Top 76 Quotes & Sayings by Jonathan Stroud

Explore popular quotes and sayings by an American author Jonathan Stroud.
Last updated on December 23, 2024.
Jonathan Stroud

Jonathan Anthony Stroud is a British writer of fantasy fiction, best known for the Bartimaeus young adult sequence and Lockwood & Co. children's series. His books are typically set in an alternate history London with fantasy elements, and have received note for his satire, and use of magic to reflect themes of class struggle. The Bartimaeus sequence is the recipient of the Grand Prix de l'Imaginaire and Mythopoeic Fantasy Awards. Stroud's works have also been featured on ALA Notable lists of books for children and young adults. In 2020, Netflix announced a TV series based on Lockwood & Co., with filming initiated in July 2021.

When I think about my ideal free day, it usually involves going into London and sitting in a nice coffeehouse with cake and coffee, but I would probably still have my notebook in my pocket.
When I write something that would have made me laugh as a 10-year-old, or would have scared me or would have excited me, I know I'm onto something.
I had a big fight in my first week in secondary school. There was a kid in the year above who was nasty to me, and we ended up having a scrap. I can remember thinking that there was going to be some serious bloodshed if we didn't stop, so I made a decision to walk away. It was a difficult thing to do, but the most sensible.
I got fairly good grades, but I was bad at woodwork. They said I tried hard, but the result was hopeless. — © Jonathan Stroud
I got fairly good grades, but I was bad at woodwork. They said I tried hard, but the result was hopeless.
I read a bit of the Icelandic sagas. They're fascinating in that they are completely ordinary. The farmer will go off into the hills and fight a troll, and then go back and do ordinary things. It's an odd mix of fantasy and reality.
I like to have my characters talking in an up-to-date way, and I like their essentially modern self-awareness, which means we can have lots of irony and jokes.
When I was young, I kept a diary for about 10 years and I had to write in it every day. Even on days when nothing seemed to happen, I made myself think of something to put in it.
My wife gave me a year to start making money out of writing, and after six months, I'd made not a bean. Suddenly, the books took off, and the beans started coming in!
Most traditional ghost stories feature rather hapless protagonists, who have nasty things happen to them.
As a child I was really into fantasy books with elves and goblins and swords, and I went through a phase for a few years when I was reading endless series. But in the end I became totally fed-up with all these sub-Tolkien rip-offs because they all end up doing the same old things and there's no rigour to it.
The important thing about any book is that you have to have a good story and that it has to be exciting. Then it's nice to add other levels underneath that people can pick up on.
We grow up being told about great figures in our society, and as you get older you have to question the stories you've been told and decide if these great figures are indeed as great as you've been told.
As an author, you need to keep talking to your audience to remind yourself what they like and what they don't like. You spend most of your life locked in a room, and you need to be social occasionally.
I used to have quite long hair, and I decided that I wanted to get it cut. I'd never met the person who did it, and she cut it into some kind of dreadful mullet. It looked like a triangle on my head. The other kids were merciless.
I like using traditional beliefs in my fantasies, even though I always end up warping them to suit my purpose: it somehow makes everything feel more 'solid' if it's got a long history behind it.
Jabor finally appeared at the top of the stairs, sparks of flame radiating from his body and igniting the fabric of the house around him. He caught sight of the boy, reached out his hand and stepped forward. And banged his head nicely on the low-slung attic door.
That's usually how they start, the young ones. Meaningless waffle.
The afrit batted his eyelashes with a ostentatious lack of concern. "Indeed? Have you a name?" "A name?" I cried. "I have MANY names! I am Bartimaeus! I am Sakhr al-Jinni! I am N'gorso the Mighty and the Serpent of Silver Plumes!" I paused dramatically. The young man looked blank. "Nope never heard of you. Now if you'll just-
Haven't you done enough for a lifetime? Think about it - two power - crazed magicians killed, a hundred power - crazed magicians saved.
Watch where you leave your victims! I stubbed my toe on that. — © Jonathan Stroud
Watch where you leave your victims! I stubbed my toe on that.
One magician demanded I show him an image of the love of his life. I rustled up a mirror.
Did Lovelace's forces find you? Did Jabor break in?" He spoke slowly through clenched teeth. "I went to get a newspaper" This is getting better and better! I shook my head regretfully. "You should leave such a dangerous assignment to people better qualified: next time ask an old granny, or a toddler-
Ah, you coward! Look at you, running." "Actually, it's called improvising.
Minor magicians take pains to fit this traditional wizardly bill. By contrast, the really powerful magicians take pleasure in looking like accountants.
Believe me, I know all about bottle acoustics. I spent much of the sixth century in an old sesame oil jar, corked with wax, bobbing about in the Red Sea. No one heard my hollers. In the end an old fisherman set me free, by which time I was desperate enough to grant him several wishes. I erupted out in the form of a smoking giant, did a few lightning bolts, and bent to ask him his desire. Poor old boy had dropped dead of a heart attack. There should be a moral there, but for the life of me I can't see one.
Freedom is an illusion. It always comes at a price.
A dozen more questions occurred to me. Not to mention twenty-two possible solutions to each one, sixteen resulting hypotheses and counter-theorems, eight abstract speculations, a quadrilateral equation, two axioms, and a limerick. That's raw intelligence for you.
Burned and squashed to death in a silver vat of soup. There must be worst ways to go. But not many.
Listen," I began, "this is an established,traditional form that-" "Traditional nothing.Where are your clothes?" "Clothes?" I said weakly. "I don't normally bother with them in this guise." "Well,you could put on a pair of shorts,at least.Your not decent." "I'm not sure they'd go with the wings..." The demon frowend,and blinked."Hold on,enough of this." "Lenderhosen would. They'd compliment the leather.
