Top 102 Quotes & Sayings by Jay Chandrasekhar
Explore popular quotes and sayings by an American actor Jay Chandrasekhar.
Last updated on November 21, 2024.
Frankly, I love 'Scream': I think it's one of the great scary/funny movies.
We can't make movies without scripts, and there's no cost to writing a script, so my advice to newcomers is do it yourself: Write your own script, shoot your shorts, edit your shorts.
'Super Troopers' did well but not crazy-well theatrically. But it did so well after that it - in ancillary markets - that it became impossible for us to get away from it. We'd get pulled over by cops who would thank us and then would let us go.
Often, when you're in some of these writing rooms for... and the most restrictive is network television, right? They say, 'Wow, that's a great joke, but we can't do that. Okay, let's try the second joke. Oh, you can't do that one. But the third joke you can do,' and hopefully it will be great, but it will remind people of what the joke really was.
I've written close to 20 screenplays and 100 sketches - I know exactly how to do them. They're judged by set criteria that I know.
When Broken Lizard writes a movie, we reject everything that doesn't have five guys as leads, so it needs to be cops or a basketball team; that's what we can do.
In the summer of 2000, four college friends and I grew mustaches, bought highway patrol uniforms, and shot a $1.2 million budgeted independent film called 'Super Troopers.'
Ultimately, in regular television, you've got seven or eight executives and maybe 50 people in the room with dials who are deciding whether a show goes - and it's not a great way, because we're making mass entertainment.
I think, in a film that's supposed to last an hour and a half, I think you have to really pay attention to what kind of movie you're making, what is the audience experiencing, and does this joke fit with this joke?
A lot of comedy films, there's the opinion, 'Well, if it's funny, put it in.' But I think you have to be more disciplined than that.
People always ask us, 'Hey, is there going to be a 'Beerfest 2'?' I don't know if I have another beer joke in me.
I actually like and love Chevy Chase.
I have always enjoyed outlaw films such as 'Smokey and the Bandit.'
'Super Troopers' benefited from the old way of watching films, the way we watched at Colgate, when you went to someone's house, looked at their DVD collection, and then just picked one.
With 'Puddle Cruiser,' the first 15 minutes are the weakest. When you're total unknowns and you have a weak opening, it's a real problem. At some screenings, we'd see the odd walkout before the movie even got going. But to counteract that, we'd do sketches before the show to introduce the film.
If you hang around people from L.A., they're, like, used to having their city being maligned.
I find that there's so much funny stuff in real life, and I am much more interested in super grounded, real stuff, so now I just want things to feel real and authentic.
'Spinal Tap' influenced me, I think, specifically in making me really pay attention to tone.
I think romantic comedies in general are marketed towards women, and I think men are half the romance, so why not have some that are truly from a male point of view.
The thing about people from Chicago and the Northwest suburbs is that they're very cocky. I think that serves us well in the show business world.
There has been a stigma around letting movies be seen on home screens on the same day as theatrical screens. Universal said they were going to do it with 'Tower Heist,' but they backed off when challenged by the theater owners. I understand where the theater owners are coming from on big studio movies.
I always feel like any criminal who doesn't have a mask on is dumb: particularly the ones who don't realize that all mini-marts have cameras. I find that so hilarious. Or bank robbers without a mask. You're like, 'Have you seen no movies?'
I have used the name Jambulingam while editing films such as 'Super Troopers' and 'Puddle Cruiser.' I like the look and sound of it.
You can't halt time.
I think that Broken Lizard movies typically have to be able to star five guys, so it's like, policemen, spacemen, a basketball team.
If I were in charge of the Olympics, I would probably try to put something for the javelin guy to aim at. Not just length, but see if you could spear something.
There used to be lots of legitimate independent distributors: Fox Searchlight, Miramax, Lionsgate, Warner Independent, Focus Features, Paramount Vantage, Picturehouse and Fine Line. Most of them have closed.
Philosophy teaches you to think big.
History is ultimately storytelling. I think the more stories you write in life - and I've written a lot of screenplays, a lot of short stories - you realize it's your interpretation of events that people read, and they absorb that.
