Top 159 Quotes & Sayings by Lupita Nyong'o

Explore popular quotes and sayings by a Mexican actress Lupita Nyong'o.
Last updated on December 23, 2024.
Lupita Nyong'o

Lupita Amondi Nyong'o is a Kenyan-Mexican actress. The daughter of Kenyan politician Peter Anyang' Nyong'o, she was born in Mexico City, where her father was teaching, and was raised in Kenya from the age of one. She is the recipient of several accolades, including an Academy Award, a Daytime Emmy Award, four NAACP Image Awards, and two Screen Actors Guild Awards. Additionally, she has been nominated for two Primetime Emmy Awards and a Tony Award.

There's always a sense of newness with acting, because every role, you come to every role fresh.
Home is where my family is.
I hope we can form a community where a woman can speak up about abuse and not suffer another abuse by not being believed and instead being ridiculed. — © Lupita Nyong'o
I hope we can form a community where a woman can speak up about abuse and not suffer another abuse by not being believed and instead being ridiculed.
I spent some time back in Mexico at 16 because my parents thought it would be prudent for me to learn Spanish, because I held a Mexican passport.
We, as human beings, have the capacity for extreme cruelty.
Every single laundromat, grocery store, everything is called 'Lupita' in Mexico.
When I was younger, I was almost too afraid to admit that I wanted to be an actor. I didn't know any successful actors in Kenya, so I felt like I could get away with going to college to study film more easily than I could with saying, 'I want to be an actor.' That's what I did.
There is something about acting that's mysterious and magical because there is only so much I can do to prepare, and then I have to just let go and breathe and believe that it will come through.
One of the reasons why I went to the Yale School of Drama is because I felt that I was acting off of instinct, but sometimes that is not reliable. When you're not feeling it, what do you do? So, going to grad school was about getting the tools to just use my instrument to the best of my ability.
I love filmmaking, but I decided to go to drama school because I thought that when I'm 60 and looking back on my life, if acting hadn't been a part of it, I would hate myself.
I was raised in Kenya, and I always wanted to be an actor from when I was really, really little, but the first time I thought it was something that I could make a career of was when I watched 'The Color Purple.' I think I was nine, maybe, and I saw people that looked like me - Whoopi Goldberg and Oprah.
Human beings have an instinct for freedom.
I have dabbled in martial arts all my life, since I was 7, maybe - tae kwon do, capoeira, Muay Thai. It's always been an interest because in martial arts there is a mind/body relationship.
I can speak of actors that I love. I love Cate Blanchett, Viola Davis, her tenacity. I love Charlize Theron. She's so surprising and so exhilarating, the kinds of projects she takes on. Marion Cotillard as well.
I always envisioned working in film and in theater. Theater and film are not, they're not in any way substitutable. What I love about theater is so different from what I love about film, and I enjoy the craft of both.
The set of '12 Years a Slave' was an extremely joyous one! We all recognized that we were making a powerful, necessary and beautiful film, and we weren't about doing it without that sense of responsibility, and we recognized that we needed each other to tell this story. We also knew we needed to hold each other up as we told the story.
It's so funny, you go to acting school thinking you're going to learn how to be other people, but really it taught me how to be myself. Because it's in understanding yourself deeply that you can lend yourself to another person's circumstances and another person's experience.
The beauty standards had nothing to do with me in Mexico. It was such a bizarre, dire time for my hair. I was living in a small town where there was not any semblance of an African community. I'd have to take the bus to Mexico City to find a woman who could braid my hair. That was two and a half hours away.
I didn't know any successful actors in Kenya, so I felt like I could get away with going to college to study film more easily than I could with saying, 'I want to be an actor.' That's what I did.
I feel privileged that people are looking up to me, and perhaps a dream will be born because of my presence. — © Lupita Nyong'o
I feel privileged that people are looking up to me, and perhaps a dream will be born because of my presence.
The muscles you flex in theater are muscles that you really need. I must always find a way to get back there. It's irreplaceable.
I grew up in the limelight and being the child of someone famous. So my relationship with fame is not bedazzled.
I thrive on structure. I find my freedom in structure.
I discovered that joy is not the negation of pain, but rather acknowledging the presence of pain and feeling happiness in spite of it.
I'm Mexican and Kenyan at the same time. I've seen the quarrels over my nationality, but I'm Kenyan and Mexican at the same time. So again, I am Mexican-Kenyan, and I am fascinated by carne asada tacos.
What colonialism does is cause an identity crisis about one's own culture.
