Top 101 Quotes & Sayings by John Burnside

Explore popular quotes and sayings by a Scottish writer John Burnside.
Last updated on September 10, 2024.
John Burnside

John Burnside FRSL FRSE is a Scottish writer. He is one of only three poets to have won both the T. S. Eliot Prize and the Forward Poetry Prize for the same book.

A man was defined, in my father's circles, by what he could bear, the pain he could shrug off, the warmth or comfort he could deny himself.
The son of a Fife mining town sledder of coal-bings, bottle-forager, and picture-house troglodyte, I was decidedly urban and knew little about native fauna, other than the handful of birds I saw on trips to the beach or Sunday walks.
Clearly, any well-kept garden will be a source of pleasure in the summer months; in the bleak urban midwinter, however, there are few activities more likely to energise the spirit than a botanical walk.
I know that the only reason American landscapes sometimes disappoint me is that, just a century before I was born, the great rivers and prairies and wild forests still existed. And they were sublime.
If nature offers no home, then we must make a home one way or another. The only question is how. — © John Burnside
If nature offers no home, then we must make a home one way or another. The only question is how.
Once upon a time, forests were repositories of magic for the human race.
High Alpine meadows, like their near relatives prairie, desert and certain varieties of wetland, teach us to consider the world from a fresh perspective, to open our eyes and take account of what we have missed, reminding us that, in spite of our emphasis on the visual in everyday speech, we see so very little of the world.
A modern arboretum brings us that ancient forest and, with it, a changed apprehension of time, a renewed appreciation of the elegance of natural form and a renewed sense of wonder at the variety of the world we inhabit.
I don't like the term 'mental illness.' I'd rather just say 'mad.' Just like I always say 'loony bin,' not 'mental hospital.'
People will occasionally ask me if I understand what it's like to be lonely. And the truth is I don't, because for me, solitariness is a blessing, a gift. Me, I get on fine with myself.
My first book was a car crash. I tried to find all the copies and destroy them.
The woods were a boon; all too often, the forest offered danger and mystery. Yet it could be liberating. If you entered that wild place on its own terms, you might be accorded wisdom.
Every time I write a book, I think how I could be doing it better to please people - a nicer book with nicer characters - but I just can't.
I have never understood why so many gardeners favour straight lines and narrow, regulated borders; perhaps they think wildness could work only in a larger space.
'The Gardener' is more than a marvellous collection of images by a master photographer. — © John Burnside
'The Gardener' is more than a marvellous collection of images by a master photographer.
What makes me write is the rhythm of the world around me - the rhythms of the language, of course, but also of the land, the wind, the sky, other lives. Before the words comes the rhythm - that seems to me to be of the essence.
My second, third and fourth novels were mistakes, essentially.
A mad person isn't someone who sees what isn't there; he's someone who sees what is there but that others can't see. I really believe that.
Sometimes, though only in my most unguarded moments, I can still think of Annette Winters as my first love. At fifteen, she was tall, slender, very dark: an intelligent, sly girl possessed of what I think of now, though I didn't think of then, as a kind of debatable beauty.
Growing up, I lived in a house without art: no picture books on the shelves, no visits to museums, no posters on the bedroom wall.
Worldwide, enormous areas of peatland are still being lost to agricultural development, drainage schemes, overgrazing, and exploitation-based infrastructure development projects such as roads, electricity pylons, telephone masts and gas pipelines.
If I tell you a story, you can choose to believe me, or you can question it.
I remember playing the Mad Hatter in a school play and feeling very comfortable in the character.
We do not need to be heroes to save the world; all we need is humility, a critical view of the commercial and political interests of those who would mislead us into wrongdoing, and a sense of wonder.
It is common knowledge now that we depend on insects for our continued existence; that, without key pollinators, the human population would collapse in less than a decade.
I went for a walk in the Arctic Circle without map or compass. Fortunately, I was only lost for hours, not days.
Irrationality interests me more than anything: sometimes it's very dangerous, but it can be incredibly beautiful.
The great pleasure that comes from reading poets such as Mark Doty and Marianne Moore is the realisation that the essential virtues - compassion, wonder, humility, respect for the mysterious - are far from conventionally heroic.
I don't want to suggest that matrimony was necessarily a tragic affair - some of our neighbours' marriages seemed quite functional, if somewhat routine; nevertheless, in the workaday world, it is wedlock that is most likely to offer the occasion for life-threatening disappointment.
Sometimes, when the wind hits hard and icicles form on the sea cliffs, we can all come together - and at those times, we are at our best.
For 10 years, I gave away my possessions every year and moved on to a new place.