If I had to be in the Olympics, I suppose I would do the javelin throw.
I would never be comfortable with an edited name. I have never hidden the fact that I am of Indian origin.
That movie - 'Airplane!' - it influenced so many of us.
I think that society is aspiring towards racial indifference, but the reality of life is not that. And so when you meet someone, you can see their race - it's right there on their face - and I feel like it's interesting.
We've always had a philosophy that we would always go wherever the joke is.
I took one film class at NYU over a summer and learned the basics - you know, how to load a camera and how to light and how to edit - and I became a film editor.
I've come to the realization that you can entertain people both through making them laugh and making them feel. You can be quiet, and they can feel, and you will have scored as well.
Occasionally, we would shoot something and think, 'This is it; we are over the line.' But the test audiences didn't have a problem with it.
I don't like soft villains in comedy films.
I remember walking into the editing room when I was a junior in college, and I watched the guy make cuts, and I didn't know what the hell was going on. He was just putting these shots together and telling the story, and it was amazing.
I am convinced that tough villains help make a comedy sparkle because they provide a contrast to the funny guys.
We write and write and write until we think, 'If we have to shoot this script, we'll be happy, and it's going to be a great movie.' I meet with all the actors two weeks before, and I ask them, 'What lines don't work? What is uncomfortable for you? What jokes do you think aren't good? If you're not getting it, here's what the joke is.' You fix it.
I've never thrown a javelin. What kind of sport is that? It's hilarious.
I've been watching a lot of cable shows like 'The Wire' and 'Breaking Bad' and 'Downton Abbey.' I love how real the moments are.
I was pre-med for a semester, and then I got a C- in organic chemistry and was washed out of that program. Then I imagined I'd be a lawyer. I was gonna go to law school.
Showbiz works well when you give the audience what they want.
The film you know as 'Super Troopers' is a film that almost didn't happen. The script was originally commissioned and developed by Miramax, but when it failed to get a green light, Harvey Weinstein was kind enough to give it back to us so we could make it elsewhere.
It's never a matter ever, ever - are - we're never trying to gross anybody out, or ever are we trying to shock people. We're just trying to make it funny in a way that makes the audience go, 'You know, that was the first joke they thought of, and they weren't afraid to do it.'
To me, I grew up in the suburbs of Chicago, and my identity is of a suburban Chicago person. It's not like, 'Oh, I'm Indian.' I'm not. I'm American.
What I do when I act and direct is I do a small version, go a little bigger, do a medium one, an over-the-top one, and then even bigger than that. I'll do six readings of the line. And they're not all the same. Just so I know if I was wrong about what I should have done, I luckily have this more subtle version.
A lot of people come from small towns, and they come here wondering 'Can I really make it in Hollywood?' When I went to L.A., I knew I was going to make it. There's no doubt about it. Why? Because I'm from Chicago!
Colgate is the epitome of having it both ways. Academically, it ranks in the top twenty schools in the country, but it is also a famous party school.
I have always felt a comedy's story is undercut if you have a villain who is not really menacing.
I myself downloaded and watched 'The Wire,' 'Breaking Bad,' 'Downton Abbey,' 'Mad Men' and 'The Walking Dead' on my iPad while walking on a treadmill. I never turned a TV on once. I never inserted a DVD.
We shot 'Super Troopers' on the side of the road in the summer in Poughkeepsie.
In 2010, The Princeton Review ranked Colgate the most beautiful campus in America - I agree.
When we had Brian Cox in 'Super Troopers,' we learned that when you put a great actor in the center of our lunacy, it grounds everything.
What I've found is that humans do laugh at the same things everywhere.
There was a Burger King in Hamilton, N.Y., where Colgate is, that had three sizes: Small, Medium, and Liter. I would go in there and order a large. And they'd say, 'We don't have large; we have liters.' So they'd make us order liters of cola, which I found to be just anti-American.
One of my random skills is I have a very strong memory for dialogue and moments, and I don't know why.
What makes Broken Lizard, I think, is our timing.
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