Top 8 Quotes & Sayings by Linda Woolverton

Explore popular quotes and sayings by an American novelist Linda Woolverton.
Last updated on December 25, 2024.
Linda Woolverton

Linda Woolverton is an American screenwriter, playwright, and novelist, whose most prominent works include the screenplays and books of several acclaimed Disney films and stage musicals. She is the first woman to have written an animated feature for Beauty and the Beast (1991), which is also the first animated film ever to be nominated for Best Picture at the Academy Awards. She also co-wrote the screenplay of The Lion King (1994), provided additional story material for Mulan (1998), and adapted her own Beauty and the Beast screenplay into the book of the Broadway adaptation of the film, for which she received a Tony Award nomination and won an Olivier Award.

For the blockbusters, people were always telling me that if you write female protagonists, the boys won't go, so you have to put the boys' stuff in it to get everybody. I write for people from 8 to 80, and that's not easy.
The first draft you're pretty much on your own, so I love that. I can let my imagination go wild. I just go crazy. Then, over the years - it takes years to write these things, to make these things come to pass - there are many, many, many drafts. For Maleficent, there were at least 15.
I have a children's theater background, so I grew up performing for child audiences; it's sort of my specialty. I know the child audience pretty well - or felt like I did because I performed for them so much. I studied a lot about the child audience, about theater. So it was naturally a place that I gravitated to.
You can't go down anybody else's [road]. It's your dream; it's your life. You don't have to be told by other people what to make of yourself. You decide. — © Linda Woolverton
You can't go down anybody else's [road]. It's your dream; it's your life. You don't have to be told by other people what to make of yourself. You decide.
They're [children] less forgiving. You have to be very conscious of the fact that they're not going to just accept things; they're going to question. They're going to move around if you bore them. They'll actually leave. So you really have to be on your toes.
Even when I'm writing animation, I think of them as real people. I think of them as completely three-dimensional beings, even if it's a talking teapot. I don't think of them as one-dimensional drawn characters running around. Maybe that's why, to me, there's really no difference in writing the two - animation versus live action.
I am a feminist, and I didn't think women would accept a throwback heroine.
I really get fired up with female protagonists. I can really feel the difference in myself when I am writing a script that has a woman at the center.
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