I got teased and taunted about my night-shaded skin, and my one prayer to God, the miracle worker, was that I would wake up lighter-skinned. The morning would come, and I would be so excited about seeing my new skin that I would refuse to look down at myself until I was in front of a mirror because I wanted to see my fair face first.
I don't need to be so full of myself that I feel I am without flaw. I can feel beautiful and imperfect at the same time. I have a healthy relationship with my aesthetic insecurities.
I want to be uncomfortable - acting is uncomfortable.
I've loved the opportunity to learn about the fashion world and appreciate it as an art form, and I look forward to my continued education, but I never want it to take over my acting.
My parents gave me a Mexican name. In our culture, we are named after the events of the day.
Part of being an artist is that you are always concerned you don't have what it takes. It... keeps us honest.
I thought I was going to school to be other people, but really, what I learned was to be myself - accepting myself, my strengths and weaknesses.
As human beings, we aren't as individual as we'd like to believe we are. And I think that's what makes acting possible. Despite the fact that I have not experienced something, I have it in my human capacity to imagine it and to put myself in someone else's shoes, and to take someone else's circumstances personally.
I grew up watching foreign programs - American, English, Mexican, and very little Kenyan. 'The Color Purple' was the first time I saw people who looked like me.
My conscious life has all been in Kenya, and it's my point of reference. But going back to Mexico was very formative.
I'm pretty awesome at making salad dressings.
I give myself homework when I have an audition. I give myself goals, and that's how I check how I'm doing. It can be something simple like 'listen,' or 'find your feet.' And then afterward it's an assessment, so in a way it's not about booking the job or not. It's about what I learned as an actor about that character.
My immediate family was always very supportive. It was my own fear of the rest of the world not accepting me, the rest of our society not accepting my wish to be an actor. — © Lupita Nyong'o
My immediate family was always very supportive. It was my own fear of the rest of the world not accepting me, the rest of our society not accepting my wish to be an actor.
I loved make-believe. I was the child in the cupboard playing with my Barbies.
I have the opportunity to learn about the fashion world, and I appreciate it as an art form... But I never want it to take over my acting.
I am thrilled beyond words that The Academy has recognized my performance in Steve McQueen's '12 Years a Slave,' and I am deeply proud to be in the company of my fellow nominees.
Being considered a fashion star is wonderful. It's definitely a bonus thing.
In the madness, you have to find calm.
It's only when you risk failure that you discover things. When you play it safe, you're not expressing the utmost of your human experience.
Dreams are the foundation of Hollywood. And dreams are the foundation of America.
The first time I cut all my hair off was when I was 19. I just got fed up going to the salon every week. I'd had enough! On a whim, it was off. It's low-maintenance.
I have a very ostrich mentality. I feel like I have my head in the sand so no one can see me.
All throughout filming '12 Years a Slave,' there was a focus like no other. Everyone took ownership of this film and gave their all.
I'm interested in generating work for myself. I have trouble with this waiting-for-the-phone-to-ring lifestyle, especially after drama school, which was so creatively fulfilling.
Drama is my sweet spot, but the thing about being an actor is that you want to do a variety of things. I definitely love fantasy and would want to be in a fantasy project.
My father was a professor of political science and also a young politician fighting for democracy in Kenya, and when things got ugly, he went into political exile in Mexico.
I would love to have a career that's governed by the material; I always want to be part of stories that I feel are worthwhile.
Whoopi Goldberg looked like me, she had hair like mine, she was dark like me. I'd been starved for images of myself. I'd grown up watching a lot of American TV. There was very little Kenyan material, because we had an autocratic ruler who stifled our creative expression.
Slavery is something that is all too often swept under the carpet. The shame doesn't even belong to us, but we still experience it because we're a part of the African race. If it happened to one, it happened to all. We carry that burden.
Clay can be dirt in the wrong hands, but clay can be art in the right hands. — © Lupita Nyong'o
Clay can be dirt in the wrong hands, but clay can be art in the right hands.
As actors, you become an expert at starting over.
I come from a very close class. I lucked out because drama schools are often very competitive... I have fourteen classmates.
My mother talked about the stories I used to spin as a child of three, before I started school. I would tell this story about what school I went to and what uniform I wore and who I talked to at lunchtime and what I ate, and my mother was like, 'This girl does not even go to school.'
My father was a professor of political science and also a young politician fighting for democracy in Kenya, and when things got ugly, he went into political exile in Mexico. Then I moved back to Kenya shortly after I turned one, and I grew up in Kenya.
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