Top 466 Quotes & Sayings by Jean-Paul Sartre - Page 4

Explore popular quotes and sayings by a French novelist Jean-Paul Sartre.
Last updated on December 23, 2024.
Be quiet! Anyone can spit in my face, and call me a criminal and a prostitute. But no one has the right to judge my remorse.
I am beginning to believe that nothing can ever be proved. These are honest hypotheses which take the facts into account: but I sense so definitely that they come from me, and that they are simply a way of unifying my own knowledge. Not a glimmer comes from Rollebon's side. Slow, lazy, sulky, the facts adapt themselves to the rigour of the order I wish to give them; but it remains outside of them. I have the feeling of doing a work of pure imagination.
I found the human heart empty and insipid everywhere except in books. — © Jean-Paul Sartre
I found the human heart empty and insipid everywhere except in books.
What is not possible is not to choose.
The consciousness that says 'I am' is not the consciousness that thinks.
Our responsibility is much greater than we might have supposed, because it involves all mankind.
Two people can form a community by excluding a third.
There is no human nature, since there is no god to conceive it.
I committed the first crime by creating men as mortals. After that, what more could you do, you the murderers? Come on; they already had death in them: at most you simply hastened things a little.
I suppose it is out of laziness that the world is the same day after day. Today it seemed to want to change. And then anything, anything could happen.
Objects should not touch because they are not alive. You use them, put them back in place, you live among them: they are useful, nothing more. But they touch me, it is unbearable. I am afraid of being in contact with them as though they were living beasts.
I have such a desire to sleep and am so much behind my sleep. A good night, one good night and all this nonsense will be swept away.
One can ask why the I has to appear in the cogito {Descartes’ argument “I think therefore I am.}, since the cogito, if used rightly, is the awareness of pure consciousness, not directed at any fact or action. In fact the I is not necessary here, since it is never united directly to consciousness. One can even imagine a pure and self-aware consciousness which thinks of itself as impersonal spontaneity.
I wanted pure love: foolishness; to love one another is to hate a common enemy: I will thus espouse your hatred. I wanted Good: nonsense; on this earth and in these times, Good and Bad are inseparable: I accept to be evil in order to become good.
A Soviet citizen, an official writer, once said to me: "The day when Communism (that is, well-being for everyone) reigns, man's tragedy will begin: his finitude." — © Jean-Paul Sartre
A Soviet citizen, an official writer, once said to me: "The day when Communism (that is, well-being for everyone) reigns, man's tragedy will begin: his finitude."
As for the square at Meknes, where I used to go every day, it's even simpler: I do not see it at all anymore. All that remains is the vague feeling that it was charming, and these five words that are indivisibly bound together: a charming square at Meknes. ... I don't see anything any more: I can search the past in vain, I can only find these scraps of images and I am not sure what they represent, whether they are memories or just fiction.
It is certain that we cannot escape anguish, for we are anguish.
What then did you expect when you unbound the gag that muted those black mouths? That they would chant your praises? Did you think that when those heads that our fathers had forcibly bowed down to the ground were raised again, you would find adoration in their eyes?
When you live alone you no longer know what it is to tell a story: the plausible disappears at the same time as the friends. You let events flow by too: you suddenly see people appear who speak and then go away; you plunge into stories of which you can't make head or tail: you'd make a terrible witness.
Man is condemned to be free
For the moment, the jazz is playing; there is no melody, just notes, a myriad tiny tremors. The notes know no rest, an inflexibleorder gives birth to them then destroys them, without ever leaving them the chance to recuperate and exist for themselves.... I would like to hole them back, but I know that, if I succeeded in stooping one, there would only remain in may hand a corrupt and languishing sound. I must accept their death; I must even want that death: I know of few more bitter or intense impressions.
Let it crumble! Let the rocks revile me and flowers wilt at my coming. Your whole universe is not enough to prove me wrong. You are the king of gods, king of stones and stars, king of the waves of the sea. But you are not the king of man.
You must be like me; you must suffer in rhythm.
We will not go to Heaven,Goetz, and even if we both entered it, we would not have eyes to see each other, nor hands to touch each other. Up there, God gets all the attention.... We can only love on this earth and against God.
So that is what hell is. I would never have believed it. You remember: the fire and brimstone, the torture. Ah! the farce. There is no need for torture: Hell is other people.
Handing over a bank note is enough to make a bicycle belong to me, but my entire life is needed to realize this possession.
It answers the question that was tormenting you: my love, you are not 'one thing in my life' - not even the most important - because my life no longer belongs to me because...you are always me.
A man is always a teller of tales, he lives surrounded by his stories and the stories of others, he sees everything that happens to him through them; and he tries to live his life as if he were recounting it.
When one does nothing, one believes oneself responsible for everything.
