Top 26 Quotes & Sayings by Kurt Masur

Explore popular quotes and sayings by a German musician Kurt Masur.
Last updated on September 18, 2024.
Kurt Masur

Kurt Masur was a German conductor. Called "one of the last old-style maestros", he directed many of the principal orchestras of his era. He had a long career as the Kapellmeister of the Leipzig Gewandhaus Orchestra, and also served as music director of the New York Philharmonic. He left many recordings of classical music played by major orchestras. Masur is also remembered for his actions to support peaceful demonstrations in the 1989 anti-government demonstrations in Leipzig; the protests were part of the events leading up to the fall of the Berlin wall.

And at the same time, I had my very first concert at the age of 16. I hadn't heard a symphony orchestra before, and I was so deeply impressed I said I have to be a conductor.
Even I had no opportunity to conduct very many concerts after World War II.
As I came to New York, it was for me a new beginning. To discover what people are living here. What do they need, what do they expect, what would they like to be the image and the performance of the New York Philharmonic?
And I always tried to be not a star. To be someone who people like to talk to. — © Kurt Masur
And I always tried to be not a star. To be someone who people like to talk to.
The message of music was also the first thing what I learned from my first teacher. She was an organist too and she was very devoted to what she played, so she had a respect for every piece and she felt that she is not allowed to add something of her own.
If you go to Japan for instance, you should know that they have a different way of playing Beethoven or Brahms. But if you play with them Mozart, Debussy, Mendelssohn, they have a wonderful light feeling for that.
And to understand this, I think this is a most important point where I would like always to be understood what we do with the New York Philharmonic. That the meaning of the music is number one.
Very often, if I know the orchestra doesn't know a piece or it's a new piece, I have main ideas about it. But then we start to play and I never talk about places where they played so beautiful and so clear in the beginning that there is nothing to say.
I always imagined that to bring an orchestra to play together is not enough for a conductor.
I wouldn't say I've changed my mind. I changed some of my natural habits, some of my natural character.
In South America, I heard the 8th Symphony of Beethoven. And the young conductor thought, Beethoven must be heroic. But this is piece which shouldn't be heroic. And this was such a misunderstanding, such a deep misunderstanding.
I was different from most young conductors today.
What I never overcame is a kind of shyness.
Even my family laughed at me because they thought this young guy who's always stuttering in front of other people should be in front of 100 musicians and talk to them and leading them.
At the age of 16, something happened with my finger and the doctor told me, you never can be a organist or pianist, so think about what you do with music.
And if you are strong enough, then you can grow as a conductor more and more.
I can go in front of an orchestra. I can go in front of an audience. But if you see me walking through an audience in the reception or through a lot of people, I'm still shy.
An orchestra full of stars can be a disaster.
You have to change your mind with every orchestra because every orchestra has a different character.
Young conductors who are confident enough, they very often have success.
Sometimes if you have very confident people, you have to tell them please, be polite, there are other players are good enough as you and you should never speak out of an orchestra.
You know as I started as a shy young conductor, I always wanted to cooperate. To build up the musicians. To help them to be better than without a conductor. And sometimes young talented musicians have to be encouraged.
I believe so, but at first he must know. He must know in which spirit Beethoven has composed this piece. He must try to study that. And he must find out in which station of life of Beethoven he did.
Since the composer has said everything, if you discover everything, it will be enough and you will be a happy man. Don't try to say it's your taste, and because of that you are changing this or that. And I must say this respect is still there.
I worked on scores. I went to the musical library in Berlin which is very famous. I discovered that we had scores of Beethoven, printed scores of Beethoven, that are full of mistakes. Not the wrong or false notes, but the wrong dynamic, understandable things.
If every school would hire two more music teachers, we would need two fewer police officers. — © Kurt Masur
If every school would hire two more music teachers, we would need two fewer police officers.
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