Top 11 Quotes & Sayings by Lyor Cohen

Explore popular quotes and sayings by an American businessman Lyor Cohen.
Last updated on November 21, 2024.
Lyor Cohen

Lyor Cohen is an American record executive and entrepreneur. Cohen has been actively involved in hip hop at various record labels for more than 30 years. He started by managing rappers for Rush Productions, then led Def Jam. After Def Jam, Cohen took on a leadership role at Warner Music Group. In September 2012, Cohen resigned from Warner and started his own independent label, 300 Entertainment. On September 28, 2016, Cohen was named YouTube's Global Head of Music.

Everything gets thrown off depending on whether the Packers are playing. I grew up in L.A., and we had a terrible quarterback, Roman Gabriel. When I was 11 years old, I fired him, I fired the Rams, and I picked a quarterback I aspired to be. That was Bart Starr. That's how long I've been a Packers fan.
Rap now is multi-generational, which has its own issues. My son is a big Cudi fan, but he does not like talking to me about Kid Cudi.
I used to have a gym in the house. I thought that was a fantastic luxury. — © Lyor Cohen
I used to have a gym in the house. I thought that was a fantastic luxury.
I like moments of staleness and mildew, simply because it creates the lane for change.
My week is full-tilt boogie. I wake up every morning, and the singular thought in my head is that maybe today is the day that I'm going to find an artist who is so amazing, an artist who will change pop culture. I'm in hot pursuit, always.
The primary part of the weekend is centered around my children, and I have to be flexible. To call an audible is to be liquid enough to understand that at any given time you have to be a chauffeur or a chaperone, especially for my 12-year-old and whatever her plans are.
Content that's generated out of America, whether it be film or music, has, in my opinion, much greater impact in sustaining our credibility and our place as a cultural capital. This is our great export.
I think it would be bad for culture and the art if artists and people who develop the apparatus to support those artists don't get paid.
Hip-hop had become overly aspirational and shiny, full of vivid technicolors. Cosmetic fronting was not part of the ethos of our get down. Our get down was more blue collar. Our aspirations were to shine a light on the plight and experience of the inner cities of America.
Going to radio with a rap record prior to going to the consumer is like having no foreplay with your girlfriend.
I don't typically do what you're supposed to do. I focus on what I should do.
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