Explore popular quotes and sayings by an American author John Byrne.
Last updated on November 18, 2024.
John Lindley Byrne is a British-born American writer and artist of superhero comics. Since the mid-1970s, Byrne has worked on many major superheroes; with noted work on Marvel Comics' X-Men and Fantastic Four. Byrne also facilitated the 1986 relaunch of DC Comics' Superman franchise, the first issue of which featured comics' first variant cover. Coming into the comics profession as penciller, inker, letterer and writer on his earliest work, Byrne began co-plotting the X-Men comics during his tenure on them, and launched his writing career in earnest with Fantastic Four. During the 1990s he produced a number of creator-owned works, including Next Men and Danger Unlimited. He scripted the first issues of Mike Mignola's Hellboy series and produced a number of Star Trek comics for IDW Publishing. In 2015, Byrne and his X-Men collaborator Chris Claremont were entered into the Will Eisner Award Hall of Fame.
John Conyers' office has been very responsive to citizen concerns and the Internet has presented a way to communicate with them in a way that's never before been there.
I think Daily Kos is a really great example of where it's really worked in terms of putting the opinions of a larger group of people forward. And Kos has obviously had a huge impact on politics.
It's that invasive and puerile curiosity to feed a tabloid culture. I don't subscribe to it.
Getting older is fine. There is nothing you can do to stop it so you might as well stay on the bus.
I think my work has become more interesting, well to me anyway.
I have no interest in anybody's life that way so it defeats me why people go to that length to pry.
I feel not unlike a small boy, waking from a bad dream to find reality not much of an improvement.
Online fundraising is so important to the Democratic Party.
Personal prejudice: Hispanic and Latino women with blond hair look like hookers to me, no matter how clean or cute they are. Somehow those skin tones that look so good with dark, dark hair just don't work for me with lighter shades.
I feel not unlike a small boy, waking from a bad dream to find reality not much of an improvement
One of the things that kept most comics from being monthly was that very few artists could produce 24 pages per month. Jack Kirby was very much the exception to the rule, but his towering presence at Marvel started to dictate the whole shape of the industry - and that's where problems set in!
Imagine, 24 pages of superhero adventures produced by the same writer and artist every month!! How did they do it? (What? By being professional about it? But that's too much like work!)