Top 109 Quotes & Sayings by John Frusciante

I consider my music to be Progressive Synth Pop, which says nothing about what it sounds like, but does describe my basic approach.

For me my friendship with Omar Rodriguez from Mars Volta that friendship really means a lot to me because he's another creative person who works as hard as I do.

The main thing experience has taught me is that one has to sort of hone their relationship to time, you know.

As far as my solo record, I don't want a gold record or anything, I'm happy to be small and to have the people appreciate the music who really like me for being me.

In music you have people exposing this very vulnerable part of themselves, and you also have the lifestyle is so fast that oftentimes people search for whatever the easiest way to feel relaxed in the midst of all of it, or the easiest way to have energy.

For me, living and making music, they're one thing. It's not like a job that I go to a studio to do, or a chore that I have to get myself in the mood to do, or something. It's the thing that I need to do every day.

What really helps me is being able to record my albums at home - I have more fun experimenting that way, as opposed to working with an engineer, in which case I have to deal with the humiliation of doing take after take, and that can get frustrating.

Rock music is electronic music, dependent entirely on electronic circuitry and amplification.

I find that the best way to do things is to constantly move forward and to never doubt anything and keep moving forward, if you make a mistake say you made a mistake.

I'm not interested in meeting people's expectations, and I'm not interested in pleasing people.

Something like trying to protect yourself all the time, things like trying to outwit fate. Those things can be the worst thing you can do for yourself.

The drive to create music that is pure is my highest priority. Sometimes I'll get extremely technical, and other times I'll just kind of go with the gods of music.

I combine aspects of many styles of music and create my own musical forms by way of electronic instruments.

For me, theory has always opened things up to where I can walk into a room and just by hearing something I know exactly where to go on the guitar. I have a better time playing because I have a variety of colors to bring to the table.

For me it's important to be in balance. To not let fear get in the way of things, to not worry so much about protecting yourself all the time.

I don't have an extensive background in theory, but the amount of it that I've learned, I've applied, so I have a vocabulary of melodic and rhythmic relationships. And that's all theory is - it's symbols to help you identify those relationships.

Mainly, I don't like it when music is made solely to impress people or in order to please business people; it doesn't sound good to me. If you're making music in order to become famous or loved by the masses... that's not what I'm about. When somebody's making music for the wrong reasons, I hear it right away.

I would say a lot of the emotion in what I do is a sort of a thankfulness for those energies being around, because there's been points in my life when they weren't around, and it's a real sort of miserable existence.

But I have been avoiding talking about what I'm doing now because it's frustrating for people to hear about things that aren't available yet.

In the Chili Peppers I'm a part of that world in a pretty big world and that's just the way it is.

Any guitar solo should reflect the music that it's soloing over and not just be existing in its own sort of little world.

I don't want to be on the radio. I don't want to be on Mtv.

I think the feelings in my music were suggested to me before I even had the ability to play music.

You just never know when somebody's gonna die. It could happen at any moment so you've got to really treat everybody that way. Just really let everybody know how you feel about them.

And this whole period of time of gradually working at being a better guitar player and songwriter have gradually led me to the point where I feel I'm doing a clearer representation of the thing that I've been feeling inside me since I was four years old.

And for me the only way to live life is to grab the bull by the horns and call up recording studios and set dates to go in recording studios. To try and accomplish something.

I just like to switch things up all the time. Like when it comes to singing, I try to find a different character for each song.

People fall into patterns at fast speeds, when really, to have a clear musical thought - the kind of musical thought that makes a melody work - our brains just can't think that fast. At a certain point, you're going on automatic.

Everything's very perfectly balanced; for all the horrible things in the world there's lots of good things.

Yeah, I really like being alive. But I definitely don't have any intentions as an artist.

So I use a tape recorder a lot to record ideas.

I think a solo moves forward the way a song does, because it's reflective of the chords that I'm considering as I'm soloing, and at the same time I'm going as much out on a limb as Frank Zappa used to, in terms of just going crazy on the instrument.

My music, my whole approach to the synthesizer has completely changed now.

I just feel like the songs that come out are the songs that come.

I'm also very impressed with the best people in experimental electronic world, like Peta and Eckart Aillers and Finez and Jim O'Rourke and Oren Umbarci and Francesco Lopez. Most of them use the computer as their main instrument.

I'm not interested in forcing my music on people, and that's what the whole music industry nowadays is based on is forcing stations to play it, forcing people to listen to it.

My religious point of view is something I can't talk about. It goes against my belief system to talk publicly about my own spiritual beliefs.

Rock guitarists usually do not wish to think trains of thought about anything but their own guitar playing during a long solo, and I could not play this way if I were not able to divide my attention between my ever changing musical environment and my instrument itself.

I write songs because I have to write them, and if I didn't I'd be doing some other kind of music that didn't require a song.

I feel like I'd like to continue putting out records and start putting them out more rapidly than I have until now and for me if I can keep selling the records to the fans that already like me that's fine.

I try to put the same spirit into that that I put into any other music endeavor I'm involved in.

The point is, I'm weird, but I never felt weird.

Music has always carried me through times of loneliness. So when I make music, I like it to make people who listen to it feel like they have a friend who reveals something personal to them, rather than trying to be like a god up on a pedestal

Expression is when you are at one with nothingness.

Even if my songs are a bit low-spirited, they make me happy. I become happy when I hear sad songs. When you sing about sad things in a beautiful way, the atmosphere turns upside down

You are free. Close your eyes. Open your mind. Let this music in, and you will see that this is true

It’s, it’s like I’m in the fourth dimension and somebody is asking me to describe it verbally and that’s what the fourth dimension is all about, is no words, no symbols, no images, all pure, real energy and vibrations. And, and if I thought about how cruel of a world this is, I would probably just commit suicide after a while, if that was what I spent my energy thinking about. I would definitely not have any strength left to create music.

I still love with all my heart anything that I have ever loved in my life.

That's what I spend most of my time doing, breathing a lot. I like air.

It's about the music, it's not about just showing people what you can do with a piece of wood with strings on it

What's gone will never come back, but it exists when you think of it.

I don’t pay attention to the world. I just have the art I like and the music I like and for me that’s the whole world

The imagination is the most real world that we know because we each know it first hand.

As long as you're excited about what you're playing, and as long as it comes from your heart, it's going to be great.

Making art is about accepting what’s going on around you and turning it into

Music is my friend, no matter where I go.

You gotta constantly purify yourself, living in the city, around human beings. There might be people close to you who affect you inside yourself in such a corrupt way that it screws with your ability to do what you do. But if you make sure that the people who are close you are good people who are there for you and love you, you can create your temple everywhere you go.

I am very happy to be alive. There is much fun to be had. Music, movies, books, paintings, drawingsI hope you have these things where you are. If you have them, what does the real world matter anyway?

Make sure you stay in touch with beauty instead of letting the ugliness of the world corrupt your soul

When the intellectual part of guitar playing overrides the spiritual, you don't get to extreme heights.