Top 129 Quotes & Sayings by Isaac Marion - Page 2

Explore popular quotes and sayings by an American writer Isaac Marion.
Last updated on April 20, 2025.
One mistake, one brief lapse of my new found judgement-that's all it took to unravel everything. What a massive responsibility, being a moral creature.
... we shoved out many hopes and fears into their hands, believing those hands were strong because they had firm handshakes. They failed us, always. There was no way they could not fail us - they were human, and so were we.
Why is it beautiful that humanity keeps coming back? So does herpes. — © Isaac Marion
Why is it beautiful that humanity keeps coming back? So does herpes.
We eat and sleep and shuffle through the fog, walking a marathon with no finish line, no medals, no cheering.
I don't want to hear music, I don't want the sunrise to be pink. The world is a liar. Its ugliness is overwhelming; the scraps of beauty make it worse.
...thinking all this maximalism would somehow generate happiness?
But we don’t remember those lives. We can’t read our diaries.’ ‘It doesn’t matter. We are where we are, however we got here. What matters is where we go next.’ ‘But can we choose that?’ ‘I don’t know.’ ‘We’re Dead. Can we really choose anything?’ ‘Maybe. If we want to bad enough.
Maybe this is why I sleep only a few hours a month. I don't want to die again. This has become clearer and clearer to me recently, a desire so sharp and focused I can hardly believe it's mine: I don't want to die. I don't want to disappear. I want to stay.
I wish people were willing to dig a little deeper than the surface elements of a premise before tossing one story in with another.
I know I'm not going to say good-bye. And if these staggering refugees want to help, if they think they see something bigger here than a boy chasing a girl, then they can help, and we'll see what happens when we say yes while the rigor mortis world screams no.
You can order yourself to treasure a moment, to cling tight to a feeling and never let it fade, but it's your brain, that three-pound lump of hamburger, that makes the final call.
What happened? How did I get here? How could I have known that my choices mattered?
Soft flesh is eaten by hard teeth. — © Isaac Marion
Soft flesh is eaten by hard teeth.
It’s not about keeping up the population, it’s about passing on who we are and what we've learned, so things keep going. So we don’t just end.
What wonderful thing didn't start out scary?
Now I’m just standing here on the conveyor. Along for the ride. I reach the end, turn around, and go back the other way. The world has been distilled. Being dead is easy. After a few hours of this, I notice a female on the opposite conveyor. She doesn’t lurch or groan like most of us. Her head just lolls from side to side. I like that about her. That she doesn’t lurch or groan. I catch her eye and stare at her.
Not so easy, Mr Lennon. Even if you try.
You might say that death has relaxed me.
I can no longer believe in any voodoo spell or laboratory virus. This is something deeper, darker. This comes from the cosmos, from the stars, or the unknown blackness behind them. The shadows in God's boarded-up basement.
What's the point of trying to fix a world we're so briefly in?
I feel an unfamiliar but pleasant sensation in my lips, tugging them upward. This is... new.
All the shitty stuff people do to themselves... it can all be the same thing, you know? Just a way to drown out your own voice. To kill your memories without having to kill yourself.
The kind of stuff I usually read is a bit more on the literary side, like books that I think are influential in the sense that they're doing pulpy subject matter in a refined way. Like 'The Road' by Cormac McCarthy, I loved that book.
He is spent. His mind is mercury again, its brief surge of humanity melting into an oily residue on its surface, and he no longer understands the feelings he felt in that strange moment on the overpass. But he did feel them. They did happen. They rest on the murky seabed of his mind, buried under sand and silt and miles of grey waves. Patient seeds waiting for light.
When the entire world is built on death and horror, when existence is a constant state of panic, it's hard to get worked up about any one thing. Specific fears have become irrelevant. We've replace them with a smothering blanket far worse.
But I'm not afraid of the skeletons in Julie's closet. I look forward to meeting the rest of them, looking them hard in the eye, giving them firm, bone-crunching handshakes.
It's rare that I read more than two or three books by any one author, usually only one.
The moment the light went out, everyone stopped pretending.
Writing isn't letters on paper. It's communication. It's memory.
It’s sad to see them staring wistfully through the window when the door isn’t locked.
There is a chasm between me and the world outside of me. A gap so wide my feelings can't cross it. By the time my screams reach the other side, they have dwindled into groans.
We will cry and bleed and lust and love, and we will cure death. We will be the cure. Because we want it.
She is Living and I'm Dead, but I'd like to believe we're both human. Call me an idealist.
Once you've arrived at the end of the world, it hardly matters which route you took.
Enough white lies can scorch the earth black.
It's not like I'm such a shiny happy person either, you know? I'm a wreck too, I'm just... still alive.
Nothing is permanent. Not even the end of the world.
Once again the absurdity of my inner thoughts overwhelms me, and I want to crawl out of my skin, escape my ugly, awkward flesh and be a skeleton, naked and anonymous. — © Isaac Marion
Once again the absurdity of my inner thoughts overwhelms me, and I want to crawl out of my skin, escape my ugly, awkward flesh and be a skeleton, naked and anonymous.
I am Dead, but it's not so bad. I've learned to live with it.
If there are rules, we're the ones making them. We can change them whenever we want to.
My "heart". Does that pitiful organ still represent anything? It lies motionless in my chest, pumping no blood, serving no purpose, and yet my feelings still seem to originate inside its cold walls. My muted sadness, my vague longing, my rare flickers of joy. They pool in the center of my chest and seep out of there, diluted and faint, but real.
Even in my bravest moment, I am a coward.
Here we are on the road. We must be going somewhere.
Peel off these dusty wool blankets of apathy and antipathy and cynical desiccation. I want life in all its stupid sticky rawness.
...and we'll see what happens when we say Yes while this rigor mortis world screams No.
I feel the flatline of my existence disrupting, forming heartbeat hills and valleys
It's hard to take your life so seriously when you can see it all at once.
It's more eerie to be alone in a city that's lit up and functioning than one that's a tomb. If everything were silent, one could almost pretend to be in nature. A forest. A meadow. Crickets and birdsong. But the corpse of civilization is as restless as the creatures that now roam the graveyards.
I'm not a general or a colonel or a builder of cities. I'm just a corpse who wants not to be. — © Isaac Marion
I'm not a general or a colonel or a builder of cities. I'm just a corpse who wants not to be.
Came to . . . see you.” “But I had to go home, remember? You were supposed to say good-bye.” “Don't know why you . . . say good-bye. I say . . . hello.” Her lip quivers between reactions, but she ends up with a reluctant smile. “God you're a cheeseball. But seriously, R—
Of course, if I eat all of him, if I spare his brain, he'll rise up and follow me back to the airport, and that might make feel better. I'll introduce him to everyone, and maybe we'll stand around and groan for a while. It's hard to say what 'friends' are any more, but that might be close.
I wince at her use of the word "human." I've never liked that differentiation. She is living and I'm dead, but we're both human. Call me an idealist.
It frustrates and fascinates me that we'll never know for sure, that despite the best efforts of historians and scientists and poets, there are some things we'll just never know. What the first song sounded like. How it felt to see the first photograph. Who kissed the first kiss, and if it was any good.
There’s not really such thing as ‘good’ or ‘bad’ people, there’s just like…humanity. And it gets broken sometimes.
She gathers my half of the blankets around her and curls up against the wall. She will sleep for hours more, dreaming endless landscapes and novas of colour both gorgeous and frightening. If I stayed she would wake up and describe them to me. All the mad plot twists and surrealist imagery, so vivid to her while so meaningless to me. There was a time when I treasured listening to her, when I found the commotion in her soul bitter-sweet and lovely, but I can no longer bear it.
All my life I have battled the alarm clock, pummeling the snooze button over and over with mounting self-loathing until the shame is finally strong enough to lever me upright.
The sports arena Julie calls home is unaccountably large, perhaps one of those dual-event 'super venues' built for an era when the greatest quandary facing the world was where to put all the parties.
We have to remember everything. If we don't, by the time we grow up it'll be gone forever.
Are we all just Dark Age doctors, swearing by our leeches? We crave a greater science. We want to be proven wrong.
Stop. Breathe those useless breaths. Drop this piece of life you’re holding to your lips. Where are you? How long have you been here? Stop now. You have to stop. Squeeze shut your stinging eyes, and take another bite.
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