Top 109 Quotes & Sayings by Jack Kirby
Explore popular quotes and sayings by an American cartoonist Jack Kirby.
Last updated on November 22, 2024.
Perfectionists are their own devils.
Life at best is bittersweet.
I was handed a chocolate bar and an M-1 rifle and told to go kill Hitler.
I get a lot of comics, and I can look at a comic and tell immediately whether I'll enjoy it or not. There are elements in the stories that I have no rapport with. I see dirty language, I see sleazy backgrounds; I see it reflected in the movies, the movies are comics to me. And I don't see a sleazy world. I see hope. I see a positive world.
Some of my friends became gangsters. You became a gangster depending upon how fast you wanted a suit. Gangsters weren't the stereotypes you see in the movies. I knew the real ones, and the real ones were out for big money.
Everybody can draw, in my estimation. If you give a man 50 years, he'll come up with the Mona Lisa.
I draw people as I see them. I'm not involved in making artistic masterpieces. My, my object is to mirror people and I've always done that.
All human beings have the capability of doing what they want, what they're attracted to.
Our dreams make us large.
I had to make a living. I was a married man. I had a wife. I had a home. I had children. I had to make a living. That's the common pursuit of every man.
I was an artist, but not a self-proclaimed great artist, just a common man who was working in a form of art which is universal.
My anatomy was self-taught. I feel everybody has that ability. I drew instinctively. Mine was an instinctive style.
My monsters were lovable monsters. I gave them names - some were evil and some were good. They made sales, and that's always been my prime object in comics.
I didn't like Army life. I didn't like taking orders. I didn't like discipline. I didn't like being yelled at. You'd get 10 years for punching a sergeant so I couldn't punch a sergeant.
I feel that man can transcend himself to a point where he can accomplish greater things than he thinks.
Nobody ever asked me to do anything. Nobody knew what to do. When comics were brand new, nobody knew what kind of comics to make. So you were mostly on your own.
I took a great joy with inventing new kinds of mechanisms. I invented new kinds of machines. I've been a student of science fiction for a long, long time, and I'm very well-versed in science fact and science fiction.
I couldn't draw anything that was too outlandish or too horrible. I never did that. What I did draw was something intriguing. There was something about this monster that you could live with. If you saw him you wouldn't faint dead away.
I feel that life is a series of very interesting questions, and very poor answers. But I myself am willing to settle for the questions. If the questions are interesting, I feel I evoke them in what I do. I feel that should be good enough for everyone else.
Nobody ever wrote a story for me. I told in every story what was really inside my gut, and it came out that way. My stories began to get noticed because the average reader could associate with them.
I achieved perfection, my type of perfection - visual storytelling. Storytelling was my style.
I feel like an independent man, and I am. This is the kind of feeling I always wanted. You can rarely get that... Well, I could rarely get that in the early part of my life.
I taught myself how to draw, and I soon found out it was what I really wanted to do. I didn't think I was going to create any great masterpieces like Rembrandt or Gauguin. I thought comics was a common form of art, and strictly American in my estimation, because America was the home of the common man - and show me the common man that can't do a comic. So comics is an American form of art that anyone can do with a pencil and paper.
Superman is going to live forever. They'll be reading Superman in the next century when you and I are gone. I felt, in that respect, I was doing the same thing. I wanted to be known. I wasn't going to sell a comic that was going to die quickly.
There are people that I didn't like, but I saw them suffer and it changed me. I promised myself that I would never tell a lie, never hurt another human being, and I would try to make the world as positive as I could.
It's not in the draftsmanship, it's in the man. Like I say, a tool is dead. A brush is a dead object. It's in the man. If you want to do it, you do it.
I felt the comics grew because they became the common man's literature, the common man's art, the common man's publishing.
I feel my characters are valid, my characters are people, my characters have hope. Hope is the thing that'll take us through.
There were very strict social conventions, and you adhered to it, and I think it gave you a lot of character. When a man said something, he meant it. He wasn't kidding around. There were no jokes involved. Nobody was in the mood to joke unless you hit a guy with a baseball bat.
I write from a people's point of view. I love people because I understand them. I understand an enemy, I understand a friend, I understand grey areas, and I understand black areas.
