Top 112 Quotes & Sayings by Isabella Rossellini - Page 2

I live in the country. I'm a bird-watcher, an oyster-raiser. You know, I'll do anything that - raise dogs for the blind as a volunteer.

Many years in New York has made me urban, and I won't eat my chicken because I met him personally!

By the time I was successful with covers of 'Vogue' and 'Harper's Bazaar' and 'Vanity Fair' and the Lancome contract, someone asked how old I was. They almost fainted when I said 33.

People use mobile phones in this very distracting environment where you probably don't have time to watch a 30-minute film, but you might have time to look at a film for a minute and learn something you didn't expect while you walk on the streets.

When I grew up, we always had our chickens, and we ate our eggs, and we ate our chickens. The family always had a pig, and we would kill it at Christmas and eat it for three or four months afterwards.

I always loved experimenting in film.

Most people divorce because one in the couple falls in love with someone else: it's a common cause of divorce. I still think that it's tinted - this is my opinion - with a veil of racism and American puritanism.

Maybe there's some kind of modeling that can be tedious, like catalogue modeling, but there's a kind of modeling, with runways or working with Richard Avedon, that's not very far from acting. Besides the fact that you don't have a partner to react to, the body language is the same.

I started modeling at 28. I'm 5-feet-7 1/2, and I never went on a diet. I followed what my doctor told me: 'It's good to have a little bit of fat. Your weight is fine. Don't go any lighter.'

When I was young, it was difficult to imagine entering a world where my parents succeeded so much and I could have risked failing. It would have felt much harder.

If a hamster has too many babies she knows she cannot carry, she not only abandons them, but she eats them. That means she doesn't have to go out and hunt for food for herself.

There are so many spiders, and their rituals, their mating rituals, their courtship ritual, can be very, very different.

The first time I went to Hollywood, I was 25 years old. My background was mostly Italian.

When I was a teenager, I thought maybe I'll be a filmmaker, making film documentaries. My dream when I was a girl was I would be hired by 'National Geographic' or work with David Attenborough, but it didn't happen. I became a model.

I always encourage women to let their individuality show by not covering up what they perceive as flaws. When I see a woman with the natural wrinkles of time on her face, I do not see the wrinkles at all, but when I see a woman trying to cover them up with too much foundation or concealer, all I see are her wrinkles.

Before Darwin, our world was very religious. People saw altruism as something given by God for us to be good so that we could go to Paradise.

I loved my career as a model, and that evolved into being an actress.

I'd like this to become my principal activity: to make films about animals. Of course it's always interesting to model, but it depends who you are working with. I will continue to make acting, too, but I'm old - I'm getting tired of it.

I never really think about what I have to do to stick to my image. I just follow what I like to do. Sometimes it's glamorous, sometimes it's not.

I don't look at 'Vogue' to ask what I'm going to wear. Because it's something on a body too young. I have to look at the social pages to see women my age. To see how Amanda Burden is dressed and say, 'Hmmm. Maybe I should try that.'

There is often a great disparity between a director's personal style and the movies he makes.

That is the great pleasure of working with great directors. You get to look at the world through many different prisms. I guess I love talent, whatever form it takes.

There are consequences with age, so you have to evolve. I've loved becoming a filmmaker. But I would love to continue modeling, and there isn't really any job for me. It's being marginalized - that's the sad part.

I didn't think I was going to be an actress. Everybody in my family was in films, and they succeeded so much, I thought, 'It's better for me to do something else,' and they agreed.

Market research shows that older women like seeing older women in ads, and that younger women do, too - because they see them and are not frightened of growing older.

It's a new business for me to be a filmmaker.

If you see a person who's insecure and covers it up, it can be quite a problem. But the person who is insecure and shows you is quite appealing. They give you just the courage to drop your defenses.

Once I realised that my job as a model was to emote in front of the camera, I thought, 'Well now, I just have to add words, and I can do films.' But also, my success as a model made me more confident about becoming an actress because, just in case I failed, I thought, 'Well, you know, if I failed as an actress, I can do another job.'

I think I was always interested in animals. If a man likes a woman, you know, he might discuss business, but there's a part of his brain that is looking at the girl coming in and checking the girls. I do the same with animals.

