Top 105 Quotes & Sayings by John Banville - Page 2

Explore popular quotes and sayings by an Irish novelist John Banville.
Last updated on April 17, 2025.
He knows that after him everything will continue on much as before, except that there will be a minuscule absence, a barely detective gap in the so-called grand scheme, one unit fewer now. Or not even that, not even an empty space where he once was, for all will rush immediately to fill that vacuum. Pft. Gone. Recollections of him will remain in the minds of others for a while, but presently those others too will die and his few relics with them. And then all will be dark.
The sentence is the greatest human invention of civilization.
Happiness was different in childhood. It was so much then a matter simply of accumulation, of taking things - new experiences, new emotions - and applying them like so many polished tiles to what would someday be the marvellously finished pavilion of the self.
What is money, after all? Almost nothing, when one has a sufficiency of it. — © John Banville
What is money, after all? Almost nothing, when one has a sufficiency of it.
When I finish a sentence, after much labor, it's finished. A certain point comes at which you can't do any more work on it because you know it will kill the sentence.
Throughout the 1960s and 1970s devoted Beckett readers greeted each successively shorter volume from the master with a mixture of awe and apprehensiveness; it was like watching a great mathematician wielding an infinitesimal calculus, his equations approaching nearer and still nearer to the null point.
No two things the same, the equals sign a scandal.
That's one of the many things I hate about life, that it's a hideously cliched business.
All I wanted was to be left alone. They abhor a vacuum, other people. You find a quiet corner where you can hunker down in peace, and the next minute there they are, crowding around you in their party hats, tooting their paper whistles in your face and insisting you get up and join in the knees-up.
And indeed nothing had happened, a momentous nothing, just another of the great world's shrugs of indifference.
...being alone with him was like being in a room which someone had just violently left
To take possession of a city of which you are not a native you must first fall in love there.
There are times, they occur with increasing frequency nowadays, when I seem to know nothing, when everything I know seems to have fallen out of my mind like a shower of rain, and I am gripped for a moment in paralysed dismay, waiting for it all to come back but with no certainty that it will.
Perhaps all of life is no more than a long preparation for the leaving of it.
The world is not real for me until it has been pushed through the mesh of language.
Ian McEwan is a very good writer; the first half of Atonement alone would ensure him a lasting place in English letters. — © John Banville
Ian McEwan is a very good writer; the first half of Atonement alone would ensure him a lasting place in English letters.
Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing. I couldn't ask for anything better. It's as near to godliness as I can get.
All one wants to do is make a small, finished, polished, burnished, beautiful object . . . I mean, that's all one wants to do. One has nothing to say about the world, or society, or morals or politics or anything else. One just wants to get the damn thing done, you know? Kafka had it right when he said that the artist is the man who has nothing to say. It's true. You get the thing done, but you don't actually have anything to communicate, apart from the object itself.
We carry the dead with us only until we die too, and then it is we who are borne along for a little while, and then our bearers in their turn drop, and so on into the unimaginable generations.
These days I must take the world in small and carefully measured doses. It is a sort of homeopathic cure I am undergoing, though I am not certain what this cure is meant to mend. Perhaps I am learning to live amongst the living again. Practising, I mean. But no, that is not it. Being here is just a way of not being anywhere.
A man is not much if he can't depend on himself, and nothing if others can't depend on him.
Where I went, no one could follow. Yet someone managed to hold my hand.
The trouble with you, Vic," he said, "is that you think of the world as a sort of huge museum with too many visitors allowed in.
Everything we do is tinged with the knowledge that this may be the last time that we will do this, and that makes what we're doing incredibly sweet.
Enormous morning, ponderous, meticulous; gray light streaking each bare branch, each single twig, along one side, making another tree, of glassy veins.
The first thought that occurred to me, that night when I heard the chairman of the jury announce my name, was, Just think how many people hate me at this moment. Naturally, I wanted to annoy those people even further by being arrogant.
All my life I have lied. I lied to escape, I lied to be loved, I lied for placement and power; I lied to lie. It was a way of living; lies are life's almost-anagram.
If they give me the bloody prize, why can't they say nice things about me?
Dogs are dim creatures, do not speak to me of their good sense--have you ever heard of a team of tomcats hauling a sled across the frozen wastes?
Sleep is uncanny, I have always found it so, a nightly dress-rehearsal for being dead.
A plot begins when somebody has something to hide.
I shall strip away layer after layer of grime -- the toffee-colored varnish and caked soot left by a lifetime of dissembling -- until I come to the very thing itself and know it for what it is. My soul. My self.
What I was afraid of was my own grief, the weight of it, the ineluctable corrosive force of it, and the stark awareness I had of being, for the first time in my life, entirely alone, a Crusoe shipwrecked and stranded in the limitless wastes of a boundless and indifferent ocean.
With the crime novels, its delightful to have protagonists I can revisit in book after book. Its like having a fictitious family. — © John Banville
With the crime novels, its delightful to have protagonists I can revisit in book after book. Its like having a fictitious family.
The secret of survival is a defective imagination.
The telephone ringing gave me a dreadful start. I have never got used to this machine, the way it crouches so malevolently, ready to start clamouring for attention when you least expect it, like a mad baby.
I have never really got used to being on this earth. Sometimes I think our presence here is due to a cosmic blunder, that we were meant for another planet altogether, with other arrangements, and other laws, and other, grimmer skies. I try to imagine it, our true place, off on the far side of the galaxy, whirling and whirling. And the ones who were meant for here, are they out there, baffled and homesick, like us? No, they would have become extinct long ago. How could they survive, these gentle earthlings, in a world that was made to contain us.
Yes, this is what I thought adulthood would be, a kind of long indian summer, a state of tranquility, of calm incuriousness, with nothing left of the barely bearable raw immediacy of childhood, all the things solved that had puzzled me when I was small, all mysteries settled, all questions answered, and the moments dripping away, unnoticed almost, drip by golden drip, toward the final, almost unnoticed, quietus.
In the city of flesh I travel without maps, a worried tourist: and Ottilie was a very Venice. I stumbled lost in the blue shade of her pavements. Here was a dreamy stillness, a swaying, the splash of an oar. Then, when I least expected it, suddenly I stepped out into the great square, the sunlight, and she was a flock of birds scattering with soft cries in my arms.
You will remember this when all else fades, this moment, here, together, by this well. There will be certain days, and certain nights, you’ll feel my presence near you, hear my voice. You’ll think you have imagined it and yet, inside you, you will catch an answering cry. On April evenings, when the rain has ceased, your heart will shake, you’ll weep for nothing, pine for what’s not there. For you, this life will never be enough, there will forever be an emptiness, where once the god was all in all in you.
Art is amoral, whether we accept this or not; it does not take sides. The finest fictions are cold at heart.
Given the world that he created, it would be an impiety against God to believe in him.
How flat all sounds are at the seaside, flat and yet emphatic, like the sound of gunshots heard at a distance.
I had never liked, even feared a little, this wild reach of marsh and mud flats where everything seemed turned away from the land, looking off desperately toward the horizon as if in mute search for a sign of rescue.
The white May blossom swooned slowly into the open mouth of the grave. — © John Banville
The white May blossom swooned slowly into the open mouth of the grave.
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