Top 94 Quotes & Sayings by Katie Holmes - Page 2

We didn't have the time to watch playback all the time so I depended on my team [All We Had].

Growing up, I always had my dreams set on being an actor, so I looked up to Julia Roberts, Audrey Hepburn. I also look up to Kate Winslet and Renée [Zellweger] and Cate Blanchett...and Diane Keaton - she's a genius. I think it's very inspiring to see these women attack such complex roles.

My norm for watching scary movies, what I love about it, is when they work and they scare me, which is not that often I'm afraid. The more you know the genre, your taste becomes a little more rarefied and you take a very particular route to the type of movies you like in the genre. But I still get scared.

I love Renée Zellweger, she can do no wrong in my eyes. I relate to every character she embodies, because she has no pretense. I also love Amy Adams: She's so kind and talented, and whenever I watch her I think, I want to be her friend-I've seen Enchanted many times with my daughter. Meryl Streep, of course. And I love what Cate Blanchett brings to every movie she does.

Simon McBurney on "All My Sons" on Broadway - we had an eight-week rehearsal period and I really enjoyed the way that he prepared us to go onstage. It was different than anything I've done and it was a different way of being directed, so I tried to take my different experiences of these directors and give those to my actors.

Working on "Pieces of April" with Peter Hedges at a young age was really very powerful. It was a different kind of work. We shot that in 10 days and Peter was right there with us, right next to the camera. It was very grounded and I really liked working that way. I liked the way he directed us.

I think it was around the time of doing those shorts. [Producer] Christine Vachon, I had a meeting with her, and she mentioned the short, this AOL short, and asked if I wanted to do one. And then the next step was the "30 for 30," and again that boosted my confidence enough to decide I'm going to do a feature narrative. And I was supported by my agency, and [producer] Jane Rosenthal has been an exceptional friend, and she produced "All We Had," she encouraged me to do the "30 for 30."

What I love about watching classic horror films is that they take you on a ride and they obviously make you scared because you're so invested in the characters, you're almost forgetting that oh my God, this is about to scare me.

I was paying attention to where Steven Soderbergh had the camera and his shots. I was blown away.

I’m not the easiest person to live with. I’m kind of a slob.

Steven [Soderbergh] is so generous and when I sat down to meet him for "Logan Lucky" he answered so many questions about directing, so when I was on set I tried not to bug him too much.

I felt so proud to be having a baby and so excited. And I felt closer to other women - to my sisters, to my mom. I felt empowered, like, 'I've given birth. I did it! There's nothing I can't handle.' I've really enjoyed this time that I have taken to be with Suri, as well as the challenges of the first couple of months: feeding and pumping, learning to decipher what each cry means - is she hungry? Is she tired? Does she need a fresh diaper? - and figuring out how to really help her.

I think now I'm just excited to continue directing and find stories that inspire me and bring those to the screen.

I started working on how I would direct this a year before we started shooting "All We Had" and I was prepping, acting, and directing sort of at the same time. I knew that I didn't want to hold people up on set.

I found it to be more challenging to be in a huge effects movie, because a lot of the things aren't there.You have to trust the director and react to nothing.

I like being part of good movies and telling stories that mean something to me. I also like playing characters that I look up to.

When I was on set I tried not to bug Steven Soderbergh too much. "Why did you put the camera there?" But he was very open to my questions and definitely being on his set was really thrilling because he's such a master.

She'll really tell me [what she thinks]. Like today I'm wearing brown suede pants, and she said, 'I don't like your pants.' But then she'll say, `You've got to wear these shoes.' Or 'That's so pretty, Mom. Wear that.' She's got a great eye.

~I've never met a 2-year-old who is terrible. I'm so cool with every stage my daughter goes through. I just think she's amazing. I hope she's not looking at me thinking, Mom, are the terrible 30s coming on with you?~

I optioned a book called "Rare Objects" by Kathleen Tessaro and I'm adapting it . It takes place in the 1930s and it's about two women and that's what I'm working on to direct.

I find that usually when I watch something like horror film, I'm constantly thinking no, it's not going to happen.

I'm just going to say that I met somebody last year, I fell in love, I had my first love, and it was something so incredible and indescribable.

I think that I'm always open to any kind of project.

I really enjoyed working on the first one [Batman franchise] and I wish I could have worked with Chris Nolan again and I hope to work with him again.

I really hope that I get to work with Chris [Nolan] some day.

I used to get so worried that if a scene didn't go a certain way, then it was horrible. But then I realized that it was better to give the director options in the editing room than just being locked into how it's supposed to be.

I remember when we were doing "Batman Begins" and to watch Chris Nolan go from "Memento" to "Batman" and take that leap from such a smaller size to a big movie, that's inspiring. But those movies are their own type of art and you have to really understand it and really know that world and I would have to take a long time to figure that out.Because my brain doesn't naturally go there.

When I read scripts and when I read books, it's more of an emotional response and I was really drawn to these characters.

I'm not the easiest person to live with. I'm kind of a slob. So for me to consider a roommate, it would have to be one of my sisters or something.

I felt that there was a beautiful story [ in "All We Had"] to be told and one that was valuable and also one that was a size that I could do as my first.

I'm so spoiled - I must have a Starbucks vanilla latte every day. Otherwise, it's going to be a bad day. I also love Jelly Bellies. But that's bad. Don't tell my mom.

Suri is my daughter, she's very, very special to me, and this project took a lot of time and because it's my first feature I wanted her to know that she's so special to me. I thought that as she gets old that will mean more to her, that she's always the most important, and I wanted to give her a special thanks because she means everything to me.

How do you know you told a good punch line, a good joke? It's because they laugh. How do you know you've got a good scary punch line? It's because they jump out of the seat or scream. So the best reward is one you can listen to.

Definitely being a mom changes your perspective on everything.