Top 24 Quotes & Sayings by Kristin Lehman

If you're not a victim, and you don't need help, then you're definitely seen as a threat as a woman.

I think people will always be interested in crimes of passion. And I don't think you can do a genre-heavy show and not be influenced by successful, beautiful stories that have gone before.

Predominantly, crimes and horrible, horrible, horrible judgment don't have to do with sociopaths. It has to do with people who are not capable of maintaining or managing their frailties.

You have to carry so many archetypes as an actor, especially as a blonde-haired, blue-eyed one.

I had my little boy, and I took three years off to have him and be a mom.

I'm a better actor because I'm a mother, I think.

I'm a character actor; that's my skill set.

For 'Motive,' it wasn't a question of making it look un-Canadian, but instead, we wanted it to be the product of a bunch of really skilled people making something. And that's what you have.

Maybe it's a personality thing individual to me, but actors always benefit from body awareness.

I read 'How to Rig an Election.' Well, I read parts of it. I wouldn't necessarily quote me as saying I read the whole thing.

I didn't expect to feel pathos for the villains in our show. I feel quite moved in several of our episodes; I never realized that a show like 'Motive,' which aims for a broad appeal, could have that sort of emotional impact.

I injured myself quite badly when I was seventeen. I broke my ankle, and it didn't heal in such a way that I could keep dancing at the level I wanted to. It wasn't like, 'Oh my god, I'll never play the violin again.' I could, but not at the level I wanted. So, I segued into acting, the other thing that was also meaningful to me.

The only way to really portray a character and tell a story well is to be flexible internally. And one of the ways we're blocked as actors is being aware of where our bodies are carrying tension.

I ran for ninth grade class president. Came in a close second.

I'm a journeyman actor. My experience as a journeyman actor is that you have to go where the work is. I've never been the lead; I've never been in that position.

I want to live a good life and pay my taxes. 'The Killing' was a blessing. It was two wonderful years. But I had reached a point in my life, especially with a young son, that I was no longer willing to compromise my life for the sake of a paycheque. I was no longer willing to move where the tax credits are strong.

We try to use obvious Canadian touches whenever we can, and I'm really proud of the way we use Vancouver for its production value. Nobody is pretending that we're not shooting in Canada, which is really important to me. The other wonderful thing is that ABC has bought us, but they air us after CTV has had the full season air on Canadian television. That's another thing that I think is really a nod towards the importance of us acknowledging our own industry.

I think we dip in and out of it. Every new show is trying to find their feet before they can say what they are. That's certainly something that I like about the role - going in and out of the personal life. There are some episodes where we go into it a little more, and some where we don't at all

Between my husband, my son and I, we'll always have a bit of both in our lives. We need a bit of both because the cities are so different, and we have that luxury. We're really lucky

I'm really lucky. I never really felt like LA was the Mecca, that you "made it" if you made it somewhere else. I've been a journeyman actor for my whole career. I just sort of went where I was invited. I worked the early part of my career in Canada before I had the luxury of doing an American series, which brought me down to LA.

One of the things the police officers told us in the first minutes of being with them is that the way that they cope with their job is by using a lot of inappropriate humour. It's really a lovely opportunity to try to challenge our ideas of what it is to deal with complex issues, and that they're not always dower. Having that kind of humour along with the pathos for what people are going through is a really nice challenge.

Yes, it leads people to believe that they have more information than our cops, but then, at some point, before you know it, you're both caught up. Everybody, when they're watching the who-dun-it shows, is making guesses in the first five minutes anyway. We just kind of give them what they want.

I found out that detectives are really good dressers. I'm not even exaggerating. The woman I interviewed had these fantastic fuschia suede heels on that I coveted. And that they're invested in their jobs the same way you and I might be. We think of them as doing these jobs that we could never imagine doing, but their relationship to what they do is the same as our relationship to what we do.

The sneak-peeks you get off the top are of them in their real life. You're more invested, you know both of them, and you've already made assumptions. A murder who would murders someone - that makes them immediately bad - but here you see them in a different.