Top 152 Quotes & Sayings by J. Michael Straczynski
Explore popular quotes and sayings by an American producer J. Michael Straczynski.
Last updated on November 4, 2024.
I also like to look at the dynamic that takes place between religion and science because, in a way, both are asking the same questions: Who are we? Where do we come from? Why are we here? Where are we going? The methodologies are diametrically opposed, but their motivation is the same; the wellspring is the same in both cases.
On the Internet, inside information is currency, and there will always be counterfeiters among us.
For a lot of people, Superman is and has always been America's hero. He stands for what we believe is the best within us: limitless strength tempered by compassion, that can bear adversity and emerge stronger on the other side. He stands for what we all feel we would like to be able to stand for, when standing is hardest.
When the 'Seinfeld' show said it was going to be a show about nothing, everybody said it couldn't - wouldn't work. It did. 'Thor' is about something, about that character finding his destiny, but it's not doing what was expected... and yet it's doing very well.
A story is a story is a story. The only difference is in the techniques you bring to bear. There are always limitations on what you can and can't do. But I enjoy that. Just like when you write a sonnet or haiku, there are rules you have to abide by. And to me, playing within the rules is the fun part. It keeps the brain fresh.
No dictator, no invader, can hold an imprisoned population by force of arms forever.
I've written for every medium except poetry, at which I suck.
I'm delirious with joy. It proves that if you confront the universe with good intentions in your heart, it will reflect that and reward your intent. Usually. It just doesn't always do it in the way you expect.
It's really important to me to keep growing as a writer, to look for new challenges and be harshly critical of my own work in order to learn and tell better stories.
If I feel that I'm not able to do my best work - whether that's my own fault or as a result of an editorial situation - then I need to stop doing it. I would rather not do something than do it badly or ineffectively. It's the only way I can live with myself and do right by the fans in the long haul.
I like writing. It's partly control freak, and partly I really like what I do for a living. I have the luckiest job in the world. I can get up every day and do what I love for a living.
Every time I got 'Amazing Spider-Man' or 'Fantastic Four' or another book firmly on the rails, we got pulled into some big event book or crossover and it cost momentum and messed badly with the pacing and structure of the book.
My house looks like it was decorated by a 14-year old with a platinum American Express card.
When it comes down to it, the reason that science fiction endures is that it is, at its core, an optimistic genre. What it says at the end of the day is that there is a tomorrow, we do go on, we don't extinguish ourselves and leave the planet to the cockroaches.
Growing up as a kid, we moved all over the country on a fairly frequent basis, from New Jersey to Texas, California, Illinois... we moved 21 times in my first 17 years.
The American Way is an amalgam of our compassion, our strengths, our failings and our attempts to build a better world, a more perfect union.
You should do what you enjoy doing, what brings you passion. As kids, we spontaneously sing and dance and tell stories, and along the way, someone comes and says, 'No. You shouldn't be doing that.' And we slowly begin to unlearn our passions. I think you have to hold on to those things.
There are those who seem to feel they have no choice about being jerks in the present because they had a crappy childhood. Well, that's the definition of childhood; nobody gets out alive. You either get stronger from what you experience, or you turn it into a crutch, an excuse, a dodge.
Superhero stories are kind of in my DNA from childhood on, so I think I'm genetically drawn to playing in the genre when the opportunity presents itself.
I was born in Patterson, New Jersey, and raised pretty much all around the country. My family tended to move from place to place following economic prospects and jobs and looking for new opportunities, so we changed schools, colleges, grade schools, high schools every 6 months to a year - depending on the breaks.
I think that we are already making steps toward mapping out the brain so we can identify the chemical patterns that create and store memory.
When writers don't know what to do with a character, they build up the supporting cast and universe to kind of hide that fact. After a while, you can no longer see the character for the underbrush. When that happens, you need to bring out the weed-whacker to clear some of that away so you can focus on the main character.
A changeling is one child substituted for another. I couldn't find anything more apt. We had to kind of fight that supernatural element in the publicity, and I offered to try and find another title, but Clint liked it, and it stayed.
The point of mythology or myth is to point to the horizon and to point back to ourselves: This is who we are; this is where we came from; and this is where we're going. And a lot of Western society over the last hundred years - the last 50 years really - has lost that. We have become rather aimless and wandering.
Writing is the process of asking the next logical question.
Understanding is a three-edged sword. Your side, my side, and the truth.
