Top 468 Quotes & Sayings by Joyce Carol Oates
Explore popular quotes and sayings by an American writer Joyce Carol Oates.
Last updated on September 16, 2024.
'We Were the Mulvaneys' is perhaps the novel closest to my heart. I think of it as a valentine to a passing way of American life, and to my own particular child - and girlhood in upstate New York. Everyone in the novel is enormously close to me, including Marianne's cat, Muffin, who was in fact my own cat.
I have read on a Kindle. But the Kindle we had only worked for about eight months then it stopped working. You don't have to get books repaired.
I consider tragedy the highest form of art.
I was brought up to be sympathetic toward others.
If my favorite, most comfortable place is by our fireplace in cold weather, expedient places are on an airplane, in a waiting room or even waiting in line; frequently these days, while on the phone having been 'put on hold.'
We are linked by blood, and blood is memory without language.
When people say there is too much violence in my books, what they are saying is there is too much reality in life.
I wrote a novel called 'Blonde,' which is about Norma Jean Baker, who becomes Marilyn Monroe, which I called a fictitious biography. That uses the material as if it were myth - that Marilyn Monroe is like this mythical figure in our culture.
Most people think that a widow is inhabiting some elegiac world of - it's like Mozart's 'Requiem Mass.' You know, it's very beautiful and elevated thoughts and some measure of dignity. I didn't have that experience at all. I had one pratfall after another.
The domestic lives we live - which may be accidental, or not entirely of our making - help to make possible our writing lives; our imaginations are freed, or stimulated, by the very prospect of companionship, quiet, a predictable and consoling routine.
My own way of writing is very meditated and, despite my reputation, rather slow-moving. So I do spend a good deal of time contemplating endings. The final ending is usually arrived at simply by intuition.
Boxing has become America's tragic theater.
Criticism is, for me, like essay writing, a wonderful way of relaxation; it doesn't require a heightened and mediated voice, like prose fiction, but rather a calm, rational, even conversational voice.
Love commingled with hate is more powerful than love. Or hate.
My reputation for writing quickly and effortlessly notwithstanding, I am strongly in favor of intelligent, even fastidious revision, which is, or certainly should be, an art in itself.
Productivity is a relative matter. And it's really insignificant: What is ultimately important is a writer's strongest books.
The third man in the ring makes boxing possible.
Mark Twain was very unhappy with himself for various reasons. He was very unhappy with America of this time. He thought it was terrible we had no anti-lynching laws, and he was also a feminist, and he was also very concerned with anti-Semitism. He was a good man, but he was hard on himself.
Our house is made of glass... and our lives are made of glass; and there is nothing we can do to protect ourselves.
To be true to life, a novel must have an ending that is inevitable given the specific personalities of the characters involved. The novelist must not impose an ending upon them.
Love is an indescribable sensation - perhaps a conviction, a sense of certitude.
When I complete a novel I set it aside, and begin work on short stories, and eventually another long work. When I complete that novel I return to the earlier novel and rewrite much of it. In the meantime the second novel lies in a desk drawer.
Night comes to the desert all at once, as if someone turned off the light.
If food is poetry, is not poetry also food?
Henry James's later works would have been better had he resisted that curious sort of self-indulgence, dictating to a secretary. The roaming garrulousness of ordinary speech is usually corrected when it's transcribed into written prose.
A good, sympathetic review is always a wonderful surprise.
I don't read for amusement, I read for enlightenment. I do a lot of reviewing, so I have a steady assignment of reading. I'm also a judge for the Anisfield-Wolf Book Awards, which gives awards to literature and nonfiction.
Where we come from in America no longer signifies. It's where we go, and what we do when we get there, that tells us who we are.
As a farm girl, even when I was quite young, I had my 'farm chores' - but I had time also to be alone, to explore the fields, woods and creek side. And to read.
Life and people are complex. A writer as an artist doesn't have the personality of a politician. We don't see the world that simply.
If you are a writer you locate yourself behind a wall of silence and no matter what you are doing, driving a car or walking or doing housework you can still be writing, because you have that space.
We are all regionalists in our origins, however 'universal' our themes and characters, and without our cherished hometowns and childhood landscapes to nourish us, we would be like plants set in shallow soil. Our souls must take root - almost literally.
My role models were childless: Virginia Woolf, Jane Austen, George Eliot, the Brontes.
The cleaning is something I use as a reward if I get some work done. I go into a very happy state of mind when I'm vacuuming.
'A Fair Maiden' existed in notes and sketches for perhaps a year. When I traveled, I would take along with me my folder of notes - 'ideas for stories.' Eventually, I began to write it and wrote it fairly swiftly - in perhaps two months of fairly intense writing and rewriting. Most of my time writing is really re-writing.
Our enemy is by tradition our savior, in preventing us from superficiality.
Homo sapiens is the species that invents symbols in which to invest passion and authority, then forgets that symbols are inventions.
Obviously the imagination is fueled by emotions beyond the control of the conscious mind.
To be Jewish is to be specifically identified with a history. And if you're not aware of that when you're a child, the whole tradition is lost.
I probably spend 90% of my time revising what I've written.
The great menace to the life of an industry is industrial self-complacency.
Boxing is about being hit rather more than it is about hitting, just as it is about feeling pain, if not devastating psychological paralysis, more than it is about winning.
It is not her body that he wants but it is only through her body that he can take possession of another human being, so he must labor upon her body, he must enter her body, to make his claim.
The relationship between parents and children, but especially between mothers and daughters, is tremendously powerful, scarcely to be comprehended in any rational way.
Boxing is a celebration of the lost religion of masculinity all the more trenchant for its being lost.
Nothing is accidental in the universe - this is one of my Laws of Physics - except the entire universe itself, which is Pure Accident, pure divinity.
A typical biography relying upon individuals' notorious memories and the anecdotes they've invented contains a high degree of fiction, yet is considered 'nonfiction.'
You need so much energy and encouragement to write that if someone says something negative, some of that energy goes.
I am not conscious of working especially hard, or of 'working' at all. Writing and teaching have always been, for me, so richly rewarding that I don't think of them as work in the usual sense of the word.
The worst cynicism: a belief in luck.
To be knocked out doesn't mean what it seems. A boxer does not have to get up.
Sometimes I read reviews, and without exception I will read critical essays that are sent to me. The critical essays are interesting on their own terms.
As a teacher at Princeton, I'm surrounded by people who work hard so I just make good use of my time. And I don't really think of it as work - writing a novel, in one sense, is a problem-solving exercise.
Primarily, 'Black Girl/White Girl' is the story of two very different, yet somehow 'fated' girls; for Genna, her 'friendship' with Minette is the most haunting of her life, though it is one-sided and ends in tragedy.
I was writing novels in high school and apprenticed myself in a way both to Faulkner and to Hemingway.
In love there are two things - bodies and words.
Often in gothic novels there's a large house, an estate, and it's symbolic of that culture. Usually it's sort of moldering or rotted or something, and sometimes it's a whole community.
For some reason, voters can be brainwashed, and they vote sometimes against their own best interests, let alone voting against the interests of people who need them, like people who are disenfranchised and people who are poor and so forth.
I remember once asking Grandma about a book she was reading, a biography of Abraham Lincoln, and how she answered me: this was the first conversation of my life that concerned a book, and 'the life of the mind' - and now, such subjects have become my life.
It seems disingenuous to ask a writer why she, or he, is writing about a violent subject when the world and history are filled with violence.
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