Top 628 Quotes & Sayings by John Lennon - Page 11

I always read the papers, the political bits.

Of course it's difficult to know what the workers are really thinking because the capitalist press always only quotes mouthpieces like Vic Feather anyway.

It took me quite a long time to realise that my maleness was cutting off certain areas for Yoko [Ono]. She's a red hot liberationistand was quick to show me where I was going wrong, even though it seemed to me that I was just acting naturally. That's why I'm always interested to know how people who claim to be radical treat women.

I found I was having continually to please the sort of people I'd always hated when I was a child. This began to bring me back to reality.

Now The Beatles are four separate people, we don't have the impact we had when we were together.

The only reason I went for that goal is that I wanted to say: 'Now, mummy-daddy, will you love me?'

There were very few real folk singers you know, though I liked Dominic Behan a bit and there was some good stuff to be heard in Liverpool. Just occasionally you hear very old records on the radio or TV of real workers in Ireland or somewhere singing these songs and the power of them is fantastic.

After the revolution you have the problem of keeping things going, of sorting out all the different views. It's quite natural that revolutionaries should have different solutions, that they should split into different groups and then reform, that's the dialectic, isn't it - but at the same time they need to be united against the enemy, to solidify a new order.

It seems to me that the students are now half-awake enough to try and wake up their brother workers. If you don't pass on your own awareness then it closes down again.

I'd like to incite people to break the framework, to be disobedient in school, to stick their tongues out, to keep insulting authority.

To begin with, working class people reacted against our openness about sex. They are frightened of nudity, they're repressed in that way as well as others. Perhaps they thought 'Paul [McCartney] is a good lad, he doesn't make trouble'.

I've always been politically minded and against the status quo. It's pretty basic when you're brought up, like I was, to hate and fear the police as a natural enemy and to despise the army as something that takes everybody away and leaves them dead somewhere.

Today's folk song is rock and roll. Although it happened to emanate from America, that's not really important in the end because we wrote our own music and that changed everything.

Like Paul Kraston said, all I ask in life is a water bed, a TV and a typewriter. Well, I'll just have an ordinary bed, a TV and a guitar.

We should be trying to reach the young workers because that's when you're most idealistic and have least fear.

'Revolution' . There were two versions of that song but the underground left only picked up on the one that said 'count me out'.

That's the choice they allow you - now the outlet is being a pop star, which is really what I'm saying on the album in 'Working class hero'. As I told Rolling Stone, it's the same people who have the power, the class system didn't change one little bit.

I've been reading [Nikita] Khrushchev Remembers. I know he's a bit of a lad himself - but he seemed to think that making a religion out of an individual was bad; that doesn't seem to be part of the basic Communist idea. Still people are people, that's the difficulty.

Some people say it's a when you get older fans the kids don't like you. It's true.

It's pretty hard when you are Caesar and everyone is saying how wonderful you are and they are giving you all the goodies and the girls, it's pretty hard to break out of that, to say 'Well, I don't want to be king, I want to be real.'

I think it's false, shallow, to be giving to others when your own need is great. The idea is not to comfort people, not to make them feel better but to make them feel worse, to constantly put before them the degradations and humiliations they go through to get what they call a living wage.

As a child I did a lot of imaginary bits, you know. It depends on the individual, I enjoyed then knocking the nail in, I enjoy knocking nails in walls to hang pictures up, but I also enjoy thinking 'I'm gonna do that' but I actually won't do it, I enjoy imagining doing things just as much.

The first thing we did was to proclaim our Liverpoolness to the world, and say 'It's all right to come from Liverpool and talk like this'. Before, anybody from Liverpool who made it, like Ted Ray, Tommy Handley, Arthur Askey, had to lose their accent to get on the BBC.

I keep on reading the Morning Star newspaper to see if there's any hope, but it seems to be in the 19th century; it seems to be written for dropped-out, middle-aged liberals.

The more reality we face, the more we realise that unreality is the main programme of the day. The more real we become, the more abuse we take, so it does radicalise us in a way, like being put in a corner. But it would be better if there were more of us.

In Western-style Communism we would have to create an almost imaginary workers' image of themselves as the father-figure.

Most of the songs came from Europe and Africa and now they were coming back to us. Many of [Bob] Dylan's best songs came from Scotland, Ireland or England. It was a sort of cultural exchange.

I think middle-class people have the biggest trauma if they have nice imagey parents, all smiling and dolled up.