Top 8 Quotes & Sayings by Jose Clemente Orozco

Explore popular quotes and sayings by Jose Clemente Orozco.
Last updated on November 7, 2024.
Jose Clemente Orozco

José Clemente Orozco was a Mexican caricaturist and painter, who specialized in political murals that established the Mexican Mural Renaissance together with murals by Diego Rivera, David Alfaro Siqueiros, and others. Orozco was the most complex of the Mexican muralists, fond of the theme of human suffering, but less realistic and more fascinated by machines than Rivera. Mostly influenced by Symbolism, he was also a genre painter and lithographer. Between 1922 and 1948, Orozco painted murals in Mexico City, Orizaba, Claremont, California, New York City, Hanover, New Hampshire, Guadalajara, Jalisco, and Jiquilpan, Michoacán. His drawings and paintings are exhibited by the Carrillo Gil Museum in Mexico City, and the Orozco Workshop-Museum in Guadalajara. Orozco was known for being a politically committed artist, and he promoted the political causes of peasants and workers.

We could raise prodigious cities and create nations, and explore the universe.
We too could wrest iron from the bowels of the earth and fashion it into ships and machines.
Was not from a mixture of two races that the Titans sprang? — © Jose Clemente Orozco
Was not from a mixture of two races that the Titans sprang?
Why must we be eternally on our knees before the Kants and Hugos?
All praise to the masters indeed, but we too could produce a Kant or a Hugo.
In every painting, as in any other work of art, there is always an IDEA, never a STORY. The idea is the point of departure, the first cause of the plastic construction, and it is always present all the time as energy creating matter. The stories and other literary associations exist only in the mind of the spectator, the painting acting as the stimulus.
Art is Knowledge at the service of emotion.
Errors and exaggerations do not matter. What matters is boldness in thinking with a strong-pitched voice, in speaking out about things as one feels them in the moment of speaking; in having the temerity to proclaim what one believes to be true without fear of the consequences. If one were to await the possession of the absolute truth, one must be either a fool or a mute. If the creative impulse were muted, the world would then be stayed on its march.
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