We know that if memory is destroyed in one part of the brain, it can be sometimes re-created on a different part of the brain. And once we can unravel that amino chain of chemicals that is responsible for memory, I see no reason why we can't unlock it and, essentially, wipe out what's there.
In every other science fiction series, humans are at the top of the food chain. In the 'Babylon 5' universe, they're in the bottom third.
The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
Whenever you write for someone else, you're always aware - sometimes overtly, other times at an almost cellular, subliminal level - of the rules about what you can and can't do.
I've made a decision and now I must face the consequences.
The quality of our thoughts is bordered on all sides by our facility with language.
I sometimes find reality far more fantastical and unlikely than what I could just make up.
I don't start writing a script until I can see it all in my head, then it's a matter of getting it down in white heat.
My philosophy: find what it is you want to say, walk in the room, say it, and get the hell out.
I keep waiting for a paradigm shift to happen that will let network and studio execs see that sci-fi is the same as any other genre in terms of how you approach it - logically, character-based, with challenging ideas and forward thinking - but I worry that it might never happen in my lifetime.
Again, one of the problems I have with television, as I mentioned before, is it's trivial in many ways, and I think that a lot of folks out there are looking for new metaphors and new ways of thinking about things.
For me, growing up in a ridiculously poor family living in dead-end neighborhoods, Superman was a deeply personal icon, one that said you can do anything if you put your mind to it. What he stood for formed the core of who I wanted to be as I grew up, and informed how I view the world and my responsibilities to other people.
Anyone who sets foot into the 'Watchmen' universe and isn't just a little nervous should be given a few days of electroshock therapy. I've always considered 'Watchmen' to be one of the best graphic novels ever written, and when it came out back in 1986 I was as blown away as everyone else. Just masterful.
I wake up every morning knowing how ridiculously lucky I am to be able to do what I love for a living, and that sense of wonder never, ever wears off.
We are in a tech-heavy society, plunging headlong into an unknown future. Science fiction is what allows you to stand back and analyze the impact of that and put it in context of how it affects people.
There was a point when comics were considered to be mainly of interest to kids, and it was decided that kids could relate more to someone their own age than an adult. So suddenly all these previously grownup comics were lousy with sidekicks: Aquagirl, Aqualad, Robin, Kid Flash, Speedy, Stripesy... the list goes on.
All you can do is focus on telling the best story you can with compelling characters. If you do it right, it will endure. If you do it wrong, it won't.
People spend too much time finding other people to blame, too much energy finding excuses for not being what they are capable of being, and not enough energy putting themselves on the line, growing out of the past, and getting on with their lives.
All love is unrequited. All of it.
There's a rule of writing: if everything is funny, nothing is funny; if everything is sad, nothing is sad. You want that contrast.
It's been amazing to watch, because for 'Thor', which was always a mid-selling book, to be in the top ten for every single issue since the reboot is just a great compliment.
I'm a big believer in the idea that while we are the sum of our tears, we are also the product of our choices in how we deal with those tears.
The whole point of having great characters is the opportunity to explore them more deeply with time, re-interpreting them for each new age.
When I saw Wonder Woman being constantly put in positions where she'd get tied up with her own rope, or held hostage, even as a kid, my reaction was 'C'mon, she's too smart for that.'
To have someone like Clint Eastwood come along and shoot your first draft as written is just any screenwriter's dream. And Clint is very straightforward. If it's good enough to get his attention, it's good enough to produce.
I grew up on comics and cartoons. So, as an adult, I like comics and cartoons.
I was very clear that I wanted to keep 'Thor' out of the rest of the Marvel universe for no less than the first six issues. And the success of the book, I think, speaks well to that decision.
If a person with a bullet in Dallas can change the world, imagine a person with an idea could do.
Writers write for one reason: to create an emotion in the reader, to reach across and make them feel something. You want a reaction. Yeah, it's nicer when the reaction is to throw flowers than it is to throw brickbats, but you have to accept both equally.
Follow your passion. The rest will attend to itself. If I can do it, anybody can do it. It's possible. And it's your turn. So go for it. It's never too late to become what you always wanted to be in the first place.
Never follow somebody else's path; it doesn't work the same way twice for anyone... the path follows you and rolls up behind you as you walk, forcing the next person to find their own way.
I've always been a science fiction fan since I had understood the conception of what a story was.
Take care, don't fight, and remember: if you do not choose to lead, you will forever be led by others. Find what scares you, and do it. And you can make a difference, if you choose to do so.
When a book of mine comes out, I instantly go hunting the net, not for praise, but for criticism, because that's how you learn, from people who don't have to be polite to you.
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