Top 177 Quotes & Sayings by Jamaica Kincaid

I'll read anything. In fact, I'll read while I'm doing other things, which is not a good idea.

I think in many ways the problem that my writing would have with an American reviewer is that Americans find difficulty very hard to take. They are inevitably looking for a happy ending.

When I moved out here to California, I became obsessed with geology. It's impossible not to be interested in the earth if you live in a place like this. I started to read a lot of geology, much to the horror of my friends.

When I'm writing, I think about the garden, and when I'm in the garden I think about writing. I do a lot of writing by putting something in the ground.

Time is the element that controls the consciousness, the very being of the people.

People only say I'm angry because I'm black and I'm a woman. But all sorts of people write with strong feeling, the way I do.

I like melancholy. I like to pretend that I'm alone in the world and I'm just sort of abandoned.

For me, writing isn't a way of being public or private; it's just a way of being. The process is always full of pain, but I like that. It's a reality, and I just accept it as something not to be avoided.

When I write nonfiction, it's always absolutely true. There will be no moment in my nonfiction where I have made something up and have to apologize to the bullying hostess of a talk show.

I like cooking, but I think someone else ought to do the dishes.

I can write anywhere. I actually wrote more than I ever did when I had small children. My children were never a hindrance.

I think life is difficult and that's that. I am not at all - absolutely not at all - interested in the pursuit of happiness. I am not interested in the pursuit of positivity. I am interested in pursuing a truth, and the truth often seems to be not happiness but its opposite.

I've never gotten used to winter and never will.

I have a photograph of myself when I was 2 years of age, and I don't recognize the person in the photograph. She doesn't look anything like me, and I can't find any trace of her in me physically. And yet I remember her very, very well - even her anxiety.

The English language started out as a distortion in my life, but nothing remains the same, and so the distortion is now just normal. That is one of the things that will happen to all distortions: They become normal and turn into something else.

I was given a dictionary when I was seven, and I read it because I had nothing else to read. I read it the way you read a book.

I used to want to be a backup singer. Not a lead singer, because I really can't sing.

People don't make changes because things are wonderful.

Everyone who knew me as a child, they say they're not surprised that I became a writer because I wrote all the time. I don't remember writing, because I wouldn't have had the tools, but I think what they are saying is that I would pretend I was a writer.

I'm so used to being misunderstood.

I like to be in my pajamas all day. Sometimes I don't wash for days because I like to read and sit around. I like to eat in bed.

I love planting. I love digging holes, putting plants in, tapping them in. And I love weeding, but I don't like tidying up the garden afterwards.

Race is not particularly interesting to me. Power is. Who has power and who doesn't. Slavery interests me because it's an incredible violation that has not stopped. It's necessary to talk about that. Race is a diversion.

I grew up in this poor place, with very limited circumstances, at about 16 years of age was sent by my family to work, and instead of remaining in the position into which I was sent, I somehow worked my way out of it without any help from anyone, just luck.

I loved Charlotte Bronte when I was little, and I wanted to be Charlotte Bronte the way people want to be a princess.

I come from a little island with the Caribbean Sea on one side and the Atlantic Ocean on the other. I come from, really, nowhere, and for me, the fiction and the nonfiction, creative or otherwise, all come from the same place.

I suppose you could say I love outlaw American culture.

When once I got to America I fell in love with hippie culture, and I've always wanted to live in the country and grow organic vegetables.

I didn't know it was possible to be successful as a writer, so I wasn't afraid to fail.

I have a sense of destiny because of my mother, who was an extraordinary person but a terrible candidate for mother. She was like the god Cronus, who gave birth to his children in the morning and then ate them at night.

I didn't really understand racism because I grew up in an all-black society, so I didn't see how it was possible not to like me!

I grew up in a place where books were very, very scarce, and I loved to read. I used to read the writing on my breakfast Ovaltine over and over again because it was in front of me, and I couldn't help but read anything that was in front of me.

I have no credentials. I have no money. I literally come from a poor place. I was a servant. I dropped out of college. The next thing you know I'm writing for the 'New Yorker,' I have this sort of life, and it must seem annoying to people.

One of the things reading does, it makes your loneliness manageable if you are an essentially lonely person.

I write a lot in my head. The revision goes on internally. It's not spontaneous and it doesn't have a schedule.

The garden has taught me to live, to appreciate the times when things are fallow and when they're not.

Children like their mothers especially to be standing still and watching them, even if they are sleeping. At least that's how I felt. There's nothing wrong with the self-interest of children; it's just the way they are.

One doesn't have to pursue unhappiness. It comes to you. You come into the world screaming. You cry when you're born because your lungs expand. You breathe. I think that's really kind of significant. You come into the world crying, and it's a sign that you're alive.

Tomorrow exists even though I may not exist in it.

What distinguished my life from my brother's is that my mother didn't like me. When I became a woman, I seemed to repel her.

You know how some people write every day at a certain point? I'm not like that. I carry something around for a long time. I weigh the words and the sentences. I weigh the paragraphs. The process is much more meditative for me.

I picked a name that was a combination of an island name and a very English name. Havana was one choice and Dominico was another, but I liked the combination of Jamaica Kincaid.

It is true that I am a writer, and I was married to a composer, and I have lived in a small village in New England, but my children are not named Heracles and Persephone, and my daughter doesn't disappear underground every six months and emerge in the spring.

At the time I was taught to read, it was an Eden-like time of my life. My mother adored me. Everyone adored me. So I associate reading with enormous pleasure.

One day I was living silently in a personal hell, without anyone to tell what I felt, without even knowing that the feelings I had were possible to have; and then one day I was not living like that at all. I had begun to see the past like this: there is a line; you can draw it yourself, or sometimes it gets drawn for you; either way, there it is, your past, a collection of people you used to be and things you used to do. Your past is the person you no longer are, the situations you are no longer in.

The inevitable is no less a shock just because it is inevitable.

A great piece of literature encompasses all that is and all that will be.

I would be lost without the feeling of antagonism that people have towards me. I write out of defiance.

What I really want to write about is injustice and justice, and the different ways human beings organize the two.

I had come to feel that my mother's love for me was designed solely to make me into an echo of her; and I didn't know why, but I felt that I would rather be dead than become just an echo of someone.

Love and hatred don't take turns; they exist side by side at the same time. And one's duty, one's obligation every day, is to choose to follow the nobler one.

Writing is not a profession. It's a calling. It's almost holy.

There's something to be said about a slightly plump person—you have just enough of too much.

...yet a memory cannot be trusted, for so much of the experience of the past is determined by the experience of the present.

I had been a girl of whom certain things were expected, none of them too bad: a career as a nurse, for example; a sense of duty to my parents; obedience to the law and worship of convention. But in one year of being away from home, that girl had gone out of existence.

I understood that I was inventing myself, and that I was doing this more in the way of a painter than in the way of a scientist. I could not count on precision or calculation; I could only count on intuition.

People only say I’m angry because I’m black and I’m a woman.

The space between the idea of something and its reality is always wide and deep and dark. The longer they are kept apart—idea of thing, reality of thing—the wider the width, the deeper the depth, the thicker and darker the darkness.

Express everything you like. No word can hurt you. None. No idea can hurt you. Not being able to express an idea or word will hurt you more. Like a bullet.

when people say you're charming you are in deep trouble.