Top 63 Quotes & Sayings by Jared Harris
Explore popular quotes and sayings by a British actor Jared Harris.
Last updated on September 17, 2024.
Very few movies I've done I regret being involved in.
I was 17, and all I wanted to do was to get away from England and the awful, boring boarding schools I'd been going to there. The last one was taught by monks, and I couldn't wait to get out.
Moving outside of your comfort zone is one thing I learned from my training as an actor in England.
I remember thinking, 'I'll audition just once and if it doesn't work out I'll never think about it ever again.'
I thought if I went somewhere where I didn't know anybody and they didn't know me I could start all over again.
People are fascinated by evil because it's mysterious and it doesn't seem to have a rationale behind it, and the second you say that Hannibal Lector was abducted as a child and he had to eat his sister or something like that, it becomes immediately mundane. The character becomes mundane.
If you don't look like Rupert Graves or Hugh Grant, they'll have you playing the gardener.
I wasn't aware of my dad being an actor when I was young. I remember there was an Australian children's entertainer on television called Ralph Harris and when I'd say my father was an actor, kids would say, you know, 'oh, is he Ralph Harris?' And I had to say no and then they would lose interest.
You can't love someone unless they love you back.
After 'Mad Men,' I got offered various types of uptight Englishmen, which I wasn't interested in doing. I didn't want to repeat myself.
Matt Weiner is an amazing writer. He's one of the best, greatest writers that's ever written for television - or just written.
I used to do lots of independent films and for a while I was very content living in New York City and doing independent movies and off-Broadway theater. I loved it, I had a really good time doing that, and I worked on a lot of projects that are very dear to my heart, both plays and films.
My father was a Catholic, but my mother wasn't. She had to do that weird deal you do as a Catholic - they deign to sanction your marriage and you have to bring your children up as Catholics.
Most of what I knew of George VI was from watching 'The King's Speech!'
You always hope that people will fall in love with the characters you play, the way you do yourself.
It's very hard to connect with a character when you haven't gotten a sense of who they are.
I've done quite a lot of dying on shows and in movies. To have a good death scene though - come on, it's brilliant. I love a good death scene!
When you're playing someone who drinks a lot, it's not that interesting to play that condition because as soon as you know that, you got all the information you're going to get from it. It's like hitting the same note on the piano over and over again.
'Mad Men' is a hard act to follow. Unless you're called Elisabeth Moss, stuff like this only comes along once in your career.
The scariest monsters are human beings and what we will do to each other.
I think at some point every actor has practiced their acceptance speech while they're having a shower. It's fun.
I think you always learn something in every character you play onstage, either personally or creatively.
I never lost an argument and my parents assumed I would be a lawyer. They cast me in that role.
I miss 'Mad Men,' but I can't complain because I got a lot of public awareness from it, and it led on to film offers such as 'Sherlock.'
I met Peter O'Toole for the first time at Dad's memorial service because my Dad didn't hang around with people like that when we were around. We didn't grow up with Richard Burton coming around to tea.
Male actors have to lie about their ages, too.
Here in England, my becoming an actor was considered unimaginative.
If you're involved in filmmaking, you want to challenge yourself.
I personally am not religious. I think, put into the wrong hands, it's incredibly dangerous. It's the reason for most of the wars that have been fought around the world, and it's pretty ridiculous when you think about what they're actually arguing over.
I've auditioned for normal characters. But I never get cast.
I really wanted to get out of England.
It's odd, because 'Mad Men' was the first long-form TV thing I ever did. I'd done loads of independent movies, but after that, it was 'TV actor.' You go, 'When did that happen? Everything else has been erased?'
I keep mementos from everything I've done. I've got my cab driver's license from 'Happiness.' I've got a pair of glasses and a belt buckle from playing John Lennon. I've got a pair of sunglasses from playing Andy Warhol... It's all in a box in the garage.
We all have our moments where we fail to live up to a challenge.
It used to be that you could do these nuggets of a movie and it would attach itself in terms of credibility to your work and the style of work that you did, that people would be interested and curious about you and your work as an actor.
Dad was never a Mr. Mum-type of person who'd stay at home. It was a big thing when he was home - he was a circus.
Pink cocktails look quite friendly. They have an umbrella in them, some sort of fruit... they look innocent, and boy, do they pack a punch.
You get ideas from other people all the time.
A lot of the time, the scripts you get to read are remakes or reboots or sequels or prequels.
That period of history has always fascinated me - Greek history, Greek mythology.
I do love pink cocktails.
One of the reasons why good actors are good is that they have poor impulse control. If you put them in front of a camera, they respond as if it was actually happening, in real time, rather than doing it after several takes.
When you're acting and you need to cry, you want to put yourself in a position where you're trying not to cry, because that is generally what people try and do. They try to hold on to their emotions, they don't want to lose them.
The person you're playing must have feelings, but if he's not able to show them, then just the subtlest rumblings and nuances can say an incredible amount.
Matt Weiner is an amazing writer. He's one of the best, greatest writers that's ever written for television, or just written.
You can't really do a lot of research for being a mass manipulating, murdering super-villain.
If you only take parts that are offered to you, you end up playing the same roles over and over again. I think it's important to keep auditioning. I think it's important to scare yourself; to take parts that are outside of your comfort zone.
Often in films there's more of allowing the actors to make the dialogue fit better in their own. Also, you get to a location and the geography is different, so the lines don't line up the right way, so you do have to change stuff.
It's important to keep auditioning. If you're auditioning for something, you're auditioning for a role that people can't see you in and you need to convince them that you're the right person.
I like the adrenaline of live performance, whatever that is, appearing in front of an audience of any kind, whether it's one or a hundred or a thousand. It gives you a buzz of adrenaline, its exciting. The thing about that is that you want to make those nerves work for you in terms of an energy that's appropriate for the part and the performance, and not to distract the people who are watching so that they become nervous for you.
Marriages had different meanings back then than they do now, they were used to cement agreements between families, business deals and things like that. The idea of marriages being arranged for love is some sort of modern idea, really.
I keep mementos from everything I've done.
In the old patrician world there was a custom once a week you had to eat a meal with your slaves and get to know them as people.
When you see natural disasters caught on film you realize how well they had been imagined by Hollywood for such a long time. It's all good fun. You never know who's gonna survive and who doesn't.
When you're at drama school you spend so much time working on amazing texts and analyzing them, digging into them, and figuring out why it happens, why you are being asked to say what you're saying, and what the words mean. But then when you start working, most of the stuff would just fall apart if you subject it to that kind of scrutiny.
When preparing for a role, a month is a luxury. Sometimes you've maybe got two weeks before you start on something. So you have to learn how to do it quickly. And the longer you have a role, that it lives in your imagination, the more you're going to be able to contribute when you get on set. Because it's really about your subconscious having time to sit with the part, so you're out doing something and then something occurs to you, you know?
If you want to do your version, go off and write it. You bring your knowledge to it, and you can use that to shape it and color it, but it's someone else's version of that character. You're not actually playing the real person.
People are fascinated by evil because its mysterious and it doesnt seem to have a rationale behind it, and the second you say that Hannibal Lector was abducted as a child and he had to eat his sister or something like that, it becomes immediately mundane. The character becomes mundane.
I audition for stuff all the time, and what's weird about it is that one's success rate at auditioning doesn't really change. It's sort of at the same ratio of stuff you audition for to things you land.
One of the things that I was interested in about Moriarty was - he's so manipulative that he doesn't need to commit violence himself or kill people - he can get everyone to do what he needs to do. And sometimes they don't even know that they are being manipulated by him.
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