Top 317 Quotes & Sayings by Kate DiCamillo - Page 6

Explore popular quotes and sayings by an American author Kate DiCamillo.
Last updated on December 25, 2024.
The Watsons have lost sight of the fact that Mercy Watson is a pig, and they love her truly, madly, deeply. They live next door to two elderly sisters, Eugenia Lincoln and Baby Lincoln. Eugenia Lincoln is horrified that a pig is living in the house next door. Baby Lincoln secretly likes Mercy a great deal.
There's a Buddhist precept that the only thing you deserve is the chance to do the work, and I've been given the chance to do the work. — © Kate DiCamillo
There's a Buddhist precept that the only thing you deserve is the chance to do the work, and I've been given the chance to do the work.
It's a weird kind of disconnect that this whole story [he Miraculous Journey of Edward Tulane] grew around a real doll of mine, and here he is, with his "Edward" expression on his face. It's kind of reality bumping into fantasy.
The themes in my books, like in life, are about grace and redemption and you never know when they're going to show up and what form they're going to be in. Stories emerge from keeping your heart open to the people that cross in front of you or the dogs or the mice, and their ability to open you up and enrich your life.
Mercy Watson is a pig. She lives with Mr. and Mrs. Watson, who are not pigs. I had that basic premise, but I couldn't make it work. I would come back to it, try it, see that I was failing, and put it aside.
On the return flight from my mother in Florida , I sat next to a businessman who asked me what I did for a living. I said, "I write," and it seemed totally ridiculous in the face of what had just happened. I mean, I couldn't think of anything more pointless than telling stories. He asked, "What do you write?" I said, "I write children books."
Sometimes strange and wonderful things will pop into my head. And sometimes I will see something in the world that is the beginning of a story. I always have a notebook with me so that I can write down what I see and hear.
I was visiting my mother in Florida when the September 11, 2001 attacks happened. I was working on The Tale of Despereaux at that point. I had already gone into writing it with a great deal of trepidation and fear, and then this God-awful thing happens and it was really hard to even get back home to Minneapolis.
The Tale of Despereaux came at the request of Luke, my friend's then-eight-year-old son, who asked, "Write for me the story of an unlikely hero with exceptionally large ears."
I didn't know at the time I was writing Because of Winn-Dixie where the story came from, but in retrospect I can see that it was a response to a terribly harsh winter here in Minnesota.
All of that loneliness and longing in my heart got transferred into the book Because of Winn-Dixie, I guess.
I'm continually astonished with myself how different people bring out things in me that I never knew I had inside me. Each new friendship can make you a new person, because it opens up new doors inside of you.
I think of Mercy Watson like a superball; there's a bouncy kind of optimism to her stories. She allows me to play, and she makes me laugh. Hopefully readers feel the same way.
Mercy Watson is obsessed with toast. What was blocking me was the challenge of trying to understand what she loves, what motivates her. That was the missing piece. Toast became the physical symbol of Mercy's hopefully endearing greed and obsession. Without that element in place, it didn't make sense.
[A businessmen in plane after 9\11] asked me, "What are you working on now?" And I said I was writing a story about a mouse who tries to save a princess. I was mortified. Here the world is falling down around us, and I'm trying to tell the story about a mouse who saves a princess. I said "It doesn't matter at all now."
I'm predisposed to think that as a people, we're hardwired to understand things through the telling of stories. I think that as human beings it's part of who we are.
In luggage claim at the Minneapolis airport, the guy came up to me and said, "Maybe you're wrong, maybe stories do matter." I wrote that on a scrap of paper and put it above my desk. That was the thing that pushed me through to the end of telling Despereaux, that comment, "Maybe they do...maybe stories matter."
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