Top 76 Quotes & Sayings by Marguerite Yourcenar

Explore popular quotes and sayings by an American novelist Marguerite Yourcenar.
Last updated on September 17, 2024.
Marguerite Yourcenar

Marguerite Yourcenar was a French novelist and essayist born in Brussels, Belgium, who became a US citizen in 1947. Winner of the Prix Femina and the Erasmus Prize, she was the first woman elected to the Académie française, in 1980, and the seventeenth person to occupy seat 3.

Men who care passionately for women attach themselves at least as much to the temple and to the accessories of the cult as to their goddess herself.
I have never seasoned a truth with the sauce of a lie in order to digest it more easily.
Every invalid is a prisoner. — © Marguerite Yourcenar
Every invalid is a prisoner.
A young musician plays scales in his room and only bores his family. A beginning writer, on the other hand, sometimes has the misfortune of getting into print.
He had reached that moment in life, different for each one of us, when a man abandonds himself to his demon or to his genius, following a mysterious law which bids him either to destroy or outdo himself.
Life is atrocious, we know. But precisely because I expect little of the human condition, man's periods of felicity, his partial progress, his efforts to begin over again and continue, all seem to me like so many prodigies which nearly compensate for the monstrous mass of ills and defeats, of indifference and error. Catastrophe and ruin will come; disorder will triumph, but order will too, from time to time.
A book may lie dormant for fifty years or for two thousand years in a forgotten corner of a library, only to reveal, upon being opened, the marvels or the abysses that it contains, or the line that seems to have been written for me alone. In this respect the writer is not different from any other human being: whatever we say or do can have far-reaching consequences.
I have never seasoned a truth with the sauce of a lie in order to digest it more easily
Our true birthplace is that in which we cast for the first time an intelligent eye on ourselves. My first homelands were my books.
Love is a punishment. We are punished for not having been strong enough to remain alone.
In alchemical treatises, the formula L'Oeuvre au Noir ... designates what is said to be the most difficult phase of the alchemist's process, the separation and dissolution of substance. It is still not clear whether the term applied to daring experiments on matter itself, or whether it was understood to symbolize trials of the mind in discarding all forms of routine and prejudice. Doubtless it signified one or the other meaning alternately, or perhaps both at the same time.
The mask, given time, comes to be the face itself
Since man, fragment of the universe, is governed by the same laws that preside over the heavens, it is by no means absurd to search there above for the themes of our lives, for those frigid sympathies that participate in our achievements as well as our blunderings.
The true birthplace is that wherein for the first time one looks intelligently upon oneself; my first homelands have been books, and to a lesser degree schools. — © Marguerite Yourcenar
The true birthplace is that wherein for the first time one looks intelligently upon oneself; my first homelands have been books, and to a lesser degree schools.
If you love life you also love the past, because it is the present as it has survived in memory." Translation by David Downie
We say: mad with joy. We should say: wise with grief.
In the evenings the art of building gave way to that of music, which is architecture, too, though invisible.
On the whole, however, it is only out of pride or gross ignorance, or cowardice, that we refuse to see in the present the lineaments of times to come.
Do not mistake me. I am not yet weak enough to yield to fearful imaginings, which are almost as absurd as illusions of hope, and are certainly harder to bear. If I must deceive myself, I should prefer to stay on the side of confidence, for I shall lose no more there and shall suffer less.
Morals are a matter of private agreement; decency is of public concern.
I don't think I ever relinquish a person I have known, and surely not my fictional characters. I see them, I hear them, with a clarity that I would call hallucinatory if hallucination didn't mean something else ... A character whom we create can never die, any more than a friend can die ... Through [my characters] I've lived many parallel lives.
When two texts, or two assertions, perhaps two ideas, are in contradiction, be ready to reconcile them rather than cancel one by the other; regard them as two different facets, or two successive stages, of the same reality, a reality convincingly human just because it is too complex.
This city belongs to ghosts, to murderers, to sleepwalkers. Where are you, in what bed, in what dream?
Books are not life, only its ashes.
age means nothing. If anything I feel that I'm still a child: eternity and childhood are my ages.
All happiness is a work of art: the smallest error falsifies it, the slightest hesitation alters it, the least heaviness spoils it, the slightest stupidity brutalizes it.
Every life is punctuated by deaths and departures, and each one causes great suffering that it is better to endure rather than forgo the pleasure of having known the person who has passed away. Somehow our world rebuilds itself after every death, and in any case we know that none of us will last forever. So you might say that life and death lead us by the hand, firmly but tenderly.
