Top 96 Quotes & Sayings by Louis Armstrong

Explore popular quotes and sayings by an American musician Louis Armstrong.
Last updated on September 17, 2024.
Louis Armstrong

Louis Daniel Armstrong, nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He is among the most influential figures in jazz. His career spanned five decades and different eras in the history of jazz.

Well, I tell you... the first chorus, I plays the melody. The second chorus, I plays the melody round the melody, and the third chorus, I routines.
I gathered that those two Big-shot Boys, Joe + Fletcher, just was afraid to let me sing, thinking maybe I'd sort of ruin their reputations with their musical public. They not knowing that I had been singing all of my life. In churches, etc. I had one of the finest All Boys Quartets that ever walked the streets of New Orleans.
The first time I heard Jack Teagarden on the trombone, I had goose pimples all over. — © Louis Armstrong
The first time I heard Jack Teagarden on the trombone, I had goose pimples all over.
I warm up at home. I hit the stage, I'm ready, whether it's rehearsal or anything.
Musicians don't retire; they stop when there's no more music in them.
There is two kinds of music, the good, and the bad. I play the good kind.
Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.
I never want to be anything more than I am; what I don't have, I don't need.
I like kissable lips. A woman's lips must say, 'Come here and kiss me, Pops.'
I was determined to play my horn against all odds, and I had to sacrifice a whole lot of pleasure to do so.
I do believe that my whole success goes back to that time I was arrested as a wayward boy at the age of thirteen. Because then I had to quit running around and began to learn something. Most of all, I began to learn music.
When this ugly gangster told Joe Glaser that he must take the name of Armstrong down, off of the marquee, and it was an 'order from Al Capone,' Mr. Glaser looked this cat straight in the face and told him these words: 'I think that Louis Armstrong is the world's greatest, and this is my place, and I defy anybody to take his name down from there.'
What we play is life. — © Louis Armstrong
What we play is life.
You blows who you is.
The memory of things gone is important to a jazz musician.
When the other kids started calling me nicknames, I knew everything was all right. I have a pretty big mouth, so they hit on that and began calling me Gatemouth or Satchelmouth, and that Satchelmouth has stuck to me all my life, except that now it's been made into 'Satchmo' - 'Satchmo' Armstrong.
We all do 'do, re, mi,' but you have got to find the other notes yourself.
When I play, maybe 'Back o' Town Blues,' I'm thinking about one of the old, low-down moments - when maybe your woman didn't treat you right. That's a hell of a moment when a woman tell you, 'I got another mule in my stall.'
We never did try to get together and to show the younger Negroes such as myself, to try and even to show that he has ambitions - and with just a little encouragement, I could have really done something worthwhile. But instead, we did nothing but let the young upstarts know that they were young and simple, and that was that.
Music is life itself. What would this world be without good music? No matter what kind it is.
All music is folk music. I ain't never heard a horse sing a song.
If you have to ask what jazz is, you'll never know.
I had a long time admiration for the Jewish people. Especially with their long time of courage, taking so much abuse for so long. I was only seven years old, but I could easily see the ungodly treatment that the white folks were handing the poor Jewish family whom I worked for.
There are some people that if they don't know, you can't tell them.
'Cat?' 'Cat' can be anybody from the guy in the gutter to a lawyer, doctor, the biggest man to the lowest man, but if he's in there with a good heart and enjoy the same music together, he's a cat.
If you don't understand it, don't mess with it.
There is no such thing as 'on the way out' as long as you are still doing something interesting and good; you're in the business because you're breathing.
It really puzzles me to see marijuana connected with narcotics dope and all of that stuff. It is a thousand times better than whiskey. It is an assistant and a friend.
I don't get involved in politics. I just blow my horn.
You've got to be good or as bad as the devil.
Every time I close my eyes blowing that trumpet of mine, I look right into the heart of good old New Orleans. It has given me something to live for.
Even If I have two three days off, you still have to blow that horn. You have to keep up those chops... I have to warm up everyday for at least an hour.
The best I can do is stay happy.
It makes you feel good, man, makes you forget all the bad things that happen to a Negro. It makes you feel wanted, and when you're with another tea smoker, it makes you feel a special kinship.
To jazz, or not to jazz, there is no question!
My life has always been my music, it's always come first, but the music ain't worth nothing if you can't lay it on the public. The main thing is to live for that audience, 'cause what you're there for is to please the people.
Jazz is played from the heart. You can even live by it. Always love it.
I don't need words. It's all in the phrasing. — © Louis Armstrong
I don't need words. It's all in the phrasing.
And I think to myself what a wonderful world. Oh, yeah.
If I don’t practice for a day, I know it. If I don’t practice for two days, the critics know it. And if I don’t practice for three days, the public knows it.
I got a simple rule about everybody. If you don't treat me right - shame on you.
Don't do nothing halfway, else you find yourself dropping more than can be picked up.
I see trees of green, red roses too. I see them bloom for me and you. And I think to myself what a wonderful world. I see skies of blue and clouds of white. The bright blessed day, the dark sacred night. And I think to myself what a wonderful world
If it hadn't been for Jazz, there wouldn't be no rock and roll.
If ya ain't got it in ya, ya can't blow it out.
Making money ain't nothing exciting to me. You might be able to buy a little better booze than the wino on the corner. But you get sick just like the next cat and when you die you're just as graveyard dead as he is.
Give me a kiss to build a dream on And my imagination will thrive upon that kiss Sweetheart, I ask no more than this A kiss to build a dream on.
Never play anything the same way twice. — © Louis Armstrong
Never play anything the same way twice.
The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
Musicians in my day had nicknames. My name was "Satchel Mouth," like a doctor's satchel. When I went to England this fellow was strictly English, and he was editor of the newspaper there. He shook my hand after I got off the train and said, "Hello, Satchmo." So right away my trombone player said, "Mmm, the man thinks you have mo' mouth than Satchel Mouth." So I was stuck with it, and it turned out all right.
Some of you young folks been saying to me, "Hey Pops, what you mean 'What a wonderful world'? How about all them wars all over the place? You call them wonderful? And how about hunger and pollution? That aint so wonderful either." Well how about listening to old Pops for a minute. Seems to me, it aint the world that's so bad but what we're doin' to it. And all I'm saying is, see, what a wonderful world it would be if only we'd give it a chance. Love baby, love. That's the secret, yeah. If lots more of us loved each other, we'd solve lots more problems. And then this world would be a gasser.
My whole life, my whole soul, my whole spirit is to blow that horn.
Each man has his own music bubbling up inside him.
There are Two Secrets to Success: 1. Don't tell ANYONE Everything you know 2.If you have to ask what Jazz is, you'll never know.
I don't let my mouth say nothin' my head can't stand.
The colors of the rainbow so pretty in the sky Are also on the faces of people goin' by I see friends shaking hands saying, "How do you do" They're really saying "I love you." I hear babies cry, I watch then grow They'll learn much more than I'll ever know; And I think to myself, What a wonderful world; Yes, I think to myself, What a wonderful world. Oh yeah!
The Brick House was one of the toughest joints I ever played in ... Guys would drink and fight one another like circle saws. Bottles would come flying over the bandstand like crazy and there was lots of plain common shooting and cutting. But somehow all that jive didn't faze me at all. I was so happy to have some place to blow my horn.
Seems to me, it aint the world that's so bad but what we're doin' to it. And all I'm saying is, see, what a wonderful world it would be if only we'd give it a chance. Love baby, love. That's the secret...
A lotta cats copy the Mona Lisa, but people still line up to see the original.
You got to love to be able to play
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