The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.
I feel that my characters all have some part of my character. I feel that they're all me in some way, certainly not in individuality, but they all bear elements of what I feel.
I've never done anything half-heartedly; it's a disservice to me and the audience if I do it half-heartedly.
I never sued anybody, I never fought anybody or was in conflict or contention with any other party in a legal way. I feel that it hurts people, it hurts their families.
I'll never speak to another person without telling the truth. I've been a cruel man in my time, I've been a devious man in my time, like everybody else. I've told lies in my time. But I've seen enough suffering to experiment with the truth.
A character to me can't be contrived. I don't like to contrive characters. They have to have an element of truth.
I had very high respect for the Pratt Institute, but I thought that I had done my best, and that was not their version of the best.
I wasn't the kind of student that Pratt was looking for. They wanted patient people who would work on something forever. I didn't want to work on any project forever. I intended to get things done.
I feel that any man that tries, any man that comes out with something we like, is a good man. A man doesn't have to be Leonardo Da Vinci to be sincere.
If you're a thorough professional, and they won't let you do a professional job, nobody's going to benefit from it. The people who produce it won't benefit. The people who buy it won't benefit from it. They're going to get a half-assed product.
I've never done anything half-heartedly. It's the reason my comics did well. It's the reason my comics were drawn well. I can't do anything bad.
I've done things that I wouldn't ordinarily seem capable of doing. And I've proven myself in situations where there's life and death at stake. And so, I can live with myself knowing that it's not a matter of guts or anything like that. It's a matter of willingness to go the length, to transcend yourself.
I don't want to take somebody else's beating. That makes me unhappy.
I feel that man can transcend himself to a point where he can accomplish greater things than he thinks. I see people depressed and I see people who devalue themselves and I feel that's a terrible, terrible waste. But I love the people who try. But try fairly, try honestly.
Kid ... Comics will break your heart.
I began to learn about the universe myself and take it seriously. I know the names of the stars. I know how near or far the heavenly bodies are from our own planet. I know our own place in the universe. I can feel the vastness of it inside myself. I began to realize with each passing fact what a wonderful and awesome place the universe is, and that helped me in comics because I was looking for the awesome.
I've done my job extremely well. My only beef is that a lot of people have put their fingers in whatever I've done and tried to screw it up, and I've always resented that.
A man is entitled to draw things in his own style. I didn't hurt Superman. I made him powerful. I admire Superman, but I've got to do my own style.
The average politician was crooked. That was my ambition, to be a crooked politician. I'd see them in these restaurants, and they'd all hold these conferences. I'd see politicians who were supposed to be on opposite sides of issues all together at one table.
If you think a man draws the type of hands that you want to draw, steal ‘em. Take those hands.
I was being brought up on peasant stories; my mother came from Europe and she'd been a peasant and that was the area where the Frankensteins and the Draculas came from and it was entertainment for the people. Nobody had TV, and that was the way peasants would entertain themselves, by telling these stories.
You fought fair. If the other guy wants to fight and you knocked him out, you did your best for him. You didn't want to hurt him any more.
In the Army when we had judo classes, out of the class of 27 just me and another guy graduated. I grew to enjoy it because I knew I could do it well. I tried to do everything well.
All life on Earth is subject to the rumbles and rockings of the parent stucture which has no control over the disastrous effects of its stresses and strains on whatever thrives on its surface. The ambitions and dreams of men are irrelevant to this planetary giant which pursues its own way in its own manner. Man is its child, tenant and still, to this date, its captive.
I want to be better than five guys. I was that way when I used to box, I was that way in any sport. I want to compete with five other guys. If I beat five other guys, I'd like to see if I can beat six.
The only real politics I knew was that if a guy liked Hitler, I'd beat the stuffing out of him and that would be it.
Once we've learned enough about the universe we will admit to ourselves that we will never know everything.
Mort Meskin was a consummate professional, dedicated to his work. A great talent.
I never duck out of a fight; I don't care what the hell the odds are, and I'm rough at times, but I try to be a decent guy all the time. That's the way I've always lived.
I admired anybody who could make a buck with his drawing.
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