Top 76 Quotes & Sayings by Louise Bourgeois
Explore popular quotes and sayings by a French artist Louise Bourgeois.
Last updated on September 18, 2024.
Even though what I do does enter the market, it doesn't interest me. I am exclusively concerned with the formal qualities of my work. It is about the need and the right to self-expression.
My art is a form of restoration in terms of my feelings to myself and to others.
When my mother died, I fell apart. My father wanted to control me. As a consequence, I ran away to America.
My childhood has never lost its mystery, and it has never lost its drama.
I don't watch TV. I don't use a computer, a fax or a cellphone.
I have kept a diary as long as I can remember, and drawings are really another kind of diary.
I know that when I finish a drawing, my anxiety level decreases. The realistic drawings are a way of pinning down an idea. I don't want to loose it. With the abstract drawings, when I'm feeling loose, I can slip into the unconscious.
I was raised a Catholic. But I am not religious. In my work, I am interested in real flesh and blood.
To express your emotions, you have to be very loose and receptive. The unconscious will come to you if you have that gift that artists have. I only know if I'm inspired by the results.
Tell your own story, and you will be interesting.
Space is something that you have to define. Otherwise, it is like anxiety, which is too vague. A fear is something specific. I like claustrophobic spaces, because at least then you know your limits.
Look at it this way - a totem pole is just a decorated tree. My work is a confessional.
I was a 'runaway girl' from France who married an American and moved to New York City. I'm not sure I would have continued as an artist had I remained in Paris because of the family setup.
I have drawn my whole life. My parents were in the tapestry restoration business, and as a young girl, I would draw in the missing parts of the tapestry that needed to be rewoven.
My mother was a restorer, she repaired broken things. I don't do that. I destroy things. I cannot go the straight line. I must destroy, rebuild, destroy again. My rhythm is not the same. My mother moved in a straight line: I go from one extreme to the other.
Horizontality is a desire to give up, to sleep. Verticality is an attempt to escape. Hanging and floating are states of ambivalence.
I am a searcher...
I always was... and I still am...
searching for the missing piece.
Everywhere in the modern world there is neglect, the need to be recognized, which is not satisfied. Art is a way of recognizing oneself, which is why it will always be modern.
Art is manipulation without intervention.
Art is a way of recognizing oneself.
Art is a guarantee of sanity.
A work of art doesn't have to be explained. If you do not have any feeling about this, I cannot explain it to you. If this doesn't touch you, I have failed.
I am a lonely runner, but I am a long-distance runner.
My life has been regulated by insomnia.
Women had to work like slaves in the art world, but a lot of men got to the top through their charm. And it hurt them. To be young and pretty didn't help a woman in the art world, because the social scene, and the buying scene, was in the hands of women - women who had money. They wanted male artists who would come alone and be their charming guests. Rothko could be very charming. It was a court. And the artist buffoons came to the court to entertain, to charm. Now it has changed, now the younger men are in - older women and younger men.
I have been to hell and back, and let me tell you, it was wonderful.
If you are resentful, you keep the thing alive. So the way to go on is to get rid of it, in order to forgive in order to forget.
My work has to do with a defense against fervor. People are always in a rush. To do what? To do nothing! There is a kind of fervor that is completely meaningless. This drawing is a call for meditation.... I am an insomniac, so for me the state of being asleep is paradise. It is a paradise I can never reach. But I still try to conquer the insomnia, and to a large extent I have done it; it is conquerable. My drawings are a kind of rocking or stroking and an attempt at finding peace. Peaceful rhythm. Like rocking a baby to sleep.
The feminists took me as a role model, as a mother. It bothers me. I am not interested in being a mother. I am still a girl trying to understand myself.
I do not need the musing of the philosophers to tell me what I am doing. It would be more interesting to let me know why I am doing it.
Don't get the green disease of envy. Don't be fooled by success and money. Don't let anything come between you and your work.
An artist can show things that other people are terrified of expressing.
It is not so much where my motivation comes from but rather how it manages to survive.
