Top 83 Quotes & Sayings by Kelli O'Hara

I've always wanted to do a Shakespeare play.

Corned beef and cabbage - that's our favorite holiday meal when all the O' Haras gather around the table.

I was raised in Oklahoma. I was actually born in Tulsa, but I grew up in a small town on the west side of Oklahoma called Elk City on a farm, where my dad grew up, actually.

With a revival, you're compared to somebody else.

I love playing an ingenue, and I love doing revivals, and I will continue to do that.

When you're pregnant, things - at least for me - get very sincere and very wholesome, and it's about family, and singing becomes about warmth.

It's really important that I have a personal life.

I've been singing since I was nine or ten.

I'm proud to be Irish.

Every part has its relief when I'm done with it.

Everyone's story is different, and we can't really be inside them.

My father named me Kelli because 'Kelli O'Hara' just sounded so Irish.

I suppose there are a lot of reasons to be jaded or sarcastic or bitter in life, but I hang on to the reasons why life is beautiful.

The hardest role that I've ever tried to play was Clara Johnson in 'Light in the Piazza' at Lincoln Center. It was the least fun I've ever had, but the most beautiful experience I've ever had. I could not understand her. I could not put my feet in her shoes. I came home every night, and I was depressed.

I loved to sing and I loved to act, and I didn't want to continue opera because I wanted to act.

'South Pacific' has a definite heaviness that people don't realize. It's got a seriousness and a message.

When I was a kid, I would sing in people's living rooms and for different little family things.

I grew up on a farm.

I don't ever sing classically when I am singing a contemporary score - I kind of try to fit in whatever needs to happen.

I don't want to be famous for being famous.

Everyone has these ideas, especially about the middle of the country, about people being backwards and three-toothed.

I don't have that many family and friends.

It is such a luxury to open a new book that's highly recommended by friends - either an inspirational yet humorously self-deprecating memoir, or a page-turning piece of fiction.

I was able to do concerts all the way up until two weeks before I had the baby; I thought I was stopping a month ahead, but he was three weeks early.

In my special place, room service could only consist of my husband making me a breakfast of eggs, avocados, and hummus. And coffee with milk.

My mom's side of the family is from Arkansas!

I think anything emotional adds to your acting and singing, no matter what it is that you go through. It will always add to it, never take away.

My degree was in opera.

My great-grandfather, Peter O'Hara, was born in Ireland, I believe, in County Clare. His father, my great-great-grandfather, had actually come to America a generation before when times were very bad in Ireland. He worked in the Pennsylvania area and did well with horses and farming.

It's always hard - it's a little counterintuitive to leave your baby at any point during the infancy.

I've always wanted my characters to have more dimension and realistic cores than the ingenue material often provides. It's been a challenge.

The 'Carousel' overture has always been one of my all-time favorite pieces of music.

When you step out and do a song in a musical, the easier thing to do is make it funny. But when those transitions become necessary, when they aren't camp, that, to me, is magic. I've done musical comedies and enjoyed them, but subject matter that's deeper and more realistic is always what's appealed to me most.

I don't read reviews, because if you believe the good ones, you have to believe the bad.

We didn't have a lot of live theater in Oklahoma. I didn't visit New York when I was growing up. I watched movie musicals, and I believed in an idealistic, idyllic version of Broadway.

I've had great opportunities to show different sides of myself, but the challenge will always be getting either people to let you do it or finding the right things to do in order to do it.

I'm a mother, and when you have children, there's a protection. You'll do a lot to protect them, to do what's best for them.

If I get tickled in a certain way, I actually lose the ability to stand. I don't mean to, but something happens to my knees, and I fall on the ground.

I don't ever think about the roads I didn't take because I spend too much time thinking what's ahead. I don't go backwards.

I feel so rich in my emotions and in my life and so grateful when I'm home and so grateful when I'm at work.

To play a character is to inhabit the world and the life of that character.

I never really try to watch the movie of the things I've been in.

Some songs depend heavily on the character, but, for the most part, a great song begs for reinterpretation every time it is sung, even when in character.

Shakespeare has great ability to skirt around a subject and portray human nature.

Playing characters allows me to do things I may not always do, while singing in concerts allows me to really find my own voice and grow.

I don't mind talking about my family and how to balance it all. But, in today's world, we should probably be asking both women and men about work and family and how to balance the two.

When I've done TV and film, when it's offered to me, I loved doing it, and I would do it again, but the ins and outs of auditioning is - that's time away from my kids.

You breathe fast when you're scared.

By no means, I can't sing any rock and roll.

I think it can be a good idea to know what you do well and use that to open the door for yourself. Once you open the door, close it behind you, and start to make changes.

I love to play things that are out-of-the-box. It's just that I don't always get the chance to do it!

There is such a cliche to certain roles that all I can do is to try to make them realistic and work for the times, and so the audience actually won't see me as a caricature of something, but rather as an actual person.

If a man thinks you're beautiful or thinks you're strong or thinks you're smart, take the power and use it, but don't need it.

You always want to be the person who doesn't need to be included, but it feels damn good to be among you people. My first Broadway show was Master Class, and I saw Audra McDonald. The one that sealed the deal was Ragtime, with Marin Mazzie. My first big role was with John Lithgow, and he taught me the ropes. Norm Lewis sang the night I met my husband. It makes me feel like I have a family.

One thing I really, truly believe in is having something greater than myself to be grateful to.

When doing a revival, you have a lot of people asking you questions about someone who played it before, and to me that's neither here nor there - it has no bearing on the material that I have to use. The material that is written down in a score and script that the writers originally used is what I use.

When I'm given an opportunity with music and goodness, then I want to do that [play that role]. I want to go all the way to the edge of that and make it as big as I can.

If you act brave, you can seem brave, and if you do it enough, you can talk yourself into believing you're brave.

In this particular business [cinema], you don't choose your own experiences. They start to happen and then they start to peel off and make other ones happen, and then you can start choosing. But it happens to you.

I love feeling like I have purpose and maybe that's the purpose I'm giving myself.