Top 38 Quotes & Sayings by Keith Jarrett

Explore popular quotes and sayings by an American composer Keith Jarrett.
Last updated on December 18, 2024.
Keith Jarrett

Keith Jarrett is an American jazz and classical music pianist and composer. Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Since the early 1970s he has also been a group leader and a solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, especially Western classical music, gospel, blues, and ethnic folk music.

Music always turns into music. As soon as I play a key, push a key down, there's no theory any more. When I go and I hear a sound on the keyboard, all theories go out the window.
When you're up against an electric band like that, it's like you're on two separate planets.
I realized that improvisers should probably always have time off. But musicians are always gigging and never have a chance to stop for a minute - unless something drastic occurs.
We really never know what we're gonna play when we get on stage. — © Keith Jarrett
We really never know what we're gonna play when we get on stage.
Once we're inside a tune, we can do anything with it.
You know, when people look at a tree, they look at the leaves; they don't look at the spaces between the leaves. They're focused on the tree. I think there's an awareness of spaces or it wouldn't look like a tree to them.
I actually get a metallic taste in my mouth when I think about electric music.
I'm my own most merciless critic onstage.
If I'm not a jazz player all the time, I've at least been cued in to what I do by jazz.
One thing you learn: if you want to reveal yourself, you also have to know where to stop.
I'm not talking ideas, or even presentation. It's like in politics: You have to sell something to become an electric player - like your skin or your heart.
We accept so many things that come through the media; we get used to them, however vigilant we are. But for any creative art, you have to remain 110% conscious, and in a world that's losing consciousness, that's getting harder.
I am a romantic, I admit it.
I don't like recording studios - except my own, which is just a little room above the garage. — © Keith Jarrett
I don't like recording studios - except my own, which is just a little room above the garage.
I can't even tolerate my own playing on electric keyboards. It's not about the musical ideas - the sound itself is toxic. It's like eating plastic broccoli.
Musicians are always gigging and never have a chance to stop for a minute.
I cannot say what I think is right about music. I only know the rightness of it.
The way I think about the practicing, it is my undercover work.
If you already have a piece of music ingrained in your body, why would you not play it?
If a person plays dissonance long enough, it will sound like consonance. It's a language that was alien and then it's less and less alien as it continues to live.
I grew up with the piano. I learned its language as I learned to speak.
Your own music comes out of your head and emotions, but it's not etched in your system.
When you're on stage you have a very strange knowledge of what the audience is. It isn't exactly a sound - it's a hum, like the streets.
Jazz is there and gone. It happens. You have to be present for it. That simple.
It is the individual voice, present to itself, that needs to be heard. We need to hear the process of the musician working on himself. We don't need to hear who is more clever with synthesizers. Our cleverness has created the world we live in, which in many ways, we're sorry about.
Ideally, I'd like to be the eternal novice, for then only the surprises would be endless.
Jazz is one of the least learnable art forms.
If music is sound & came from silence, then silence is potentially greater than sound. — © Keith Jarrett
If music is sound & came from silence, then silence is potentially greater than sound.
I don't like recording studios - except my own, which is just a little room above the garage.
Wynton Marsalis is jazzy the same way someone who drives a BMW is sporty.
Silence is the potential from which music can arise.
I think you have to be completely merciless with yourself.
If sound is music and came from silence, then silence is potentially greater than sound. If the sound is effective, it should actually have a chemical - some sort of physiological - effect on the listener, so he doesn't have to hear that sound again.
Creativity is what makes humanity move. We were created to participate.
I believe that a truly valuable artist must be an artist who realizes the impossibility of his task -and then continues to do it.
I've never heard anything Wynton [Marsalis] played sound like it meant anything at all. Wynton has no voice and no presence. His music sounds like a talented high-school trumpet player to me... he's jazzy the same way someone who drives a BMW is sporty.
... The 'cleverness' syndrome has taken the place of melody. It's like everyone has come down with this terrible disease in jazz....you are always expected to do your own material, which is a strange thing to do if you're a poor composer but a great player.
When I joined the band I didn't know any of the tunes, and when I left the band I didn't know any of the tunes! — © Keith Jarrett
When I joined the band I didn't know any of the tunes, and when I left the band I didn't know any of the tunes!
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