Top 9 Quotes & Sayings by K-Maro

Explore popular quotes and sayings by K-Maro.
Last updated on December 21, 2024.
K-Maro

Cyril Kamar, known by his stage name K.Maro is a Canadian pop singer-songwriter, producer and businessman of Lebanese origin. He sings in French and English. He is also the founder, the owner, and the CEO of East 47th Music, a record label, and Rock&Cherries Agency, a Paris-based Talents management agency. Both East 47th Music and Rock&Cherries Agency are part of KEG company.

Born: January 31, 1980
In North America, hip-hop and urban music are much more developed than it could be in Europe, except for a couple of markets like France, for example, or Germany, they're a little bit more aware.
If you just had an inspiration at night or with a girl or whatever and you want to talk about it, you don't necessarily want to share it with everybody . . . That's the first thing that made me want to go solo; I wanted to talk about my own things, I wanted to try to be creative [in] my own way.
Music should always be just a celebration. — © K-Maro
Music should always be just a celebration.
I came to a point where I couldn't walk into an urban store and find anything I liked. Everything was just getting too baggy, everything was getting so over [priced]. It's as if what I wanted in street wear was nowhere in stores, with no disrespect to any hip-hop brands.
I've always liked fashion but maybe not to the point that I was so sick about it that I wanted to draw my own things.
I've always liked fashion, I've always made sure that I was dressed properly; the way I looked was always important to me.
You have a lot of educating to do hip-hop wise in Europe. When you tour, when you go out there, most of the people that come see you at the venue listen to a lot of different kinds of music, not only hip-hop; they're not heads. From time to time you're going to do a little concert in front of three or four hundred people that are only hip-hop heads and they're going to understand and know all about the gimmicks and the swagger but the rest of the people are just regular European people that listen to pop [or] rock & roll.
Everything goes so fast that you wake up suddenly after 5 years and you just feel like you want to talk about different [things] than everybody in the group, you want to talk about your own things.
The difference is that they [Europeans] don't have that culture about hip-hop as a lifestyle, a way of life; for them it's more of the new trend, the new music that you have to like.
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