Me, I was still in the pygmy hippo in a skirt, singing lusty songs about Solomon's private life and a giant stone back and forth through the air as I climbed out of the quarry at the edge of the site.
The mercenary finished his coffee in a single gulp, It must have been piping hot, too. Boy, he was tough.
Not bad in short, though the last one [understanding the language of animals], isn't half as useful as you might expect, since when all's said and done the language of the beasts tends to revolve around: a) the endless hunt for food, b) finding a warm bush to sleep in the evening, and c) the sporadic satisfication of certain glands. (Many would argue that the language of human kind boils down to this too)
Then again, Solomon was human. And that meant he was flawed (Go on, take a look at yourself in the mirror. A good long look, if you can bear it. See? Flawed's putting it mildly, isn't it?)
Check out that one at the end. He's taken the form of a footstool. Weird...but somehow I like his style." "That is a footstool.
According to some, heroic deaths are admirable things. I've never been convinced by this argument, mainly because, no matter how cool, stylish, composed, unflappable, manly, or defiant you are, at the end of the day you're also dead. Which is a little too permanent for my liking.
Besides, if you're going to die horribly, you might as well do it with style.
What was it that drew you back? My marvellous personality, I suppose? Or my sparkling conversation?
There was a loud cough from the man on the stand. I replaced My Magic Mirror carefully on his tray, gave him a cheesy smile, and went my way.
He was a worried man (I'm stretching the term a bit here, I know. By now, in his mid to late teens, he might just about have passed for a man. When seen from behind. At a distance. On a very dark night).
That did it. I'd gone through a lot in the past few days. Everyone I met seemed to want a piece of me: djinn, magicians, humans...it made no difference.I'd been summoned, manhandled, shot at, captured, constricted, bossed about and generally taken for granted. And now, to cap it all, this bloke is joining in too, when all I'd been doing was quietly trying to kill him.
Much has happened since last we met, Bartimaeus," he went on. "Do you remember how we parted?" "No." I did. "You set light to me, old friend. Struck a match and left me burning in a copse." The crow shifted uneasily beneath the cleaver."That's a gesture of endearment in some cultures. Some hug, some kiss, some set each other on fire in small patches of woodland.
listen, a goad's anything that provokes or incites an enemy --- let me have a go: cursed deamon! you have met your end! the shivering fire awaits you! i shall spread your vile essance across this hall like... um, like margarine, a very think layer of it... --- ye-es... im not sure he'll pick up on that analogy. never mind, keep going.
"I warn you," the boy went on. "I am a magician of great power. I control many terrifying entities. This being you see before you" - here I rolled my shoulders back and puffed my chest up menacingly - "is but the meanest and least impressive of my slaves." Here I slumped my shoulders and stuck my stomach out.
I had a chance at him now. Things were a bit more even. He knew my name, I knew his. He had six years' experience, I had five thousand and ten. That was the kind of odds that you could do something with.
That's a gesture of endearment in some cultures. Some hug, some kiss, some set each other on fire in small patches of woodland — © Jonathan Stroud
That's a gesture of endearment in some cultures. Some hug, some kiss, some set each other on fire in small patches of woodland
Pardon me, Highness, a women waits whithout." "Whithout what?
Fiftey years isn't too bad. With luck you might see it happen when your a sweet,old granny,dandling big fat babies on your knee. Actully"-he held up a hand,interrupting Kitty's cry of protest-"no,that's wrong. My projection is incorrect." "Good." "You'll never be a sweet old granny. Let's say,'sad,lonely old biddy' instead.
If anyone else asked that question, O He Who Is Terrible and Great, I would have said they were an ignorant fool; in you it is a sign of the disarming simplicity which is the fount of all virtue.
Can you define "plan" as "a loose sequence of manifestly inadequate observations and conjectures, held together by panic, indecision, and ignorance"? If so, it was a very good plan.
Hey, we've all got problems, chum. I'm overly talkative. You look like a field of buttercups in a suit.
Ambition is all very well, my lad, but you must cloak it.
The bristling eyebrows shot up in mock surprise. Mesmerized. the boy watched them disappear under the hanging white thatch of hair. There, almost coyly, they remained just out of sight for a moment, before suddenly descending with a terrible finality and weight.
I wanted to wake you straightaway, but I knew I had to wait several hours to ensure you were safely recovered." "What! How long has it been?" "Five minutes. I got bored.
Despite his crimped shirts and flowing mane (or perhaps because of them) I had seen no evidence as yet that Nathaniel even knew what a girl was. If he'd ever met one, chances are they'd both have run screaming in opposite directions.
Oh, the boots were on the other eight feet now. — © Jonathan Stroud
Oh, the boots were on the other eight feet now.
The column hung above the middle of the pentacle, bubbling ever upward against the ceiling like the cloud of an erupting volcanoe. There was a barely perceptible pause. Then two yellow staring eyes materialized in the heart of the smoke. Hey, it was his first time. I wanted to scare him. And it did, too.
Julius Tallow was a fool. He appeared complacent, but like a weak swimmer out of his depth, his legs were kicking frantically under the surface, trying to keep him afloat. Whatever happened, Nathaniel did not intend to sink with him.
And then, as if written by the hand of a bad novelist, an incredible thing happened.
A typical master. Right to the end, he didn’t give me a chance to get a word in edgeways. Which is a pity, because at that last moment I’d have liked to tell him what I thought of him. Mind you, since in that split second we were, to all intents and purposes, one and the same, I rather think he knew anyway.
Zealots: Wild eyed persons afflicted with incurable certainty about the workings of the world, a certainty that can lead to violence when the world doesn't fit.
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