Explore popular quotes and sayings by an American actor Jim Coleman.
Last updated on December 18, 2024.
My Brother and Me is an American sitcom, created by Ilunga Adell and Calvin Brown Jr., that originally aired on Nickelodeon. My Brother and Me is about the Parkers, a family living in the west side of Charlotte, North Carolina, who experience the highs and lows of everyday life.
I've had a lot of highs in my life and a lot of lows, some pivotal experiences, and in ways I feel like I've already lived a couple of lives.
I'm from all over the Northeast.
Unfortunately, however, I have too many desires to make a good Buddhist.
For electronica music, David Linton has been doing this series called Unity Gain, which is pretty cool.
I'm just like you, only I'm different because I'm me.
Then I took 8 years of French Horn, first jazz, and then classical.
And I definitely have an affinity with the piano.
I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing personalities, Ideally, I want to have both ways of working in my life.
So, through playing with Cop I realized that there is a potentially interested audience out in the world.
I actually went to film school and was making experimental films for a short time, so it wasn't such a leap.
I don't think I really know just how cool Satan really was when I was in Junior High School. Now, thanks to Marilyn Manson, it's no longer a secret.
And I think that I'd be a natural for scoring horror movies.
I grew up outside of DC, New York state, and Connecticut.
But Contra la Puerta was done mostly in the opposite way, starting with sounds and melodies.
I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievable Truth.
And when that's working, the sum can be greater than the parts.
But that's something that I like about scoring film: it makes me reach out of the parameters of my self, it requires me to do things musically that I wouldn't normally do left to my own devices.
Also, differences of opinion can be creatively stimulating as well as frustrating.
When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way.
In scoring, I usually start with a sound or group of sounds, searching out what feels right.
With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep it within the realm of a score; it still had to lead the viewer through the scene, or just help create the mood.
First, I'm trying to edit down about 7 hours of material which I made prior to the Cop days and find some way to get it out. This stuff is pretty out there, mostly sonic collages and tape manipulations.
But things can happen in a band, or any type of collaboration, that would not otherwise happen.
I like to think that my finest hour is still ahead of me, so I can look forward rather than look backward.
But in my college years it got to the point where my friends and I didn't do anything without consuming a massive amount of alcohol before we went anywhere or did anything, and you know that.
And I don't know where I'm heading. I mean, I've got a pretty good idea of what I want in life.
Yes, I was forced to take piano lessons for 8 years as a child.
I do remember being in high school and trying to go to an Outlaws concert, but I was too drunk and ended up in trouble with the police at some truck stop on 95 in Connecticut.
If the finest hour is now, then I'll always be in it.
As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe.