Top 1379 Quotes & Sayings by John Green
Explore popular quotes and sayings by an American author John Green.
Last updated on September 9, 2024.
Every time I try to set something in Chicago, I get intimidated by 'Augie March.' It's easy to set something in Indianapolis - we don't have 'Augie March' here. But I love writing about Chicago, and I love being there and imagining lives in Chicago. I hope to set something there in the future, but it's intimidating.
I don't think we should see the world of books as fundamentally separate from the world of the Internet. Yes, the Internet contains a lot of videos of squirrels riding skateboards, but it can also be a place that facilitates big conversations about books.
I'm a big believer in pairing classics with contemporary literature, so students have the opportunity to see that literature is not a cold, dead thing that happened once but instead a vibrant mode of storytelling that's been with us a long time - and will be with us, I hope, for a long time to come.
When you're writing a novel, you spend four years sitting in your basement and a year waiting for the book to come out and then you get the feedback. When you do work online, the moment you're finished making it, people start responding to it which is really fun and allows for a kind of community development you just can't have in novels.
I think instead writers and publishers and readers need to go to the places where people are, and make the argument that there is great value to the quiet, contemplative process of reading a novel, that reading great books carefully offers pleasures and consolations that no iPad app ever can.
I think it's crazy, crazy that book tours lose so much money. They shouldn't. Book tours should be part of what keeps independent bookstores vibrant and profitable.
Different authors write different ways, have different relationships with their audiences, and those are all legitimate.
I like to know the places I write about. I feel like it helps me ground the novel. My novels are 'realistic novels,' but they can also be fantastical, so it's nice to have a setting that grounds them a little bit.
I always wondered if there was a purpose to the universe, if there was a plan, if there was some sort of organizing factor, hopefully that I played a role in.
My responsibility is to try to tell true stories. To me a true story is always hopeful, but never simply, uncomplicatedly happy.
I was enrolled in divinity school and thought I was going to become a minister - I'm Episcopalian - but I was disavowed of that notion pretty quickly while working at the hospital. I found myself really unfulfilled by the answers that are traditionally offered to questions of why some people suffer and why others suffer so little.
I realized during my time as a chaplain that I didn't want to be a minister.
I am still bowled over by this great young adult novel by David Levithan called 'Every Day,' which is about a character with no gender or body who wakes up every day in the body of a different person. It's a really impressive execution of a really great premise.
I don't decide where I live. My wife decides. She's a curator of contemporary art, and she works at an art museum, so we go wherever she has a job. All basements look the same, so I can write from whatever basement I happen to be living in.
One of the pitfalls of writing about illness is that it is very easy to imagine people with cancer as either these wise, beyond-their-years creatures or else these sad-eyed, tragic people. And the truth is people living with cancer are very much like people who are not living with cancer.
We don't tend to write about disease in fiction - not just teen novels but all American novels - because it doesn't fit in with our idea of the heroic romantic epic. There is room only for sacrifice, heroism, war, politics and family struggle.
Videogame players essentially choose whether to win the game or to die heroically. There's a certain glory in both.
I'm a very introverted person. Nothing that's happened has changed that, but one of the reasons I write for teens is it's a real privilege to have a seat at the table in the lives of young people when they're figuring out what matters to them.
I enjoy writing about people falling in love, probably because I think the first time you fall in love is the first time that you have to figure out how you're going to orient your life. What are you going to value? What's going to be most important to you? And I think that's really interesting to write about.
We have this habit of romanticizing the lives of writers. I remember when I was a kid, I was like, 'I want to be Kurt Vonnegut.'
Chicago is the Great American City, and it was really great to live there during a time of economic expansion and opportunity and growth. I felt like I was living at the center of the world. Unlike New York, no one expects you to be a professional writer.
I know that books seem like the ultimate thing that's made by one person, but that's not true. Every reading of a book is a collaboration between the reader and the writer who are making the story up together.
