Top 163 Quotes & Sayings by John Fowles - Page 2

Explore popular quotes and sayings by an English novelist John Fowles.
Last updated on November 9, 2024.
There are some men who are consoled by the idea that there are women less attractive than their wives; and others who are haunted by the knowledge that there are more attractive.
The practise of an art is essential to the whole man, not because of what art is but because of what art does to the artist.
The world began in hazard and will end in it. — © John Fowles
The world began in hazard and will end in it.
Man is about to be deprived of a great pole - work routine. The nightmare of capitalist society is unemployment; the nightmare of cybernetic society will be employment.
To write poetry and to commit suicide, apparently so contradictory, had really been the same, attempts at escape.
It is only when our characters and events begin to disobey us that they begin to live.
Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to live.
To despise all effort is the greatest effort of all.
But however good you get at translating personality into line or paint it's no go if your personality isn't worth translating.
I am going to explain to you why we went to war. Why mankind always goes to war. It is not social or political. It is not countries that go to war, but men. It is like salt. Once one has been to war, one has salt for the rest of one's life. Do you understand?
Forgetting’s not something you do, it happens to you. Only it didn’t happen to me.
They looked down on her; and she looked up through them.
The privileges of knowledge have to be bought at the cost of the consolations of ignorance.
Adulthood is not an age, but a stage of knowledge of self.
Which are you drinking? The water or the wave? — © John Fowles
Which are you drinking? The water or the wave?
Love is the mystery between two people, not the identity.
Hazard has conditioned us to live in hazard. All our pleasures are dependent on it. Even though I arrange for a pleasure, and look forward to it, my eventual enjoyment of it is still a matter of hazard. Wherever time passes, there is hazard.
He is solid; immovable, iron-willed. He showed me one day his killing bottle. I'm imprisoned in it. Fluttering against the glass. Because I can see through it I still think I can escape. I have hope. But it's all an illusion. A thick round wall of glass.
One degrades oneself sometimes in the effort not to be lonely.
It came to me…that I didn’t want to be anywhere else in the world at that moment, that what I was feeling at that moment justified all I had been through, because all I had been through was my being there. I was experiencing…a new self-acceptance, a sense that I had to be this mind and this body, its vices and its virtues, and that I had no other chance or choice.
The bowed head, the buried face. She is silent, she will never speak, never forgive, never reach a hand, never leave this frozen present tense. All waits, suspended. Suspended the autumn trees, the autumn sky, anonymous people. A blackbird, poor fool, sings out of season from the willows by the lake. A flight of pigeons over the houses; fragments of freedom, hazard, an anagram made flesh. And somewhere the stinging smell of burning leaves.
The moon hung over the planet Earth, a dead thing over a dying thing.
Ask me to marry you." "Will you marry me?" "No.
He felt himself in suspension between the two worlds, the warm, neat civilization behind his back, the cool, dark mystery outside. We all write poems; it is simply that poets are the ones who write in words.
The craving to risk death is our last great perversion. We come from night, we go into night. Why live in night?
Thomas Beecham was a pompous little band-master who stood against everything creative in the art of his time.
The dead live." "How do they live?" "By love.
Only fools think our attitude to our fellow men is a thing distinct from our attitude to 'lesser' life on this planet.
Being an atheist is a matter not of moral choice, but of human obligation.
Think. In a minute from now you could be saying, I risked death. I threw for life, and I won life. It is a very wonderful feeling. To have survived.
The ordinary man is the curse of civilization.
The battle was over. Our casualties were some thirteen thousand killed--thirteen thousand minds, memories, loves, sensations, worlds, universes--because the human mind is more a universe than the universe itself--and all for a few hundred yards of useless mud.
He knew the world and its absurdities as only an intelligent Irishman can; which is to say that where his knowledge or memory failed him, his imagination was always ready to fill the gap.
Whole sight; or all the rest is desolation.
The word is the most imprecise of signs. Only a science-obsessed age could fail to comprehend that this is its great virtue, not its defect.
