Top 23 Quotes & Sayings by Madison Smartt Bell

Explore popular quotes and sayings by an American novelist Madison Smartt Bell.
Last updated on December 18, 2024.
Madison Smartt Bell

Madison Smartt Bell is an American novelist. While established as a writer by several early novels, he is especially known for his trilogy of novels about Toussaint Louverture and the Haitian Revolution, published 1995–2004.

To me, there is nothing more soothing than the song of a mosquito that can't get through the mesh to bite you.
In 'For Whom the Bell Tolls,' Hemingway cozies up to revolution by romanticizing it (and not only with those execrable love scenes).
I had a house in Haiti, in the hills above the North Atlantic coast. The house appeared as if out of a dream: my dream to have a foothold in the country. Like many concepts do in Haiti, the phrase 'pied a terre' became literal, material.
Our cultural capital has changed tremendously on its way into the twenty-first century. Manhattan has been secured and sanitized; it's smoke- and trans-fat-free. In the boroughs, many of the old jungles have been cleared as well.
John Fahey, thought during his lifetime to be possibly more than a little crazy, was the author of some thirty albums of gnomically introverted droning guitar instrumentals, which I listened to heavily in my teens and twenties; I even produced an hour or so of banjo music in an imitative John Fahey style.
The country is too often assumed to be a backward place: The First World has trouble remembering that Haitians were two centuries ahead of us in abolishing slavery and in extending full rights of citizenship to everyone, regardless of race.
Hemingway's minimalism is based on the psychological mechanics of repression. An echo of his approach can be detected in a favorite trope of 1980s minimalists: a pattern of reference to dire secrets and hidden wounds these authors didn't realize they were supposed to have imagined.
One can't do anything alone in Haiti. Sharing and cooperation are so deeply woven into the culture that sometimes it's hard to have a separate thought.
Since the 1960s, exile for Haitians is a condition that ends only to begin again.
Normally, most writers don't say, 'I'm going into a mild hypnotic trance.' Typically, they don't know how they do it. Most people, when they have a good experience writing, they're well placed in that state, which is also sometimes called a 'flow state.' If you don't have trouble, you don't have to think about it.
Haiti was founded by African slaves who rose against their European masters, had a revolution, and created a new state. There is no other such event in Western history.
I have always had a mystical attitude toward inspiration. That's my nature. — © Madison Smartt Bell
I have always had a mystical attitude toward inspiration. That's my nature.
I had been an abject fan of Robert Stone since the early eighties, when I borrowed a copy of 'A Flag for Sunrise' to read on a plane to Rome. I was twenty-something, with a first novel under my belt.
I don't call myself a very good Christian, but I think I know one when I see one, and I also think I know when I don't.
Jeremy Popkin's collection of first-person narratives of the Haitian Revolution is an extremely valuable work, accessible, sound and intelligent. I only wish such a book had been available fifteen years ago when I was in the early stages of researching my series of novels. Popkin has been deft and tactful in stitching together these excerpts, and as a result, he manages to tell a complete version of the Revolution almost entirely in the words of the people who experienced it-this book engaged me deeply.
Edwidge Danticat's prose has a Chekhovian simplicity--an ability to state the most urgent truths in a measured and patiently plain style that gathers a luminous energy as it moves inexorably forward. In this book she makes a strong case that art, for immigrants from countries where human rights and even survival are often in jeopardy, must be a vocation to witness if it is not to be an idle luxury.
I dont call myself a very good Christian, but I think I know one when I see one, and I also think I know when I dont. — © Madison Smartt Bell
I dont call myself a very good Christian, but I think I know one when I see one, and I also think I know when I dont.
Sometimes you don't get but one mistake, if the one you pick is bad enough.
In TheColorful Apocalypse, Greg Bottoms explores the frontier between inspiration and psychosis with the expressive power, the passionate fervor, and the faithfully unflinching honesty for which his work is deservedly known. This book is incisive, startling, and often genuinely moving.
In For Whom the Bell Tolls, Hemingway cozies up to revolution by romanticizing it (and not only with those execrable love scenes).
Imaginative writing has always been a solitary and indeed a somewhat antisocial activity. Apprenticeship existed, no doubt, but it was an apprenticeship to books and not to living masters of the craft.
To me, there is nothing more soothing than the song of a mosquito that cant get through the mesh to bite you.
I have always had a mystical attitude toward inspiration. Thats my nature.
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