Top 37 Quotes & Sayings by Jools Holland

I have realised how exciting and easy it is to be a time traveller by looking at paintings and films and architecture and playing music or listening to it. I don't think you necessarily have to live in the present all the time.

When I first set up my big band, I only had Gilson Lavis, the drummer from Squeeze, with me. He was the core element. Whenever a group hits the big time, they always get a new drummer because they really need that. You can make do with rubbish elsewhere.

The piano has disappeared from working-class family life, which is a shame. It's associated with the middle classes now. Everyone in my family sang and played piano, but my parents were delighted and amazed when I became the first professional performer in the family - apart from a clog-dancer way back.

Whenever I go on holiday, I like to time travel and imagine what it must have been like 500 years ago. I love the Tuscan landscape, which is reminiscent of a Claude Lorrain painting.

If you play the guitar, you've got to hold the chords down with one hand while you play with the other, so you're limited to one hand. But the piano is the king of instruments because you have your 10 fingers, which become the 10 members of the orchestra.

I only know about a few things, but I am quite good at bluffing. There are a whole range of subjects, including the Renaissance, which I am prepared to sound expert on.

There is always someone in the world who is better or worse off than yourself, and I've never seen that - in either direction - as a barrier to becoming friends with somebody.

Early on with Squeeze, we played the Hope & Anchor with U2. Three people turned up. Then two left. Then the last person left. That's the least-attended show I've ever done.

I love the Queen. I've had a crush on her since I was eight.

Without the piano, my life would be a disaster - nobody would hold me in any regard. It's the thing that saved me.

I do so much travelling in my work that my suitcase is always packed, with my passport ready. I rarely unpack, as I am constantly on the move.

As a bandleader, I try to pass on the same family values that I grew up with: help people, hang on to your sense of humour, be tolerant, and keep your judgments to yourself.

I have friends who are in the posh category and some who are in the not-at-all-posh category, and some who you would find it very hard to get any sort of handle on. But I am lucky to have any friends, of course.

I learned from Van Morrison and BB King that the first take is the best. It's about capturing a moment. It's the same as love's first kiss. If you try to do it again, it doesn't work so well.

Music can lift the spirit; it can make you cry. Soldiers have marched into battle to music. It's a powerful thing.

I meet people from really grand backgrounds who had horrible parents who took no interest in them, whereas I'm a working-class boy from Deptford who was worshipped by all my rellies. Everybody in my extended family helped to raise me, and I realise now how lucky I was to grow up among kind folk.

A good example of the modern world is the Eurotunnel. And mobile phones - I like them.

The one thing I've learnt is that you don't want to be nasty about anybody, unless they've dropped dead. And the annoying thing is that most of the people that I know who've dropped dead are really great.

'The Tube' was the first time the plebs had gone on the television. The lunatics taking over the asylum.

Amy Winehouse and Paul Weller are examples of poets, I think.

'The X Factor' seems to be more about building up personalities and people in tears. And it's not a new idea. The pre-Beatles pop world was full of manufactured pop stars. The thing is that you can't imagine any of the artists you look back at and admire ever going on 'The X Factor.'

It's very nice to be asked to anybody's wedding. Particularly if it's the Prince of Wales. I learned a lot from it, which was to end early and get away. I suppose one would have to look back historically and see who other royals had at their weddings. Were there people at Queen Elizabeth's wedding who were common like myself?

When I was very small, the electricity was turned off because we didn't pay the bill. I remember sitting by the oil lamp listening to my mother playing 'Careless Love' on the piano.

Due to my work, I tend to stay in hotels a lot of the time, and I generally prefer smaller hotels, as you tend to get better service than in the larger hotels.

The first thing I learned was the 'St Louis Blues' when I was eight. Both my grandmothers, my mother and uncle played the piano. This was post-war Britain, and they played boogie woogie and blues, which was the underground music of the time.

Some acts are tricky. Eartha Kitt was tricky in a wonderful, old-style way. She did yoga on the piano and put her hands over her ears when the other acts were on.

It would be great to have Bach in one corner, Bessie Smith in another, John Lennon in another. That's what I'd ideally like. A studio of the dead.

I am a keen medievalist and like going around museums and ruins and finding out about the people and local culture. I'm not one for sitting by a pool or lying on a beach. I also like to sketch while I'm on holiday, if I have time.

I love Yamaha Clavinovas. I have them at home, in the studio and on tour with me. I find them ideal for all sorts of things: silent practice with headphones at home; writing; arranging and... just playing the blues!

At 11, I went to live with my maternal nan and granddad temporarily, after my parents separated, and Nan would let me have a go on her piano. My grandparents were like something out of the Noel Coward play, 'This Happy Breed,' and it was magical to hear them sing music-hall songs.

I've met the Queen a couple of times, and she's been delightful. In fact, I often find myself thinking: 'What would the Queen do in this situation? Write a thank-you note? Yes, I'll do that.' She's all about courtesy.

I learned to play by ear before I learned music theory. For me, that makes sense. After all, children learn to speak before they read and write. The more you understand of music - how harmony and time signatures work, and what chords and inversions are - the more you'll enjoy it.

I like to think of myself as Prince Charles's friend. He's a great fellow. There are always people trying to knock him, but The Prince's Trust is one of the biggest supporters of young people in Britain.

Without the piano my life would be a disaster - nobody would hold me in any regard. It's the thing that saved me.

As a bandleader, I try to pass on the same family values that I grew up with: help people, hang on to your sense of humour, be tolerant and keep your judgments to yourself.

Naggers always know what they are doing. They weigh up the risks, then they go on and on and on until they get what they want or until they get punched.

My love is new music, I tend to go and see a lot of bands, while [co-producer] Mark Cooper spends his time reading the press. It's often the new acts that strike a chord, because they aren't seen on other shows.