Thatcherite economic policy was most acutely felt in the coal industry, where tens of thousands of jobs were lost as pits were shut down.
Usually, I would mistrust a book if it took that long to write. Usually, if it isn't done in two years, I suspect there's something wrong and throw it away.
This is a truth that should be repeated like a mantra: to have any chance of a ful - filling life, we require not only clean air and a steady climate, but also an abundance of meadows and woodlands, rivers and oceans, teeming with life and the mass existence of other living creatures.
What we should be doing is saving habitats, not single species, no matter what their cuteness factor.
The older I get, the happier my childhood becomes.
One day I was talking about what I was going to do next, and just found myself announcing it: 'I'm going to write a book about my father.'
The poem builds in my mind and sits there, as if in a register, until the poem, or a piece of a longer poem, is finished enough to write down. I can hold several lines in my head for quite some time, but as soon as they are written down, the register clears, as it were, and I have to work with what is on the paper.
In time, we will have to recognise that it is not 'nature' that we need to protect, but ourselves, and we can only do this by abandoning the old, grandiose, profit-seeking schemes so beloved of our masters and learning to till the soil, live to scale, and live within our means.
My editor, Robin Robertson, is one of this country's finest poets, so I listen to him when he offers advice. — © John Burnside
My editor, Robin Robertson, is one of this country's finest poets, so I listen to him when he offers advice.
Given the right information to help them decide, people will opt for conditions that benefit our creaturely neighbours, even where they have no particular interest in larks or cuckoo wasps - because those conditions benefit us.
The only pleasure in redecorating or moving house comes from stumbling across books that I'd almost forgotten I owned.
I remember how, back in the 1980s, the Scottish Flow Country became an object of bemused controversy as rich celebrities and businessmen from south of the border acquired great tracts of this vast wetland in the far north in order to plant non-native conifer plantations that attract hefty tax breaks.
It's important to have quiet time and isolation.
There is a red sandy beach in the Minas Basin in Nova Scotia that is unlike any other shore landscape I have ever seen. The world's highest tides wash its shores, and the soft cliffs of Blomidon Provincial Park are constantly crumbling away; whole trees will occasionally slide down to the sea to decay slowly in the wind and brine.
Anyone who has ever stopped to watch a hawk in flight will know that this is one of the natural world's most elegant phenomena.
In many traditions, hawks are sacred: Apollo's messengers for the Greeks, sun symbols for the ancient Egyptians and, in the case of the Lakota Sioux, embodiments of clear vision, speed and single-minded dedication.
You can't sit down and decide what you want to write about.
Hunted for sport by the rich, then driven from large tracts of its natural habitat by agricultural and housing development, the giant panda deserves better than to be scrubbed from conservation's ledger books through false accounting.
The fabric of a garden is determined as much by its textures as by its tonal range and architectural flair. — © John Burnside
The fabric of a garden is determined as much by its textures as by its tonal range and architectural flair.
The Botanischer Garten in Berlin has one of Europe's finer winter trails, leading in careful order from glasshouses devoted to African-American and Australian desert species, through a fine collection of tropical plants, and on to the orchid house.
Poetry stands or falls by its music.
With each passing decade, history becomes less real for us, less immediate and essential to our way of life, and so, like 'green' nature, more of a commodity or an advertising gimmick.
I think humans have to learn a new way of dwelling on this earth. A way of living with their companions: animals, plants and fish.
A forest - the word dates back to the Norman occupancy, when it meant an area set aside for England's violent new masters to hunt boar and deer - is necessarily larger than a wood. It belonged to the king and was a fit place for his recreation.
Snow isn't just pretty. It also cleanses our world and our senses, not just of the soot and grime of a Fife mining town but also of a kind of weary familiarity, a taken-for-granted quality to which our eyes are all too susceptible.
The animal encounter poem is now so distinct a genre that it would be possible to create a full-length anthology from deer encounter poems alone, and many varieties of experience would emerge from such an exercise.
Our ancestors went to the woods to find fuel; they set snares there for birds and gathered nuts and fungi.
As a child, I was always intrigued by the question: what is it that distinguishes a city from a town? Is it size? Population? Location? When I asked grown-ups, the confident answer was that a city has to have a cathedral - which, to a child raised in a devout Catholic setting, made sense.
The conventional, and painfully artificial, separation of the human realm from the natural other is bound to perish, albeit over a period of time, until we are obliged to learn how to cultivate our gardens under the most demanding conditions.
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