These last few days I've felt Godless. I've felt cleaner, less muddled, less blind. I still believe in a God. But he's so remote, so cold, so mathematical. I see that we have to live as if there is no God. Prayer and worship and singing hymns-all silly and useless.
I will tell you what war is. War is a psychosis caused by an inability to see relationships. Our relationship with our fellowmen. Our relationship with our economic and historical situation. And above all our relationship to nothingness, to death.
I think it is interesting that we have come back to star- and space ships. Jet will do for a transport shorthand; yet when man really reaches, across the vast seas of space, he still reaches in ships.
It is not only species of animal that die out, but whole species of feeling. And if you are wise you will never pity the past for what it did not know, but pity yourself for what it did.
Stained glass, engraved glass, frosted glass; give me plain glass. — © John Fowles
Stained glass, engraved glass, frosted glass; give me plain glass.
That is the great distinction between the sexes. Men see objects, women seetherelationship between objects? It is an extra dimension of feeling which we men are without and one that makes war abhorrent to all real women?and absurd.
Our present educational systems are all paramilitary. Their aim is to produce servants or soldiers who obey without question and who accepts their training as the best possible training. Those who are most successful in the state are those who have the most interest in prolonging the state as it is; they are also those who have the most say in the educational system, and in particular by ensuring that the educational product they want is the most highly rewarded.
He was one of the most supremely stupid men I have ever met. He taught me a great deal.
An easterly is the most disagreeable wind in Lyme Bay — Lyme Bay being that largest bite from the underside of England's outstretched southwestern leg — and a person of curiosity could at once have deduced several strong probabilities about the pair who began to walk down the quay at Lyme Regis, the small but ancient eponym of the inbite, one incisively sharp and blustery morning in the late March of 1867.
We talked for hours. He talked and I listened. It was like wind and sunlight. It blew all the cobwebs away.
It was too exactly as imagined to be true. But I felt as gladly and expectantly disorientated, as happily and alertly alone, as Alice in Wonderland.
Though I like the various forms of football in the world, I don't think they begin to compare with these two great Anglo-Saxon ball games for sophisticated elegance and symbolism. Baseball and cricket are beautiful and highly stylized medieval war substitutes, chess made flesh, a mixture of proud chivalry and base - in both senses - greed. With football we are back to the monotonous clashing armor of the brontosaurus.
I knew words were like chains, they held me back . . . the act of description taints the description.
People who teach you cram old ideas, old views, old ways, into you. Like covering plants with layer after layer of old earth; it's no wonder the poor things so rarely come up fresh and green.
Even more ominous ... is the fact that since the Second World War a new kind of intellectual has emerged in large numbers. ... he is only minimally interested in the proper intellectual significance of images and objects. Such people are not really intellectuals, but visuals ... A visual is more interested in style than in content ... A visual does not feel a rioting crowd being machine-gunned by the police, he simply sees a brilliant news photograph.
I knew I would always want to go on living with myself, however hollow I became, however diseased. — © John Fowles
I knew I would always want to go on living with myself, however hollow I became, however diseased.
His statement to himself should have been, 'I possess this now, therefore I am happy', instead of what it so Victorianly was: "I cannot possess this for ever, and therefore am sad."
The supposed great misery of our century is the lack of time; our sense of that, not a disinterested love of science, and certainly not wisdom, is why we devote such a huge proportion of the ingenuity and income of our societies to finding faster ways of doing things - as if the final aim of mankind was to grow closer not to a perfect humanity, but to a perfect lightning-flash.
How can one build a better self unless on the ruins of the old?
Edith Sitwell's interest in art was largely confined to portraits of herself.
You're not me. You can't feel like I feel." "I can feel." "No you can't. You just choose not to feel or something and everything's fine." "It's not fine. It's just not so bad.
When you draw something it lives and when you photograph it it dies
I have a strange illusion quite often. I think I've become deaf. I have to make a little noise to prove I'm not. I clear my throat to show myself that everything is normal. It's like the little Japanese girl they found in the ruins of Hiroshima. Everything dead; and she was singing to her doll.
They're beautiful. But sad.' Everything's sad if you make it so, I said.
Between skin and skin, there is only light.
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