Art is a guarantee of sanity. That is the most important thing I have
said.
When I was growing up, all the women in my house were using needles. I've always had a fascination with the needle, the magic power of the needle. The needle is used to repair damage. It's a claim to forgiveness. It is never aggressive, it's not a pin.
I am not what I am, I am what I do with my hands.
In my sculpture, it's not an image I am seeking, it's not an idea. My goal is to re-live a past emotion. My art is an exorcism, and beauty is something I never talk about.
A work of art doesn't have to be explained.
Clothing is . . . an exercise in memory. It makes me explore the past: how did I feel when I wore that. They are like signposts in the search for the past.
Every day you have to abandon your past or accept it and then, if you cannot accept it, you become a sculptor.
I always had the fear of being separated and abandoned. The sewing is my attempt to keep things together and make things whole.
Everything I do is inspired by my early life”, Bourgeois’ looked up to her mother who was the most important person in her life for many reasons, ‘Maman’ symbolizes her mother; “The friend, because my best friend was my mother and she was deliberate, clever, patient, soothing, reasonable, dainty, subtle, indispensable, neat, and as useful as a spider.
... geometry became a symbol for human relations, except that it was better, because in geometry things never go bad. If certain things occur, if certain lines meet, an angle is born. You cannot fail. It's not going to fail; it is eternal. I found in rules of mathematics a peace and a trust that I could not place in human beings. This sublimation was total and remained total. Thus, I'm able to avoid or manipulate or process pain.
My childhood has never lost its magic, it has never lost its mystery, and it has never lost its drama.
The colour blue - that is my colour - and the colour blue means you have left the drabness of day-to-day reality to be transported into - not a world of fantasy, it’s not a world of fantasy - but a world of freedom where you can say what you like and what you don’t like. This has been expressed forever by the colour blue, which is really sky blue.
The twentieth-century artist who uses symbols is alienated because the system of symbols is a private one. After you have dealt with the symbols you are still private, you are still lonely, because you are not sure anyone will understand it except yourself. The ransom of privacy is that you are alone.
For me, sculpture is the body. My body is my sculpture.
If you flatter me, or if you look at me the right way, I will kill myself to please you. It's very painful to be an overachiever.
A work of art does not need an explanation. The work has to speak for itself. The work may be subject to many interpretations, but only one was in the mind of the artist. Some artists say to make the work readable for the public is an artist’s responsibility, but I don’t agree with that. The only responsibility to be absolutely truthful to the self. My work disturbs people and nobody wants to be disturbed They are not fully aware of the effect my work has on them, but they know it is disturbing.
The Spider is an ode to my mother. She was my best friend. Like a spider, my mother was a weaver. . . Like spiders, my mother was very clever. Spiders are friendly presences that eat mosquitoes. We know that mosquitoes spread diseases and are therefore unwanted. So, spiders are helpful and protective, just like my mother.
One must accept the fact that others don’t see what you do.
To be an artist, you need to exist in a world of silence.
Once I was beset by anxiety but I pushed the fear away by studying the sky, determining when the moon would come out and where the sun would appear in the morning.
The subject of pain is the business I am in - to give meaning and shape to frustration and suffering. The existence of pain cannot be denied. I propose no remedies or excuses.
You must put the essence of what you want to say into a painting. The rest is arbitrary. Chosen with discernment, but chosen, and choice involves elimination.
At the dinner table when I was very little, I would hear people bickering... To escape the bickering, I started modelling the soft bread with my fingers. With the dough of the French bread %u2013 sometimes it was still warm %u2013 I would make little figures. And I would line them up on the table and this was really my first sculpture.
Artists are born not made. There's nothing you can do for them.
Art is restoration: the idea is to repair the damages that are inflicted in life, to make something that is fragmented - which is what fear and anxiety do to a person - into something whole.
I came from a family of repairers. The spider is a repairer. If you bash into the web of a spider, she doesn't get mad. She weaves and repairs it.
It is not a torment to be an artist. It is a privilege.
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