Explore popular quotes and sayings by an American musician Lou Reed.
Last updated on November 22, 2024.
Lewis Allan Reed was an American musician, singer, songwriter, and poet. He was the guitarist, singer, and principal songwriter for the rock band the Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground became regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career.
I love Ornette Coleman. I love Don Cherry. I love the way those guys play.
How can anybody learn anything from an artwork when the piece of art only reflects the vanity of the artist and not reality?
You can't beat two guitars, bass, and drums.
I always believed that I have something important to say and I said it.
I think life is far too short to concentrate on your past. I rather look into the future.
I don't like nostalgia unless it's mine.
Me, I've concentrated on music pretty much to the exclusion of other things.
The most important part of my religion is to play guitar.
There's only X amount of time. You can do whatever you want with that time. It's your time.
People think that I work out but it's all t'ai chi.
I wouldn't want to hear Beethoven without beautiful bass, the cellos, the tuba. It's very important. Hip-hop has thunderous bass. And so does Beethoven. If you don't have the bass, it's like being amputated. It's like you have no legs.
My God is rock'n'roll.
You can't beat 2 guitars, bass, and drums.
You're a musician: You play. That's what you do.
I tried to give up drugs by drinking.
I am very emotionally affected by sound. Sounds are the inexplicable... There is a sound you hear in your head, it's your nerves, or your blood running.
I always thought martial arts was the most modern choreography we could have right now, and I always wanted to put it to music.
Perfect Night is minimalistic and that's what makes it so forceful.
The music business doesn't interest me anymore.
I don't think anybody is anybody else's moral compass. Maybe listening to my music is not the best idea if you live a very constricted life. Or maybe it is.
I can concentrate on my art.
I've never been super confident about anything. The work is never as good as it could be.
Sound is more than just noise. Ordered sound is music. My life is music.
Music should come crashing out of your speakers and grab you, and the lyrics should challenge whatever preconceived notions that listener has.
I was a product of Andy Warhol's Factory. All I did was sit there and observe these incredibly talented and creative people who were continually making art, and it was impossible not to be affected by that.
There's a bit of magic in everything, and some loss to even things out.
I'm in this business for too long to be halfhearted about anything.
In the late '70s I started to search for the perfect sound - whatever that might be, before that I was mainly interested in drugs, insanity and the rock'n'roll lifestyle.
That's why I survived because I still believe I've got something to say.
You can't ask me to explain the lyrics because I won't do it.
I've become completely well adjusted to being a cult figure.
Meditation doesn't have to be complicated. What I do is about as simple as you can get. You could just count the beads, one, two, three, with your eyes closed or open, whatever makes you happy.
I don't know what goes on in the crowd. I've had them show up and throw beer cans at me. I caused riots in most of the major cities.
I'm a humanist.
If it has more than three chords, it's jazz.
Raymond Chandler managed to write about L.A. his whole career. Should I keep going writing about New York? Is that what I should be doing? Songwriting doesn't work that way.
I think it's pretentious to create art just for the sake of stroking the artists ego.
I'm an artist and that means I can be as egotistical as I want to be.
But I'm also talented and I know when I created something great and Perfect Night is something great, no doubt, no but.
Music was what bothered me, what interested me.
Perfect Night has that magic and it has the raw energy that grabs you by the throat.
I don't know anyone actually who does care what a critic says.
I'm not joking around when I've said occasionally, trying to learn how to play a D chord properly has been a very big thing for me.
These are really terribly rough times, and we really should try to be as nice to each other as possible.
Life is like Sanskrit read to a pony.
Take a walk on the wild side.
I don't like overdubs, never liked them.
For a while, I felt a little self-impelled to write Lou Reed Kind of songs. I should have understood that a Lou Reed song was anything I wanted to write about.
I don't really think about what the subject of my next album will be. I just know that I'm going to make another album.
I think that everything happens for a reason, everything happens when it's going to happen.
I cleaned up my act because otherwise I would have kicked the bucket.
I'll tell ya, I'm a genuinely nice guy. I really am. A real nice guy. But I think I'm temperamental.
One of my rules is: Never listen to your old stuff.
When I was in college, I had a jazz radio show. I called it 'Excursion on a Wobbly Rail,' after a Cecil Taylor song. I used to run around the Village following Ornette Coleman wherever he played.
I don't mind a repetitive chorus; I mind repetitive verse. I mean, it's the same amount of space. Why would you have only three diamonds if you can have six?
One chord is fine. Two chords are pushing it. Three chords and you're into jazz.
I can create a vibe without saying anything, just by being in the room.
I don't like the word rock opera, but I'm trying to write on that level that's reserved for plays still, or novels.
The music is all. People should die for it. People are dying for everything else, so why not the music?