Top 217 Quotes & Sayings by Johnny Cash - Page 4

When I hear that whistle blowing, I hang my head and cry.

I haven't been familiar with hard work. It was no problem for me. But first I hitchhiked to Pontiac, Mich. and got a job working in Fisher Body making those 1951 Pontiacs.

I did [picking cotton] from - until I was 18 years old, that is. Then I picked the guitar, and I've been picking it since.

I've got no deep voice today. I've got a cold. But when I was young, I had a high tenor voice.

My father was a cotton farmer first and - but he didn't have any land or what land he had, he lost it in the Depression. So he worked as a woodman and cut pulpwood for the paper mills, rode the rails in boxcars going from one harvest to another to try to make a little money picking fruit or vegetables.

Canadian Railroad Trilogy is an extremely fine piece of songwriting.

I'm so uncomfortable wearing colors in public. I really am. Even denim. If I've got a day off in a town, I want to go out for a walk I'll put on denim. But almost everything I've got the black on.

Rick Rubin had his hair - I don't think it's ever been cut and very - dresses like a hobo, usually - clean but . Was the kind of guy I really felt comfortable with, actually. I think I was more comfortable with him than I would have been with a producer with a suit on.

Rick Rubin came to my concert in Orange County, Calif. I believe this was, like, '83 when he first came and listened to the show. And then afterwards, I went in the dressing room and sat and talked to him.

Sam [Phillips] wanted I Walk The Line up - you know, up-tempo. And I put paper in the strings of my guitar to get that (vocalizing) sound, and with the bass and the lead guitar, there it was. Bare and stark, that song was when it was released. And I heard it on the radio and I really didn't like it, and I called Sam Phillips and asked him please not to send out any more records of that song.

I Walk The Line was my third record.

I've always explored various areas of society.

My mother told me to keep on singing, and that kept me working through the cotton fields. She said God has his hand on you. You'll be singing for the world someday.

What I said, what are you [Rick Rubin] going to do with me that nobody else has been able to do to sell records with me?

My mother always told me that any talent is a gift of God and I always believed it. If I quit, I would just live in front of the television and get fat and die pretty soon.

We [with Rick Rubin] would focus on the ones that we did like, that felt right and sounded right. And if I didn't like the performance on that song, I would keep trying it and do take after take until it felt comfortable with me and felt that it was coming out of me and my guitar and my voice as one, that it was right for my soul.

I met Sam Phillips when he came in [studio] and I said, I'm John Cash. I'm the one who's been calling. And if you'd listen to me, I believe you'll be glad you did. And he said, come on in. That was a good lesson for me, you know, to believe in myself.

The requests started coming in from other prisoners all over the United States. And then the word got around. So I always wanted to record that, you know, to record a show because of the reaction I got. It was far and above anything I had ever had in my life, the complete explosion of noise and reaction that they gave me with every song. So then I came back the next year and played the prison again, the New Year's Day show, came back again a third year and did the show.

Understand your man, meditate on it.

In the Air Force, I had an old Wilcox Gay recorder, and I used to hear guitar runs on that recorder going (vocalizing) like the chords on "I Walk The Line." And I always wanted to write a love song using that theme, that tune.

My mother was determined that I was going to leave the farm and do well in life. And she thought with the gift, I might be able to do that. So she took in washing. She got a washing machine in 1942 as soon as we got electricity and she took in washing. She washed the schoolteacher's clothes and anybody she could and sent me for singing lessons for $3 per lesson.

When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.

I say I'm not a singer, so that means I can't sing. But - doesn't it?

Sam Phillips responded most to a song of mine called, "Hey Porter," which was on the first record.

He drank his first strong liquor then to calm his shaking hand, and tried to tell himself at last he had become a man.

I would take songs that I'd loved as a child and redo them in my mind for the new voice I had, the low voice.

It just took the right time. I was fully confident that I was going to see Sam Phillips and to record for him that when I called him, I thought, I'm going to get on Sun Records. So I called him and he turned me down flat. Then two weeks later, I got turned down again. He told me over the phone that he couldn't sell gospel music so - as it was independent, not a lot of money.

I took the easy way, and to an extent I regret that. Still, though, the way we did it was honest. We played it and sang it the way we felt it, and there's a lot to be said for that.

[My mother] made the money to send me.

Could it be the girls and boys are trying to be heard above your noise?

I admit I'm a fool for you, because your mine, I walk the line.

It's hard for thee to kick against the pricks

I used to sing Bill Monroe songs. And I'd sing Dennis Day songs like songs that he sang on the Jack Benny show.

A song stylist is, like, to take an old folk song like "Delia's Gone" and do a modern white man's version of it.

I've been flushed from the bathroom of your heart.

I think in my world of religion, you're called to preach or you don't preach. Called by God to preach. I never been ordained by God to preach the gospel. I have a calling, it's called to perform and sing.

By the time I actually recorded Bitter Tears I carried a heavy load of sadness and outrage; I felt every word of those songs... I expected there to be trouble with that album, and there was.... when it was released, many radio stations wouldn't play it.... The very idea of unconventional or even original ideas ending up on "country" radio in the late 1990s is absurd.