I am the daughter of Mr. Neo-realism: I should gravitate towards narrative simply told, character, the truth. And I do love those movies.

It took me a long time to be accepted as an actress, I think, because of the modeling and because of my mother.

The problem with middle age, at least when it comes to modeling, is you seldom see a model who is past 27, 28. If they use anyone older, then it becomes automatically a 'personality' story.

I was always fascinated by the infinite, strange and 'scandalous' ways that insects copulate.

I think my mother became the muse because she had everything when she was in Hollywood: she had the marriage, the success, the money, all the films she wanted to do and yet even her, she had a longing and wanted to work with a film that had meaning, something more profound. And I think that was very touching to father.

What I think has been wonderful about my life is that it has been diverse, and that I've been able to do so many different things. I was able to evolve from modeling into acting. And then when acting opportunities became limited because of my age, I was able to become a writer and director and author. So, I am grateful to myself that I didn't just sit around and become nostalgic about the past that has been and can't come back, but that I instead decided to move on.

In interviews, the first question I get in America is always: 'What do you do to stay young?' I do nothing. I don't think aging is a problem ... I'm so surprised that the emphasis on aging here is on physical decay, when aging brings such incredible freedom. Now what I want most is laughs. I don't want to hurt anybody by laughing -- there is no meanness to it. I just want to laugh.

When I took my clothes off in Blue Velvet, I wanted to convey the brutality of sex abuse. I wanted to look like a quartered cow hanging in a butcher shop as well as disturbingly appealing.

My father used to say that you could only access culture before cinema by learning to read and write, but that once cinema was invented, knowledge was available to anybody.

In America, they are paranoid about ruining the reputations of people once they are dead and cannot answer back. They have this fascination which to me seems cruel and morbid. I do not want any part of it

I don't think a Hollywood actor is safe from acting in the rain: it all depends on the film.

You dont do an experimental film to become rich, so the people who are involved are involved because they enjoy the creative aspect of it.

Mama wrote a letter to my father saying' I want to work with you' and she ended the letter saying' in Italian I can only say ti amo( I love you)' and of course the press used that to say women are sexual predators, in 1949 they made a first film together,' Stromboli', and they fell in love and my mother became pregnant with my brother Roberto before she could obtain a divorce.

To me, it is very important to have perfume in which it is hard to recognize a particular flower or scent. That gives a touch of mystery.

If you're sad and you like beer, I'm your lady, ... The Saddest Music in the World.

It's hard to make a living in any of the arts. When most people think of artists, they think of the stars and the celebrities. But that's such a tiny minority of the elites who are able to make those millions of dollars. The reality is that it's very hard for the rest to make a living as an artist. So, you really have to persevere and understand that achieving the sort of success where you're making the big money is like winning the lottery.

I believe in a set of values I cannot live by. I set high goals for myself, I seek perfection, dream of exotic faraway places. But ultimately, what I long for isn't far away at all. It's in my own backyard. Imperfection charms me, familiar things move me... a celebration of what we have, instead of what we long for. That for me, is glamor.

True elegance is for me the manifestation of an independent mind.

If you go to a therapist, they say, 'Are you sure? How do you feel about your wrinkles?' And I say, 'I don't know, because I don't really see them.' I see my hands, but I don't see my face, so it's not a torment. I only see it for five minutes in the morning when I brush my teeth! When you read women's magazines you always read about this drama of getting old, about anti-aging cream and plastic surgery and whatever else. But I think if you're independent, like I have grown to be, it's welcome.

I believe in a set of values I cannot live by.

Adoption has the dimension of connection - not only to your own tribe, but beyond, widening the scope of what constitutes love, ties and family. It is a larger embrace. By adopting, we stretch past our immediate circles and, by reaching out, find an unexpected sense of belonging with others.

David Lynch came out of it a genius, and I came out of it a fat girl. I'm sorry that the only comment I get about the part is the way I look. Commenting on the critics' response to her performance in Blue Velvet

From the time I was a child I wanted to be like my mother. Not necessarily an actress - I never dreamed I'd have the courage. But an active, volatile woman like she was.