Top 97 Quotes & Sayings by Kim Edwards
Explore popular quotes and sayings by an American author Kim Edwards.
Last updated on December 21, 2024.
I love to swim, and I love being near water.
The secret at the heart of 'The Memory Keeper's Daughter' is something everybody, except for some of the characters, knows in Chapter 1. Some of the narrative tension comes from that distance between what the readers know and what the characters know.
After 'Memory Keeper's Daughter,' it took me a few months to shut out the world. I really had to turn off the Internet and sort of cloister myself away from the world again and sink into that psychic space to write again.
It's kind of a mysterious process, but something will catch my attention, and I'll make a note about it. I may even write a few pages about it, and then I'll put it aside, but I'll sort of keep it in mind. Then as time goes on, other things will gather to it as if it's a magnet, almost, and eventually, there's enough to make the story.
I think that it would be hard to find a family that didn't have a secret in it somewhere, and sometimes we know about them, sometimes we don't. Sometimes we have an inkling that there's something hidden, but I think that it touches everybody's life.
Though Lexington is not a small town, it sometimes feels like one, with circles of acquaintance overlapping once, then again; the person you meet by chance at the library or the pool may turn out to be the best friend of your down-the-street neighbor. Maybe that's why people are so friendly here, so willing to be unhurried.
I lived for two years in Odawara, a castle town an hour outside of Tokyo, near the sea. It's a beautiful place, and I drew on my experiences there when writing 'The Lake of Dreams.'
I don't think we'll ever lose the desire for people to tell stories or to hear stories or to be entrapped in a beautiful story.
Lexington is home to the University of Kentucky, where my husband and I teach, as well as to Transylvania University, the oldest college established west of the Allegheny Mountains, and several multinational companies; people come and go from all over the world.
It's impossible to control the reception of your work - the only thing you can control is the experience of writing itself, and the work you create.
I find my husband's family history fascinating, as they can trace the family lineage back to ancestors who fought, and died, in the first battle of the Revolution, as well as to many other interesting people.
One of my greatest times of inspiration is when I'm traveling or living in a new country - there's a tremendous freedom that comes from being unfettered by your own, familiar culture, and by seeing the world from a different point of view.
The way we behave, our views and outlooks really have their sources some place. They come from somewhere. Sometimes we don't even know what they are, and yet they're very powerful in our lives.
I haven't done any genealogical exploring myself, though members of my family and also of my husband's family have traced things back. I have a great grandfather on my mother's side who was a musician, and I'd like to know more about his life.
I always talk to my students about the need to write for the joy of writing. I try to sort of disaggregate the acclaim from the act of writing.
I love 'Memory Keeper's Daughter,' but in some ways I think 'The Lake of Dreams' is a stronger book. I was able to tell the story I wanted to tell. That's all you can ever do as a writer. From there on you have no control over it.
'Middlesex' by Jeffrey Eugenides left me both moved and, at times, laughing out loud in delight.
I grew up in Skaneateles, a small town in New York's Finger Lakes region, where parts of my family have lived for five generations. I can walk the streets there and point out my father's childhood home, the houses my grandfather built, the farm where my great-great-uncle worked after he emigrated from England in the 1880s.
You don't want to engage in road rage when the person in the next car might be your child's future teacher or your dentist's father.
We all have secrets. We've all kept secrets. We've had secrets kept from us, and we know how that feels.
'The Lake of Dreams' grew gradually, over many years, elements and ideas accruing until they gained enough critical mass to become a novel.
I hadn't really thought about this until 'The Lake of Dreams,' but I've set all my stories in places that are familiar to me. It frees me up to spend more imaginative time on the characters.
Many Lexington natives believe they live in a special place, one impossible to leave. I'm not so sure about that - or it's more accurate to say I think a more general truth exists beneath it: the place you first call home stays with you always, whether you remain or go.
I swam across Skaneateles Lake, about a mile, when I was 11 years old. I remember feeling when I was in the middle of the lake that I would be there forever, and having no idea where on shore I'd end up. I made it, and I'm proud of the determination and persistence that took.
My first job was in a nursing home - a terrible place in retrospect. It was in an old house, and the residents were so lonely. People rarely visited them. I only stayed there a couple of months, but it made a strong impression on me.
I like clothes that are elegant and comfortable.
There was a sense that there was a lot of word of mouth happening with 'The Memory Keeper's Daughter,' even in hardcover.
William Trevor is an author I admire; his stories are subtle and powerful, and beautifully written.
In writing, I want to be remembered for telling good stories in beautiful and powerful language, using the poetry of words to reflect the thematic concerns of compelling stories.
As a writer and as a reader, I really believe in the power of narrative to allow us ways to experience life beyond our own, ways to reflect on things that have happened to us and a chance to engage with the world in ways that transcend time and gender and all sorts of things.
I never know as a writer when I set out into a novel where it's going to take me.
I've always set my stories in places I know well. It frees me up to spend more imaginative time on the characters if I'm not worrying about the logistics.
I like to think I've grown as a writer and taken some risks, but I still consider myself to be a literary writer.
I had a great life even before 'The Memory Keeper's Daughter' took off. I really enjoy teaching.
Though my stories aren't autobiographical, I do sometimes use things from my life.
Your understanding of a place changes the longer you stay; you discover more, and your own life gets woven into the fabric of the community.
You don't know when you are immersed in a book what the reaction to it will be, but I feel great about 'The Lake of Dreams.'
All that sunny afternoon, traveling north and east, Caroline believed absolutely in the future. And why not? For if the worst had already happened to them in the eyes of the world, then surely, surely, it was the worst that they left behind them now.
She had died at age twelve, and by now she was nothing but the memory of love-- nothing, now, but bones.
It wasn't right. He knew that, but it was like falling: once you started you couldn't stop until something stopped you.
You missed a lot of heartache, sure. But David, you missed a lot of joy.
He could hardly imagine anymore what his life would be without the weight of his hidden knowledge. He'd come to think of it as a kind of penance. It was self-destructive, he could see that, but that was the way things were. People smoked, they jumped out of airplanes, they drank too much and got into their cars and drove without seat belts.
It seemed there was no end at all to the lies a person could tell, once she got started.
Either things grow and change or they die.
Once, this whole world had been hidden beneath a shallow sea.
A moment might be a thousand different things.
His love for her was so deeply woven with resentment that he could not untangle the two.
...and the distance between them, millimeters only, the space of a breath, opened up and deepened, became a cavern at whose edge he stood.
You can't spend the rest of your life tiptoeing around to try and avert disaster. It won't work. You'll just end up missing the life you have.
I think that the whole child welfare system has to be totally taken apart and built up again. Have an agency just specifically for those follow-up cases.
Away from the bright motion of the party, she carried her sadness like a dark stone clenched in her palm.
He'd kept this silence because his own secrets were darker, more hidden, and because he believed that his secrets had created hers.
A moment was not a single moment at all, but rather an infinite number of different moments, depending on who was seeing things and how.
After all these years, I feel so free. Who knows where I might fly?
Grief, it seemed, was a physical place.
...so young, so lonely and naive, that she imagined herself as some sort of vessel to be filled up with love. But it wasn't like that. The love was within her all the time and its only renewal came from giving it away.
But she had felt since childhod that her life would n ot be ordinary. A moment would come- she would know it when she saw it- and everything would change.
Photography is all about secrets... The secrets we all have and will never tell.
It's funny how things seem different, suddenly.
The city of Pittsburgh gleaming suddenly before her . . . so startling in its vastness and its beauty that she had gasped and slowed, afraid of losing control of the car
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