I knew that good like bad becomes a routine, that the temporary tends to endure, that what is external permeates to the inside, and that the mask, given time, comes to be the face itself.
Translating is writing.
For me, a poet is someone who is 'in contact.' Someone through whom a current is passing.
Everything is too far away in the past, or mysteriously too close.
I am not sure that the discovery of love is necessarily more exquisite than the discovery of poetry.
For my part I have sought liberty more than power, and power only because it can lead to freedom. What interested me was not a philosophy of the free man (all who try that have proved tiresome), but a technique: I hoped to discover the hinge where our will meets and moves with destiny, and where discipline strengthens, instead of restraining, our nature.
The written word has taught me to listen to the human voice, much as the great unchanging statues have taught me to appreciate bodily motions.
It is not difficult to nourish admirable thoughts when the stars are present.
Of all our games, love's play is the only one which threatens to unsettle the soul.
Passion such as hers is all consent, asking little in return. I had merely to enter a room where she was to see her face take on that peaceful expression of one who is resting in bed. If I touched her, I had the impression that all the blood in her veins was turning to honey.
The world is big … May it please the One who perchance is to expand the human heart to life's full measure. — © Marguerite Yourcenar
The world is big … May it please the One who perchance is to expand the human heart to life's full measure.
Want of passion is, I think, a very striking characteristic of Americans, not unrelated to their predilection for violence. For very few people truly have a passionate desire to achieve, and violence serves as a kind of substitute.
But happiness is brittle, and if men and circumstances don't destroy it, it is threatened by ghosts.
The technique of a great seducer requires a facility and an indifference in passing from one object of affection to another which I could never have; however that may be, my loves have left me more often than I have left them, for I have never been able to understand how one could have enough of any beloved. The desire to count up exactly the riches which each new love brings us, and to see it change, and perhaps watch it grow old, accords ill with multiplicity of conquests.
One reads thousands of books, of poets, modern and ancient, as one meets thousands of people. What remains of it all is hard to tell.
I have come to think that great men are characterized precisely by the extreme position which they take, and that their heroism consists in holding to that extremity throughout their lives.
All happiness is a form of innocence.
To stay in one place and watch the seasons come and go is tanatmount to constant travel: One is traveling with the earth.
Our great mistake is to try to exact from each person virtues which he does not possess, and to neglect the cultivation of those which he has.
nothing is slower than the true birth of a man
Cruelty is the luxury of those who have nothing to do, like drugs or racing stables.
There are stages in bread-making quite similar to the stages of writing. You begin with something shapeless, which sticks to your fingers, a kind of paste. Gradually that paste becomes more and more firm. Then there comes a point when it turns rubbery. Finally, you sense that the yeast has begun to do its work: the dough is alive. Then all you have to do is let it rest. But in the case of a book the work may take ten years.
Everything turns out to be valuable that one does for one’s self without thought of profit. — © Marguerite Yourcenar
Everything turns out to be valuable that one does for one’s self without thought of profit.
Writing is a perpetual choice between a thousand expressions, none of which satisfies me, none of which, above all, satisfies me without the others. Yet I ought to know that only music permits a succession of chords.
Everything that we do affects our fate for better or for worse. The circumstances into which we are born also exert a tremendous influence; we come into the world with debits and credits for which we are not responsible already posted to our account: this teaches us humility.
No one understands eternity. One simply recognizes its existence.
This morning it occurred to me for the first time that my body, my faithful companion and friend, truer and better known to me than my own soul, may be after all only a sly beast who will end by devouring his master.
The American child, driven to school by bus and stupefied by television, is losing contact with reality. There is an enormous gap between the sheer weight of the textbooks that he carries home from school and his capacity to interpret what is in them.
A touch of madness is, I think, almost always necessary for constructing a destiny.
I believe that friendship, like love, of which it is a particular kind, requires nearly as much art as a successful choreography.
Any truth creates a scandal.
Ancient and oriental civilizations were more sensitive than we are to the cycles of things; to the succession of generations, both divine and human; and to change within stasis. Western man is virtually alone in wanting to make his God into a fortress and personal immortality into a bulwark against time.
Every hour has its immediate duty, its special injunction which dominates all others.
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