Explore popular quotes and sayings by an American writer Kay Cannon.
Last updated on November 21, 2024.
Kay Cannon is an American screenwriter, producer, director, and actress. She is best known for writing and producing the Pitch Perfect film series (2012–2017). She made her directorial debut with the comedy film Blockers (2018).
Cannon was also a writer and producer for the NBC comedy series 30 Rock (2007–2012) and the FOX comedy series New Girl (2012–2014). She created, wrote and produced the short-lived Netflix comedy-drama series Girlboss (2017).
Writers who sit down and write might judge what they're putting down, but I always just try to barf it out. I'm writing crap, but I'll put it down.
I ran track in college. And that team, that all-lady team that I was on, I can remember just being so incredibly sad that I knew we were all going to leave each other after we graduated and that our lives would change. And even though I was the bridesmaid at all their weddings and stuff like that, it's just not the same, right?
I've seen 'Bring It On,' like, a thousand times.
Everything that makes us who we are is A-O.K.
On the set of 'Girlboss,' I had to keep introducing myself as the show runner - literally, 'Hi, I'm the boss' - to a lot of my crew. My first AD said, 'Why do you keep doing that?' I said, 'Because I get mistaken for an extra.'
There's still only maybe three female writers or two female writers to 10 guys in any kind of writer's room.
I was crazy poor, but I was learning and putting myself out there and getting hired to do whatever gig I could and auditioning.
No one ever actually said they were resistant because 'Pitch Perfect' was female-centric. When a project is sitting there for a while, you start to speculate about what could be the thing that might be a little tricky about it.
Society has this deeply rooted love of seeing women fail.
I was like, 'I have to start writing for myself, to show people what I can do and what my point of view is.'
Even if I wrote 'The Kay Cannon Show,' I would have to audition to play Kay Cannon. And I probably wouldn't get it.
I'm a huge fan of Ace of Base. 'The Sign?' I love that song.
You just tell a good story where you're funny and it makes people laugh.
You never imagine that the Green Bay Packers were going to be in something you wrote or singing 'Bootylicious.'
I would be writing while I was breastfeeding. I didn't want the computer to be too close to her, so it was at an arm's distance away while I was clickety-clack typing away.
I have to say, my husband is a big Patriots fan. Like, a huge Patriots fan.
I was the runt of the family, the shortest and the smallest, so I think they perceived me as the one who was like, 'Look at me!' - just trying to get their attention and being a goofball.
Tina Fey is my mentor, whether she likes it or not.
Tell your daughters and their daughters that if they want to be a firewoman, they can be a firewoman. If they want to be an astronaut, they can be an astronaut. If they want to run their own business or run for president, they can do whatever they put their mind to.
It's not about having luck; it's about putting yourself in a position of luck.
Tina Fey and Amy Poehler, they made it cool to be funny and to be embarrassed and to look a thousand different ways and show a bunch of different areas of their lives.
I took a class at The Second City, and it became contagious.
I'm actually from a small town about an hour and a half south of Chicago.
When I was in college, I started an improv group, and I did a bunch of plays and some musicals. I have a theater degree. I'm a school person: I like getting homework and having deadlines. When I graduated, I worked right away as an actor.
I wasn't, like, pretty enough to be the ingenue; I wasn't 'character' enough to be the goofball sidekick. I'm kind of ethnically ambiguous.
I love that feeling, that feeling of team.
Ultimately, I want to direct a movie, so that's another thing, too, where I wonder what that will look like and how will I be able to manage.
I've got to literally write my own ticket.
I was a writer on '30 Rock' for six years.
I loved all the people involved with '30 Rock.'
I was working at 'New Girl' when I found out there was going to be a 'Pitch' sequel.
I like it when adult straight men are big fans of 'Pitch Perfect!'
'Pitch Perfect' was my first screenplay, so it was like my little baby.
I played volleyball and basketball, and I did track and volleyball in college.
People try to make women a very specific thing so that we like them.
When I was younger, I wanted my hair to look like Molly Ringwald's.
I started writing when I was trying to be an actor, and I happened to be friends with Tina Fey, who happened to have her show '30 Rock' coming out. So Tina, who happens to be a mentor to me, gave me my slot and hired me.
I was auditioning a lot in L.A., and I was actually getting called back a lot for sitcoms. But I wasn't getting jobs. I even tested for 'Saturday Night Live' and didn't get that.
I felt that a cappella was the improv world with music, where it's very serious, and there are groups and competition, and some people become famous, and there's a language we speak from one improviser to another.
It's interesting: when you're kind of 'known' for being a writer, people don't think you've done anything else.
I feel like the guilds are, just to be frank, people I pay money to.
We have a lot of depressed people in the world because they don't know what their purpose is in life.
On '30 Rock,' the hours were really intense, and I was often on set. I'm glad I didn't have a kid then because I don't think I would have ever seen her. I would work 15-hour days, and weekends, too.
'Hot Pursuit,' 'Pitch Perfect 2,' 'Trainwreck,' and 'Spy' were all being done in the last year. All four of those movies I just mentioned are not rom-coms: they're all about women doing different things.
Second City Las Vegas is very different from Second City in Chicago on the main stage, where they do improv sets. That's how they kind of hone material, kind of work up to new material.
I saturated myself with the improv community.
I started writing because I wasn't getting things as an actor.
We're big 'Game of Thrones' fans, so we call our house King's Landing. I have a studio apartment above our garage that we call Winterfell. I go to Winterfell to write.
'Bridesmaids,' I think, opened up a door to allow women to show a bunch of different women in different ways of being funny. It was kind of like an arrival moment.
I started writing for myself because I know how to write for myself. I know how to show what I can do.
I wake up around seven, and I give my daughter breakfast. I spend the first hour or two of her day with her.
I was an athlete, so I have kind of an athletic sensibility towards writing. I can work for many long hours without fatiguing.
I was in relays for track where you just bonded with all these different kinds of personalities who were coming together for this one common goal of beating a rival team.
When I finished grad school, I moved to Chicago proper, and I was at all the different improv schools, taking classes or interning.
I didn't set out to write some female-empowering movie; I just wanted to write a funny college comedy.
I didn't really feel like I fit any of the parts. You either have to be this crazy beautiful supermodel lady, or you're a real character actress. I felt like I had to write things for myself, so I started doing that.
It's not about having luck; it's about putting yourself in a position of luck. Meaning, get into a situation where you are with like-minded people who are just as passionate about something as you are, and then work really, really hard.