Read a lot. Read broadly... Tell stories to your friends, and pay attention to when they get bored... Write a lot.
I like to build places online where readers can have productive conversations about books.
There is a lot of talk in publishing these days that we need to become more like the Internet: We need to make books for short attention spans with bells and whistles - books, in short, that are as much like 'Angry Birds' as possible. But I think that's a terrible idea.
'Will Grayson, Will Grayson' is about two guys named Will Grayson who live in different Chicago suburbs who eventually meet each other.
Teenagers have more intense reading experiences because they've had fewer of them. It's like the first time you fall in love. You have a connection to that first person you fell in love with because it was so intense and unprecedented.
I love making YouTube videos. I love Tumblr, I love Twitter. I love talking with people I find interesting about stuff I find interesting, and the Internet is a great way to do that.
You can't not like 'The Great Gatsby.' It's got the best sentences in, like, ever.
Teenage readers also have a different relationship with the authors whose work they value than adult readers do. I loved Toni Morrison, but I don't have any desire to follow her on Twitter. I just want to read her books.
When you go to a great concert, you feel this arc, almost like the music of a well-chosen set takes you on this trip through emotions and through various forms of intellectual engagement.
It's hard to get movie studios to pay a lot of money for movies that don't have robots or explosions.
I've read a lot of bad books. I used to review books for a living, and when you're a reviewer you read tons of terrible books.
I wrote my first novel and my second novel in Chicago. It was the place where I became a writer. It's my favorite city.
You are helpful, and you are loved, and you are forgiven, and you are not alone.
Great books help you understand, and they help you feel understood.
If you don't imagine, nothing ever happens at all.
Grief doesn't change you. It reveals you.
Maybe our favorite quotations say more about us than about the stories and people we're quoting.
It's just that I learned a while ago that the best way to get people to like you is not to like them too much.
The only way out of the labyrinth of suffering is to forgive.
We all use the future to escape the present.
One day, you’re 17 and you’re planning for someday. And then quietly, without you ever really noticing, someday is today. And then someday is yesterday. And this is your life.
You don't remember what happened. What you remember becomes what happened.
There's some people in this world who you can just love and love and love no matter what.
How strange and how lovely it is to be anything at all.
Just a word of advice. Whenever you're furious with your parents or you think they're terrible, just remember, you vomited on them and they kept you.
The world may be broken, but hope is not crazy.
Every year, many, many stupid people graduate from college. And if they can do it, so can you.
It doesn’t matter how long we’ve used something; all that matters is how awesome the thing replacing it is. MP3s and automobiles happen to be really, really awesome, whereas ebooks—at least so far—are fairly limited in their awesomeness.
What matters to you defines your mattering.
A novel is a conversation between a reader and a writer.
I'm not sure if I'm depressed. I mean, I'm not exactly sad. But I'm not exactly happy either. I can laugh and joke and smile during the day, But sometimes when I'm alone at night I forget how to feel.
Being in a relationship, that's something you choose. Being friends, that's something you just are.
I figured something out. The future is unpredictable.
I think inspiration is always around; it's just a question of whether or not you're noticing it.
I dislike the phrase ‘Internet friends,’ because it implies that people you know online aren’t really your friends, that somehow the friendship is less real or meaningful to you because it happens through Skype or text messages. The measure of a friendship is not its physicality but its significance.
I don’t know a perfect person. I only know flawed people who are still worth loving.
The good times and the bad times both will pass. It will pass. It will get easier. But the fact that it will get easier does not mean that it doesn’t hurt now. And when people try to minimize your pain they are doing you a disservice. And when you try to minimize your own pain you’re doing yourself a disservice. Don’t do that. The truth is that it hurts because it’s real. It hurts because it mattered. And that’s an important thing to acknowledge to yourself. But that doesn’t mean that it won’t end, that it won’t get better. Because it will.
We all romanticize the people we adore.
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