choice, and that's the optimist in me: you have the freedom to make a choice about how you are going to be, and what you're going to do.

The books that are really valuable are the books that evoke a sense of place.

I think that Europe has to get its act together very quickly. The Belgian guy who's leading the negotiations against Brexit, he sees it as a whole chance to reboot Europe and reclaim the kind of social mission of Europe from all this corporate, bureaucratic, globalist stuff that has got into, building Europe for the people rather than the banks, again.

The readers get younger all the time, and we're getting older.

If I don't have something to do, I'm not the kind of person who can sit on a beach on holiday. I've got to go and check things out and see things and look at things, and have some kind of itinerary in my mind. I think that a lot of people who are, in some ways, successful are kind of like that.

Are you asking me or telling me?

When I go to places and do book tours, I don't really like doing traditional bookshops. It's nice to walk people through something instead of just standing up in a bookstore.

You know, people tend to get stereotyped for about forty percent of their behavior, so if you're completely crazy forty percent of the time you'll get stereotyped as crazy, even if you're totally boring thirty percent of the time and just studious the other thirty percent of the time.

In America, we've got to get back to these base principles of what democracy is.

Just lock myself in a room, stop answering emails, stop answering the phone and I come out with something.

If you have no drugs, then you have revolution, and then drugs will be the only thing stopping that.

I don't think that the Scots are happy to drift into Britain becoming the poorest of the poor, sub-American 51st state.

I think that in the future, as more and more money and wealth goes to the 1 per cent, it's going to polarize into the people who are for and anti-freedom. It's not that they'll have a left and a right wing thing, it's going to be a freedom and anti-freedom polarization, I think.

I think that a lot of people on the left are gonna get tired of fighting gun laws, so they're gonna embrace gun culture. I think when that happens, you've got serious, serious trouble.

You can argue about violence. It's destructive, but people are inherently violent in a lot of ways. Abusing drugs is always bad for people and bad for society, but the whole notion of festival is tied up with intoxication.

There's no one way of telling a story or looking at reality, so I think any device is up for grabs as long as it fits in with the tone.

I mean Filth is the best British film since Trainspotting. It might even be better. I keep watching it back to back with Trainspotting to try and work out which is the best. I can't split them.

These days you can't write anybody off. If anybody is a right-wing populist, you can't write them off now because that is the rising tide of our time.

In America I think we need to move towards a social democracy, European-style basically, and I think that in Britain we do as well.

You've got the whole stuff with transgender toilets and stuff like that - that's no way for a government to behave. We're supposed to be against ISIS, so why are we trying to slowly introduce a country-club version of Sharia law in America, you know? It doesn't make any real sense at all. I think there's going to be a lot of energy, there is already a lot of reaction against that - people are prepared to really stand up and be counted for democracy, and in the process to find out what is and what isn't.

If I stop working and publishing, and TV, and film and all that, I would be dead within a couple of weeks. I don't really have that kind of off-switch.

It was quite life-affirming, for me, that I felt hat kind of pity for [Margaret Thatcher], because I didn't think I ever would.

The first time I went to West Virginia I was surprised by how poor it was. It was like north India, there's kids running around in bare feet. The white working class has been disenfranchised as well. It's been disenfranchised by the liberal-left as well as the conservative-right. You really have to get people right across America and Britain and Europe and the world as a whole concentrating on the economic issues that affect them, because when you don't have that, you have all these phony, racist and cultural wars, and sexist wars.