Top 61 Quotes & Sayings by Lukas Forchhammer

Explore popular quotes and sayings by a Danish musician Lukas Forchhammer.
Last updated on December 21, 2024.
Lukas Forchhammer

Lukas Forchhammer is a Danish singer, songwriter, multi-instrumentalist, and former actor. He is best known as the lead singer and multi-instrumentalist for the Danish band Lukas Graham. As a child, Forchhammer starred in the Danish family movie series Krummerne.

I don't know why, but I don't fancy writing love songs; I never have.
I really like singing. I believe that if I wasn't a good singer, I would have been tossed out of school.
Seeing my child born is so much more important than anything else I've got going on. — © Lukas Forchhammer
Seeing my child born is so much more important than anything else I've got going on.
I never want to lose sight of my roots... A lot of artists want the riches and the fame. I want to tell stories you can put into the context of your life.
I don't think I can remain anonymous for that much longer. It was fun while it lasted. Very fun.
Our art, in a sense, is quite revolutionary.
We're surprised, ecstatic, vibrant and exultant about the success of '7 Years.'
The neighborhood where I live has little canals, and there are a lot of houseboats there.
I bought a restaurant - that was pretty expensive.
The lyrics are the essential part in our songs.
In the early '90s, my cousin gave me a Snoop Dogg cassette tape, and the rawness of the lyrics were something new to me.
When we perform music at TV shows, we always try to do something that's not scripted because anything that's a surprise for the audience and the crew and the other performers, it works better on camera and for the people back home, too.
We're like, 'Woah, are we even in that league where we get nominated for a VMA?' And yet our name is right down there among the other nominees. It's very, very strange coming from a country of five and a half million people.
Graham was my father's second name, so I took Graham because Lukas Graham sounded cool.
We don't take advantage of our position. We keep saying no to free stuff, as we can afford it now. — © Lukas Forchhammer
We don't take advantage of our position. We keep saying no to free stuff, as we can afford it now.
Listening to all these different musical genres from all over the world and listening to my father's record collection, the Irish folk influences from home. Of course they're all in there somewhere hiding within the lyrics and melodies. But rap music was the biggest influence on my way of writing and my performing.
I wish we could not ever get recognised on the streets, do no selfies, and still perform music all over the world. Unfortunately I don't think that's going to be the case, but I'm doing my best to just keep my feet on the ground and my eyes on the prize.
We mix a lot of genres - soul, pop, jazz - but we most agree on hip-hop.
The furthest I can see is me being 60.
I just thought it would be awesome to become a lawyer, especially being from a neighborhood seeing the police rough up so many people unnecessarily, people who haven't done nothing. Growing up with kids from dysfunctional families and stuff, I just felt that some kind of difference could be done. And now I'm getting to do it with music instead.
It's very satisfying when you see your song at the top of the charts.
A part of me understands why a mother is equally proud of all her children, but that little boy inside me just wants my mom to say, out loud but even just to me, 'I'm a little bit prouder of you.'
It's always more fun when something happens outside of a script.
I find it a very, very powerful thing to be yourself and not to try and be something else and to use that as your biggest shield and your biggest attack in the world - to just be you.
I never watched any award show.
Our goals, our dreams and ambitions have always been towards performing live music across the globe, and so when we were told we were performing at The Billboard Awards or being nominated for a VMA, they're like extra bonuses.
'7 Years' seems to have attracted a lot of age groups - people seem to see their own lives in the song, and it's great to see so many people reacting in that way to it.
I've always wanted to release records in America. That's where I believe the music belongs, and the style and the eclectic musical mix that we put together kind of belongs here.
If I moved to L.A., I wouldn't move to a ghetto neighborhood. I'd move to some posh, fancy place.
Writing is very cathartic for me.
If it was up to me, it would be nice not ever to get stopped on the street, because we just do music. I didn't do this to become a celebrity.
My biggest influence is rap. It spoke to me, probably because of my upbringing in Christiania. You listen to 'The Chronic' and you can hear that anger and frustration.
Dr. Dre's '2001' album changed modern pop music.
What hit me in the gut about hip-hop was that someone else grew up tough enough to be angry at the entire system.
I was writing rap at 12 years old and began writing songs as a 20-year-old. I think I wrote my first song in the winter of 2008-2009, when I was in Buenos Aires. I was writing about growing up and my boys back home.
I get emotionally spent answering questions about my dead father and my criminal friends and my upbringing in a hippie environment in a marginalized community.
Christiania has a lot of strong, nuclear families. It gave us a sense of empowerment and belonging and richness. We had so much love; we were never in doubt that we were wanted in this world.
I think losing my father was OK in the sense that it's cool for me not to have a father; it's normal. I'm supposed to bury my father. But what I didn't realize was that my father was my best friend, and that still gets me... that still irritates me a lot.
'7 Years' is, you could say, a song that eats its own children. That we need to get past the song and get to the person and get to the record and get to the music so we can keep releasing.
I write instead of going to the shrink! — © Lukas Forchhammer
I write instead of going to the shrink!
The songs were there before the band was there, and it's my songs. And it's like, we're not in the 1950s. We can't call ourselves, like, 'The Revolvers' - it just doesn't work that way. And 'The Lukas Graham Band' just sounded wrong.
I write about what happens in my life - and my dad's passing was a huge blow to me.
I don't mind Ed Sheeran, but I wouldn't want to be compared to a guy that builds his song around a guitar, since we do not have a guitar in our band.
We're talking about growing up in regular families, dreaming about better things, instead of popping bottles in the club and spending a lot of money that you don't have while living in your mother's basement.
It's not that I'm trying to write another '7 Years' or a new version of 'Mama Said.' Songs just kind of come out of nowhere, and you need to catch them when they do.
I think it's an important thing, if you grew up in a neighbourhood that's different from the rest of the world, to remember what was different about your place and keep that in your heart, because that's what made you.
When you get frisked by the police at the age of 10, and they empty your schoolbag out in the street and kick your books around and calling you names because of where you live, you just get an anger towards everyone who is outside of your neighborhood.
I dropped out of law school when I got my record deal.
We have a big fan base in Australia, but none of us have been before.
I'll probably stay in Copenhagen... I can keep writing songs about my local community and about crime. — © Lukas Forchhammer
I'll probably stay in Copenhagen... I can keep writing songs about my local community and about crime.
We've had to be escorted out of venues, things like that. We get security guards now.
I remember getting a toilet in our house. I remember sharing a bedroom with my sister, and my little sister was sleeping in my mom and dad's room.
I don't play any instruments. I don't produce. I don't know which keys or chords I am using, so, in essence, I need the band and the production team - otherwise, I am just some guy with a hat and a song.
When my dad died, my world crumbled.
The last thing I want is for people to say that the music is nice. It's not nice. It sounds good, but it's got grit, and it's got edge. It never veers into sweet.
I grew up with nothing, and I know that I don't need anything to be happy. We were wearing second-hand clothing and eating leftovers, and I was so happy. Five-star hotels and private pick-ups hasn't changed that.
I always saw law as a performance, just like being on a stage.
That's why I can't listen to a whole record of Adele's. She has the most amazing voice, but people must have convinced her they just want to hear love songs.
I don't know how to thank all the people listening to our music. It's so amazing to come home to my friends who resist conformity, because they're so happy that I've made it.
Here in America, the big-brand collaborations kind of signify how far you've gotten. So in that sense, it's a giant kudos to us that we, within the first year, get to be the first ones to be the launchers of this Pepsi Sound Drop.
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