Top 91 Quotes & Sayings by Johnny Vegas - Page 2

You get people who come to London, sever links with where they come from, and then when they need people, there's nobody there. To feel like you can't go back home would be a horribly sad place to be, as is mistaking fame for genuine love and affection.

My name is Michael Pennington, and I am not a comic character.

I'd never experienced stress before I did stand-up, and it was a massive shock to my system, this thing of waking up, and the nerves of, 'You're on stage tonight.'

Some comics are in it for what they can get out of it. Others are in it for a love of comedy. I think those that are in it for a genuine love of comedy find each other within the circuit and become friends.

I am very proud of what 'Johnny' achieved in stand-up comedy because he believed entirely in giving an audience the best kick he could. But he was someone who was quite detrimental to my health, both emotionally and physically.

I do need to explore my faith, because it has got lost over the years and it has been kind of tainted through experience. But I also know it's enriched my life, my dad being a Catholic.

I couldn't be 'Johnny' in front of a camera in acting jobs and behind the camera I like to be 'Michael.' With directing, you can't do it by halves. There's a lot of reflection, and I have found that I, as 'Michael,' thrive on it. It's lovely coming home and feeling that stuff from a day's work as myself.

Writing a book about yourself is like therapy, and you go 'Oh My God, that's the reason that happened.' Writing about it, you're forced to really examine things.

There was always that thing with 'Johnny' - I always saw myself as his writer and PR. But when he got out there, I had no control. His whole thing was going off on those flights of fancy. Going, 'Let's see what we can possibly do that hasn't been done before up here.' And when it works, it's lovely; it's a great night.

In credits, I'm 'Michael' sometimes now, but people know you as something, so there's no point fighting it. 'Squiggle,' you'll always be 'Prince,' and 'The Rock,' just accept it. I want to move on, but not that much. So I'm still known as 'Johnny Vegas.'

From a certain age, I sort of accepted myself for what I was. And although to other people it was like nothing ever goes right, I had a really nice attitude that I'd inherited from my parents, and especially from my dad.

I wanted to try and trace the genuine origins of 'Johnny' and how he so successfully staged this takeover of 'Michael Pennington.' 'Johnny' is a contradiction to who I am as a person. I'm not very good at confrontation, I have a tendency to internalise and to carry things around.

I've been offered all the reality TV shows but have turned them down. If I did it as 'Johnny,' there'd be no jungle left! It was really hard regaining control of myself, so I am reluctant to let 'Johnny' back out of the box.

'Johnny' was always a lone wolf when he got on stage. Him against the world, whereas suddenly, when I got into acting, people were relying on me.

It's lovely being a parent and being in a strong marriage with somebody who is your best friend.

I came from a very loving home, had a happy life with no great aspirations, but going to the seminary changed me. There was a chunk of my childhood missing. Once I'd realised it wasn't for me, I still felt a tremendous pressure to continue for fear of letting everybody down.

I struggle as a writer, and I'm convinced that if I was at school now, I'd be termed as having ADS. Two minutes and I'm drifting.

I was loved as a kid; I was raised with more love and emotional support than most folks could wish for... my memories aged nought to ten... are all bound up together in a mesh of innocence and fun.

I always say that the stand-up world is the arena of the unwell, and it is.

Being 'Johnny' was almost like an out of body experience. I thought he was just a character that I'd created and could quite easily step away from, but it was much more difficult than that.

I found popularity through self-destruction, and that can be quite addictive.

I sang 'American Pie' a lot in my stage set. It had a knack of uniting an audience in a sing-along. It's a clever song about American history but wrapped in a fantastic tune.

'Johnny' was a coping mechanism who could take those things which could have ordinarily destroyed me, by tweaking my past and throwing it back out there, getting laughs from things that would have otherwise upset me.

I hate flying, airports and the whole rigmarole - queuing up, security and lost luggage.

I don't want to demonise 'Johnny.' I was really proud of what he achieved. Especially within stand-up. He was quite a unique voice. I will always possibly be trading off 'Johnny's name, but there's a lot more things that I'm able to do now - the strengths that 'Michael' can bring to it.

If you write, produce and direct, you own things and see them through to the end.

People are always asking, 'Where does Michael Pennington end and Johnny Vegas begin,' and you're going, 'It's not like that: it's blurred right across.'

I thought I could play the hellraiser and then put 'Johnny Vegas' back in his box. I found popularity through self-destruction. The more you damage yourself, the more people are drawn to you, and that can be quite addictive. It is not a lifestyle you can maintain.

Being behind the camera is where I feel comfortable. I've found something that I feel I, as 'Michael,' can be as confident in as 'Johnny' was on the stage. It's great being part of the creative process. You're right at the start of an idea, and you get to see it all the way through till the end.

I was loved as a kid; I was raised with more love and emotional support than most folks could wish for my memories aged nought to ten are all bound up together in a mesh of innocence and fun.

The people on the QVC shopping channel convince me that life is worth living. They see the good in everything. People who go to counselling should actually go to a room with a QVC seller for half an hour and let them find the qualities within them. For example, they'd look at me and say, 'To anybody else this looks like a stomach but, actually, his feet never get wet in the rain.