Top 41 Quotes & Sayings by Jennifer McMahon

I just try to write the best story I can, a story I would love to read, and hope that readers feel the same.

In all honesty, I didn't love reading when I was a kid. I'd rather be running around in the woods or doing my best to scare the pants off all the children in the neighborhood by pretending my house was haunted or making them play Bloody Mary in the bathroom.

I found many treasures in the woods over the years: shotgun shells, empty Colt 45 bottles, old railroad spikes, orange and black beetles eating a dead mouse, pebbles that looked just like teeth, old stone walls and cellar holes, a rusted out frying pan, the skull of a cat.

I was born in 1968 and grew up in my grandmother's house in suburban Connecticut, where I was convinced a ghost named Virgil lived in the attic.

I graduated with a B.A. from Goddard College in 1991 and then studied poetry for a year in the M.F.A. in Writing Program at Vermont College.

Do me a favor - right now, today, start a list of all your crazy obsessions, the things that get your heart pumping, that wake you up in the middle of the night. Put it above your desk and use it to guide you, to jumpstart your writing each and every day.

Over the years, I have been a house painter, farm worker, paste-up artist, Easter Bunny, pizza delivery person, homeless shelter staff member, and counselor for adults and kids with mental illness - I quit my last real job in 2000 to work on writing full-time.

If there was a way to bring someone back, would you do it, no matter what the consequences might be? I know that for me, my logical mind says, 'Of course not!' But the truth is, when you lose someone who is so close to you, it's as if they are a part of you; there's always one more thing to say, one more moment you wish you'd had.

I studied poetry in college and for a year in an MFA program. As time went on, my poems got more and more complicated. What I was really trying to do was tell stories.

I do believe in ghosts, or at least in some kind of persistent spiritual echoes of the past in certain places.

I have a pretty open mind about supernatural stuff - I do believe that there's more to this world than what meets the eye.

I practically lived in the woods when I was a kid, avoiding grown-ups and my dysfunctional family, pretending I was half-wolf, a feral child who napped in nests made out of ferns, ate wild blueberries, and wove sticks and feathers into her hair.

I've never done a sequel - so far, there have been too many new stories and characters calling my name.

One exercise I always do when I'm getting to know a character is ask her to tell me her secrets. Sit down with a pen and paper, and start with, 'I never told anybody...' and go from there, writing in the voice of your character.

Honestly, I feel pretty awed anytime I meet just about any writer. I get how hard it is to write and make a living from it, but there's also this almost magical force you need to tap into, and I'm amazed by anyone who can do it.

My mother taught me to believe in ghosts: to use a Ouija board, have seances, and leave little offerings out for those who have passed.

At the heart of every story is conflict - whether external or internal, make it a good one, and remember that this problem is going to shape your character, leaving her forever changed.

I wrote my first short story in third grade.

You can have the greatest characters in the world and write beautifully, but if nothing's happening, the story falls on its face pretty quickly.

My grandmother was a psychiatrist and possibly the ultimate of all skeptics. But even she couldn't explain the strange noises we so often heard in the attic.

All my life, I had this idea that if I could unravel the mystery that was my mother, then I could help save her. But it didn't really work. We were close, but she struggled with mental illness and alcoholism, and it was rough at times.

I think we all have a kind of dark side, and that's what keeps life - and characters - interesting. That's one of the things that I'm drawn to write about again and again, the secrets we keep and how they shape us.

I believed then - in a deep, easy way that is impossible for me as an adult - that there was more to this world than meets the eye. Trees had spirits; the wind spoke. If you followed a toad or a raven deep into the heart of the forest, they were sure to lead you to something magical.

I absolutely love writing about the things that scare me, the things that keep me up at night. I don't quite know why. Perhaps because so many things do scare me, and this is my subconscious way of trying to exercise some control over things that go bump in the night!

People often ask if my books should be read in any particular order, but they're all standalone novels, so picking up any one of them would be fine.

Some things, I think, like fairy books and secret doors, are only meant to be found by children.

I think of setting as almost a character of its own, influencing the other characters in ways they're not even aware of. So much of the success of a good ghost story rides on creating a creepy atmosphere; details of the landscape itself can help create a sense of dread.

My grandmother was a psychiatrist and had shelves full of medical books - I was constantly sneaking looks at some of those. I was fascinated by the descriptions of illnesses and diseases.

Some people say, 'Write what you know.' My thing is, 'Write what scares you.'

I have a friend who calls me the queen of the nightmares because I've always had really bad nightmares. I keep a notebook by the side of my bed, so I'll wake up in the night from a bad dream, and my heart's pounding, and I'm really scared, but I write it down, and sometimes I get ideas for books that way.

Poetry taught me a great deal about language and images, but when it came to plotting, I was stumped. It's been very much a learn-by-doing thing for me.

Although in my life the level of loss has never reached the extremes it does in 'The Winter People,' I certainly can identify with being both a daughter longing for her mother and being a mother who is almost scared by the intensity of her love for her daughter.

...they were exactly what the other needed; the missing piece that made everything else magically click into place.

I've lived here ... my whole life. It's where I lost all my baby teeth. Where tiny hamster, gerbil, and bird skeletons lie in rotted-out cardboard coffins beneath the oak tree in our backyard. Also where, if some future archaeologist goes digging, they'll find the remains of a plush toy: a gray terrier named Toto I buried after the accident.

Storytelling wasn't about making things up. It was more like inviting the stories to come through her, let themselves be told.

If snow melts down to water, does it still remember being snow?

The world was full of dangers now that she was pregnant: mercury in tuna, hot tubs, beer, secondhand smoke, over-the-counter medicine. Not to mention crazy baby-abducting fairy kings.

Ain't no point worrying about what's been or what's gonna be. You just gotta do your best right now. And trust everyone else is doing the same.

All great heroes have a flaw. It's one of the things that makes them heroes.

Sometimes what a person needs most is to be forgiven.

What if things happened to you—special, magic things—because you’d been preparing for them?