Top 13 Quotes & Sayings by Liz Williams

Explore popular quotes and sayings by a British author Liz Williams.
Last updated on November 8, 2024.
Liz Williams

Liz Williams is a British science fiction writer, historian and occultist. The Ghost Sister, her first novel, was published in 2001. Both this novel and her next, Empire of Bones (2002) were nominated for the Philip K. Dick Award. She is also the author of the Inspector Chen series, and of the historical survey of magic in the British Isles and beyond Miracles of Our Own Making: A History of Paganism (2020).

I have issues with anyone who tries to claim that science is unworkable - creationists who deny evidence for past history, yet are happy to benefit from the products of the methodology that they otherwise deny.
Much of what Karl Popper contributed to the philosophy of science has now passed into mainstream thought, into the currency of that nebulous, tricky ontology known as 'common sense.'
There are a few people who are, let's say, personality-challenged, who would like to set up a cult, but in large part they fail due to the innate stroppiness and independence of their fellow pagans.
Because contemporary paganism is essentially so new, its underlying ethical structure is not particularly sophisticated. — © Liz Williams
Because contemporary paganism is essentially so new, its underlying ethical structure is not particularly sophisticated.
Some religious practitioners make absolutist claims for their beliefs: I've no interest in doing this, nor do I have any interest in converting people, which is doubtless a relief to anyone who has feared finding me on their doorstep asking if they'd like to know more about Odin.
Authors as diverse as Rudyard Kipling, E. Nesbit, and J. R. R. Tolkien have shaped modern paganism as greatly as any theological underpinnings.
Contemporary paganism gives me a subjective lens through which the world in which I live can be interpreted on an aesthetic and an ethical basis. I'm interested in narrative, myth, and story, in folklore and the way we connect to the turning of the seasons and the natural world.
I've written a detective series myself, set in an imaginary, and slightly futuristic, Chinese city. The novels have an extremely tenuous relationship with the real world, since the hero is the city's Hell and ends up with a sidekick who is a demon.
You can, I think, have a quiet and steady protagonist and not run the risk of terminal dullness as long as exciting things happen to them and around them, and crime is the ideal genre for making this come about.
For me, spiritual practice is a lot closer to art than science.
Just so that we are clear on this, I am in favour of teaching children about different beliefs. I am not in favour of indoctrinating them in any particular belief, including my own: these issues should be presented as beliefs, not as fact.
I think that the power of the Silent Minute lies in its inherent lack of external direction: what participants actually do during that minute - prayer, contemplation, focus - is up to them.
Only in the English countryside could violent death remain something that is 'cosy.'
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