This is what I thought: for the most banal even to become an adventure, you must (and this is enough) begin to recount it. This is what fools people: a man is always a teller of tales, he sees everything that happens to him through them; and he tries to live his own life as if he were telling a story. But you have to choose: live or tell.
There were days when you peered into yourself, into the secret places of your heart, and what you saw there made you faint with horror. And then, next day, you didn't know what to make of it,you couldn't interpret the horror you had glimpsed the day before. Yes, you know what evil costs.
And I too wanted to be. That is all I wanted; and this is the last word. At the bottom of all these attempts which seemed without bounds, I find the same desire again: to drive existence out of me, to rid the passing moments of their fat, to twist them, dry them, purify myself, harden myself, to give back at last the sharp, precise sound of a saxophone note. That could even make an apologue: there was a poor man who got in the wrong world.
To read a poem in January is as lovely as to go for a walk in June
It would be much better if I could only stop thinking. Thoughts are the dullest things. Duller than flesh. They stretch out and there's no end to them and they leave a funny taste in the mouth. Then there are words, inside the thoughts, unfinished words, a sketchy sentence which constantly returns...It goes, it goes ... and there's no end to it. It's worse than the rest because I feel responsible and have complicity in it. For example, this sort of painful rumination: I exist, I am the one who keeps it up. I.
For the artist, the color, the bouquet, the tinkling of the spoon on the saucer, are things in the highest degree. He stops at the quality of the sound or the form. He returns to it constantly and is enchanted with it.
Man is the being whose project it is to be God.
One should commit no stupidity twice, the variety of choice is, in the end, large enough.
A writer must refuse to allow himself to be transformed into an institution, even if it takes place in the most honorable form. — © Jean-Paul Sartre
A writer must refuse to allow himself to be transformed into an institution, even if it takes place in the most honorable form.
I think that is the big danger in keeping a diary: you exaggerate everything.
This desire [to write] is rather strange all the same and is not without a certain "cracked" quality.
One does not adopt a new idea, one slips into it.
I think there is an enormous diference between speaking and writing. One rereads what one writes. But one might read it slowly or quickly. In other words, you do not know how long you will have to spend deliberating over a sentence. ... But if I listen to a tape recorder, the listening time is determined by the speed at which the tape turns and not by my own needs.
Atheism is a cruel long term business, and I have gone through it to the end.
I wanted my own words. But the ones I use have dragged through I don't know how many consciences.
So much torture, bloodshed, deceit. You cannot make your young people practice torture twenty-four hours a day and not expect to pay a price for it.
There are photographers who push for war because they make stories. They search for a Chinese who has a more Chinese are than the others and they end up finding one. They have him take a typically Chinese pose and surround him with chinoiseries. What have they captured on their film? A Chinese? Definitely not: the idea of the Chinese.
Smooth and smiling faces everywhere, but ruin in their eyes.
I will take it all: tongs, molten lead, prongs, garrotes, all that burns, all that tears, I want to truly suffer. Better one hundred bites, better the whip, vitriol, than this suffering in the head, this ghost of suffering which grazes and caresses and never hurts enough.
[Lost of the absolute] is in this sense that ''I no longer know what to do with my life" must be understood. Critics have been mistaken about the meaning of this phrase, seeing in it a cry of despair as in Simone de Beauvoir's "I have been cheated." When she uses this word it is to indicate that she claims from life an absolute which she cannot find there.
I can receive nothing more from these tragic solitudes than a little empty purity. — © Jean-Paul Sartre
I can receive nothing more from these tragic solitudes than a little empty purity.
Yes, I am so free. And what a superb absence is my soul.
It is therefore senseless to think of complaining since nothing foreign has decided what we feel, what we live, or what we are.
Because the Nazi venom worked its way even into our thoughts, every accurate thought was a conquest; because an all-powerful police sought to force us into silence every word became as precious as a declaration of principle; because we were persecuted, each of our gestures carried the weight of a commitment.
But [your crime] will be there, one hundred times denied, always there, dragging itself behind you. Then you will finally know that you have committed your life with one throw of the die, once and for all, and there is nothing you can do but tug our crime along until your death. Such is the law, just and unjust, of repentance. Then we will see what will become of your young pride.
Intellectuals cannot be good revolutionaries; they are just good enough to be assassins.
To keep hope alive one must, in spite of all mistakes, horrors, and crimes, recognize the obvious superiority of the socialist camp.
Something begins in order to end: an adventure doesn't let itself be extended it achieves significance only through its death.
As for me, I am mean: that means that I need the suffering of others to exist. A flame. A flame in their hearts. When I am all alone, I am extinguished.
Nothingness lies coiled in the heart of being - like a worm.
When I can't see myself in the mirror, I can't even feel myself, and I begin to wonder if I exist at all.
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