Top 100 Quotes & Sayings by Jose Feliciano
Explore popular quotes and sayings by a Puerto Rican musician Jose Feliciano.
Last updated on December 23, 2024.
To me, my guitar has always been my orchestra.
When I did the anthem, I did it with the understanding in my heart and mind that I did it because I'm a patriot. I was trying to be a grateful patriot. I was expressing my feelings for America when I did the anthem my way instead of just singing it with an orchestra.
I don't think kneeling during the anthem is such a bad thing.
I was very, very fortunate that 'Chico and the Man' was on TV, that helped me quite a bit. Of course, having the No. 1 Christmas song in the Spanish market, 'Feliz Navidad,' doesn't hurt either.
New York will always be a part of me no matter where I go.
When I first heard Bob Dylan, I'll be honest, I didn't like him. But I was shallow of mind and didn't understand the poetry. I just judged him on his singing and his guitar playing.
The accordion was the first instrument I played, when I was 7 years old.
Now everybody has been doing the national anthem in their own style, but in 1968 I was the one that took the heat. It cut my career for quite a while.
I like Maroon 5, Swedish House Mafia and others.
If I've influenced people, so be it, but I don't dwell on those kinds of things. I just put out my music. If I influence someone without knowing it, I'm happy about it. I try not to think about those things because it's not about me.
When I was 15, I became an avid fan of Andres Segovia. He brought so much respectability to the guitar.
I don't think Hank Greenberg thought of himself as the first Jewish baseball player - he was a baseball player who happened to be Jewish. I'm an artist who happens to be Latin.
I just do my thing, what I feel.
Actually, being blind is not so bad. If you're born this way, you never know anything else and you don't wonder about it. Though I'd hate to have lost my sight after being able to see.
When I did the national anthem, I did a soulful, kind of gospel-y version, but it was controversial with the war veterans, just the people who wanted to hear it the old, clinical, atmospheric way, and I didn't want to sing it like that.
I always tell my wife she's married to the Puerto Rican Elvis.
The day I stop learning and I don't try to make myself better on the guitar, that's the day I hang it up and say, 'Goodbye.'
When my career took off it surprised me, I was only 22. To have that much success so fast, I just wasn't prepared.
Music made me feel like I was sexy. Music made me feel like I wasn't just a blind guy.
Very few guitarists play nylon-string. They don't know how to get the sound out of them. That's something I've spent a lot of time on.
It's a wonderful thing to play with symphony orchestras - I've played with many - but it's really special in Israel because you have so many great musicians.
In 1966 I recorded my first bolero album. I was about 18 years old then and I recorded it because I wanted my parents to know that I hadn't lost my identity of being Latino.
I became a teen idol. At the time, it embarrassed me.
When you've had a chance to live some experiences then you can really write, and not having lived that much when I was young I didn't have much to write about. Now having seen life, the songs seem to come easier.
Some people wanted me deported - as if you can be deported to Puerto Rico.
I'm a one-man band!
I've been a fan of Elvis since I was 11, so for me, it was a real thrill to make an album of all my favorite Elvis songs.
I'm very proud being Puerto Rican. I'm American. That is what America is made of - people from different lands.
I was a teen idol in Latin America.
Feliz Navidad' has interfaced the English and Spanish cultures to come together and after all, we're living in a multi-cultural world.
I'm not like other guitar players. In fact, I'm not even like most acoustic players because I use the nylon-string acoustic. I do play steel-string and the electric guitar, too, because I love rock 'n' roll and guitarists like Jimi Hendrix. But my bread and butter has always been the nylon-string.
I have no regrets, though I was the first artist to stylize the national anthem, and I got a lot of protests for it. I have no regrets. America has been good to me. I'm glad that I'm here.
No one can pigeon-hole me because I play everything, and I did that on purpose.
I take pride in the fact that I was the first Hispanic artist to really crack the English market.
I felt bad about the controversy because they stopped playing my songs on American radio stations. But there was nothing wrong with what I did. Now everybody sings the national anthem the way they want.
Playing guitar was a calling, but I never realized that it was going to be a career. It was just something I did out of love.
People are really surprised by the fact that I keep in touch with the latest trends rather than retreating to the distant past.
From 1969 to 1973, I was never played on radio stations.
As a Hispanic American, this country has done a lot for me, and I think that people have to be more grateful for what they have in this country.
Pioneers will always get the stones, when everyone later gets the accolades.
My first memory of playing music was when I was 3 years old in Puerto Rico. I played percussion on a tin can behind my uncle, who played the cuatro.
New York is really where my career somewhat started.
One day I heard Ray Charles on the radio and I found out he was blind. I thought, 'You know what, if there's room for Ray, there might be room for Jose.'
God did not want me to be a blind beggar on the street, alone and bitter. He gave me music, first to be my companion and then to be my salvation.
I went through the immigration thing. But when I got to New York it wasn't so tough for me. I went to school. I went to P.S. 57, then I went to the Lighthouse for the Blind on 59th St. I guess being blind is a great leveler.
There were screaming girls, I had to learn as a blind person how to run to a limousine otherwise they'd take my clothes off and stuff. I thought to myself 'how could this happen?' I mean I could see it, Frank Sinatra, Elvis Presley, The Beatles, but Jose Feliciano? It was a mystery to me.
I'm kind of iffy on the Latin Grammys because I think we fought so hard, for example, to get the American side of the Grammys to open categories for us... But I support the Latin Grammys in the sense I'm glad that we have them.
I did whole Latin albums and it was like Beatlemania for me in the Latin world, the screaming girls, not being able to leave the hotel, at the airport met by screaming fans. That was something!
I didn't have romances when I was in school. Girls didn't want to go out with me because I was blind.
I just happened to be Latino, and like any artist, I was trying to forge a career. If I opened doors for others, that's great, but nobody starts out with those aspirations.
I always wanted to be the first true Latino to break the American barrier, to be on the American charts.
I sang the National Anthem with soul.
I know Ritchie Valens in 1959 had 'La Bamba' but to be totally Spanish - because, you know, Ritchie didn't speak Spanish - but to be a total Latin artist like myself, to be out in a field where there weren't any categories for Latinos... I felt good that I was maybe - I didn't know it at the time - but I felt good that I opened the door.
My parents did not want us to lose our culture and our language. And that was a good thing.
I thought I'd be spending my life making brooms, mops, chairs and things. That's fine for some blind people, but I wanted something more out of life. Music seemed the best way.
It is always good to make new friends.
It taught the English to speak Spanish and it taught the Spanish to speak English. If we had more songs such as that, it would solve the immigration problem in a hurry. But there can't be another 'Feliz Navidad.'
The fact I'm blind has been a great help to my career. If I'd been sighted I'd have played baseball and got into trouble like all other kids on my block.
RCA wanted me to change my name. They asked me around 1965, when they first signed me. They said, 'Feliciano is too Latin.' I said, 'That's who I am. I'm Jose Feliciano.' They wanted me to change my name to Joe Phillips.
I was the first artist to put the national anthem on the charts, and I'm thrilled.
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